Lisa Illean Arcing, stilling, bending, gathering NMC Records, 2024 Composer Lisa Illean (b. 1983) is from Australia and has been based in recent years in the UK. Her work encompasses a variety of techniques, including alternate tunings and sampled electronics. These are means to consummately expressive ends, and Illean’s music maintains an organic sensibility irrespective of how the sounds are formed. The title piece, performed by the Australian Academy of Music, is split into various constellations of sound: small groups of strings, solo piano, and pre-recorded sound. Illean uses detuned pitch collections to make a supple harmonic language. Like much
Read moreCanyons compilation Sequenza 21 friend Nick Norton has speedily put together a digital compilation called “Canyons” to benefit LA firefighters. It is a loaded setlist, with contributions from India Galley, Dustin Wong, Molly Pease, Isaac Schankler, Nicholas Deyoe, Warp Trio, and more. The release is pay what you like on Bandcamp (embed below), but don’t be stingy; the firefighters can use all the help they can get. comp.02_canyons by people | places | records
Read moreKalevi Aho String Quartets 1-3 Stenhammar Quartet BIS Kalevi Aho (1949-) is a prominent Finnish composer whose oeuvre includes a number of orchestral and chamber works and a smaller body of vocal music. His string quartets are from relatively early in his career, the first from quite early, written when he was only eighteen. All three are included on a BIS recording made by the Stenhammar Quartet, a group from Sweden. The pieces are presented out of order, beginning with the second quartet, which was written in 1970, during his studies with Einojuhani Rautavaara at the Sibelius Academy
Read morePersist Ethel and Allison Loggins-Hull Sono Luminus The string quartet Ethel presents a characteristically diverse program of contemporary music on Persist, their first recording for Sono Luminus. They are joined by composer/flutist Allison Loggins-Hull and the resulting quintet are strong advocates for the emerging composers featured here. The title work is by Loggins-Hull, currently a composer fellow with the Cleveland Orchestra. Her work is gracefully written and appealing. Persist begins with an ambling section with an angular flute melody, pizzicato strings and percussion instruments. This is varied throughout, juxtaposed with presto passages featuring quickfire flute lines accompanied by
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CD Review, CDs, Contemporary Classical, Experimental Music, File Under?, London, Twentieth Century Composer
Music for Trumpets, Bass Clarinets, and Saxophones Aural Terrains Rebecca Toal, Katie Lodge, Bradley Jones, trumpets Raymond Brien, Michelle Hromin, Eb and bass clarinets Chris Cundy, Yoni Silver, bass clarinets Robert Burton, soprano saxophone Julie Kjaer, alto saxophone, Tim Hodgkinson, alto saxophone and conducting Jason Alder, baritone saxophone, contrabass clarinet William Cole, conducting A live recording made in England’s Cafe Oto, Music for Trumpets, Bass Clarinets, and Saxophones includes both brand new compositions for the assembled musicians and important pieces from the contemporary canon. An example of the latter is John Cage’s Five (1988) which is performed by
Read moreMusic Sacra Classics for Christmas: Mozart, Bach, and Beethoven Musica Sacra Chorus and Orchestra Kent Tritle, conductor Simone Dinnerstein, piano Susanna Phillips, soprano Carnegie Hall December 18, 2024 NEW YORK – Musica Sacra, directed by Kent Tritle, gave a concert of Christmas music on Thursday, but you didn’t hear caroling. The group presented choral pieces with Christmas texts, and topped things off with the Beethoven Choral Fantasy, a piece premiered in December 1822 but having little to do with the holiday. Still, the work, which is part piano concerto and part choral cantata, is festive and was jubilantly performed.
Read moreCrimson Roses: Contemporary American Choral Music Naxos Music CD Musica Viva Choir and Orchestra, Alejandro Hernandez-Valdez, conductor Erin Sensenig, soprano Frederica von Stade, mezzo-soprano After a lengthy and illustrious career, the mezzo-soprano Frederica von Stade says farewell on Crimson Roses, an album recorded by Musica Viva that includes three contemporary choral pieces. The title work, And Crimson Roses Once Again Be Fair, composed by Joseph Turrin, features both von Stade and soprano Erin Sensenig. It is a forty-five minute long cantata that commemorates the 100th anniversary of the First World War. Turrin set three poets who were part of the
Read more92nd Street Y Thursday, December 2024 Photos courtesy of Joseph Sinnott NEW YORK – When devising a recital program, pianist Jeremy Denk always provides thematic interest to abet the musical diversions. The centerpiece and entire second half of his performance at the 92nd Street Y was the Concord Sonata by Charles Ives, a totemic work in the repertoire of twentieth century piano music. Denk is an Ives specialist, having recorded both the piano and violin sonatas for Nonesuch (more on that later). The first half of the recital complemented Ives with a composer he revered (and quoted
Read moreKenneth Hesketh Hände – Music for Piano Clare Hammond, Paladino Music Composer Kenneth Hesketh has written several works for piano, and Clare Hammond has for years been their most dedicated advocate. Hände is a collection of her detailed performances of seven pieces, ranging from miniatures to two substantial works. The first of the latter is Poetic Conceits (2006), a six movement suite of character pieces. “Epigram,” “Epigraph,” “Epitaph,” and “Mad Pursuits” demonstrate colorful post-tonal harmony and angular gestures, while “Of Silence and Slow Time” and “Cold Pastoral” proceed gradually with aching lyricism. Pour Henri (2013) is dedicated to
Read moreTwo Early Music Ensembles Visit New York Iestyn Davies, countertenor, Fretwork, viols, and Silas Wollston, organ and virginal, Carnegie Hall’s Zankel Hall, December 3rd, 2024 The Tallis Scholars, presented by Miller Theatre’s Early Music Series at Church of St. Mary the Virgin, December 5th, 2024 NEW YORK – This past week’s concert schedule featured two early music ensembles, one specializing in early baroque music, and the other known for renaissance repertoire but presenting a more wide-ranging program. The countertenor Iestyn Davies is a highly regarded interpreter of Handel’s operas. He also appeared in Claire van Kempen’s play Farinelli and the
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