New York

Concerts, Contemporary Classical, Events, New York, Piano

Jenny Q. Chai: Interview/Preview of her Zankel Hall Concert

New music pianist Jenny Q. Chai is making a special appearance at Carnegie Hall’s Zankel Hall on April 19th at 7:30 PM playing some great pieces by Ligeti, Marco Stroppa, György Kurtág, Messiaen, and even Schumann (guess they’re trying to make him sound young again) as well as two world-premiere pieces by composers Ashley Fu-Tsun Wang and Inhyun Kim. She had some time to talk with me about that upcoming show and her musical path.

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Concerts, Contemporary Classical, File Under?, New York

Monday: Too Many Concerts

It’s one of those evenings when you wish you could be at two New York concert venues at once! Mohammed Fairouz’s opera, Sumeida’s Song, will be performed at Zankel Hall on 4/2 at 7:30. The work is based on playwright Tawfiq El Hakim’s Song of Death. Presented by the Mimesis Ensemble (conducted by Scott Dunn), the cast features soprano Jo Ellen Miller, mezzo Rachel Calloway, tenor Robert Mack, and baritone Mischa Bouvier. (Ticket info here). Also on Monday at 7:30 PM, Cutting Edge Concerts Festival kicks off its fifteenth season at the Leonard Nimoy Thalia Theater at Symphony Space. Monday nights in

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Composers, Concerts, Contemporary Classical, Festivals, New York

William Zuckerman and his Symphony Z

In December 2010, as I was still adjusting to the climate change between Houston, Texas and Ann Arbor, Michigan, I heard a piece that has stuck with me ever since. I wrote about it here, along with two others, and called this particular work, which was performed with video and dance, “the most well executed student production of ANY KIND I have seen.” This piece is Music in Pluralism by William Zuckerman, a former University of Michigan composition student who is currently freelancing in New York. On April 11th at 8 PM, in the Kaufman Center’s Merkin Hall, Music and

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Concerts, Contemporary Classical, File Under?, New York, Video

Brand New Ensemble … Newish Venue … New Music

Tonight, Hotel Elefant makes its debut concert at the DiMenna Center for Classical Music (a venue that’s just celebrated its one-year anniversary). The concert features two works by David T. Little. Sequenza 21’s own James Holt will be on hand to host the event; he’ll conduct an onstage interview with Little. Below, check out one of several preview videos from the ensemble’s YouTube channel (there’s interview footage with several of the program’s composers): composer Leah Maria Villarreal and violinist Andie Springer discuss preparing a new multimedia work entitled “The Warmth of Other Suns.” [youtube]http://www.youtube.com/watch?v=GdbA8NI_h_s&context=C4314331ADvjVQa1PpcFNz3zMqRTkDBl6aFxh7lVlR6vZXMo72GbY=[/youtube] Event Details Thursday, March 15, 2012

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CDs, Competitions, Concerts, Contemporary Classical, File Under?, New York, Piano

And the Winner of the David Lang Competition is….

Congratulations to pianist Peter Poston for winning the David Lang 2011 Competition. Below is his award-winning entry, a performance of Wed, submitted via YouTube: Poston will get to perform as part of an all Lang program at le poisson rouge in New York City on May 6, 2012 at 5pm. The concert at LPR includes Andrew Zolinsky performing selections from the CD, a new 4-hand piano work premiered by Zolinsky and Poston, a new 6-hand piano piece for the 3 runners-up – Catarina Domenici, Katherine Dowling, and Denise Fillion – and performances by guitar legend Derek Johnson and other special

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Choral Music, Composers, Concerts, Contemporary Classical, File Under?, New York

C4 at a Loss for Words

New York-based C4 Ensemble is a choir that specializes in new music. Most of its members are composers or conductors, or both! On Thursday March 1 and Saturday March 3, the group is performing a program entitled “A Loss for Words: An Evening of New Choral Music on Alternative Texts” (info and tickets here). Since I’m away this weekend at a conference in Dayton, C4 was kind enough to let me sit in on one of their recent rehearsals. The group’s dynamic is a lesson in exceeding expectations. The member’s take turns leading warmups and rehearsing pieces, allowing for several conductors

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Concerts, Contemporary Classical, Dance, Experimental Music, Festivals, File Under?, New York

Curation by Subtraction

Many of us love to see musical works created to accompany choreography performed with dancers involved. But this weekend finds musicians approaching these pieces from another vantage point. Ne(x)tworks, Greenwich Music House’s ensemble-in-residence, presents “Music Without Dance,”  a festival of works originally written for dance that are abstracted from movement and performed as absolute music. What’s revealed about these pieces by listening to them while imagining (or even avoiding thinking about) the dances to which they were originally attached? Curation by subtraction: I like it! Ne(x)tworks Presents the “Music Without Dance” Festival Saturday, February 25th: 7:30PM concert Sunday, February 26th:

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Concerts, Contemporary Classical, Experimental Music, Festivals, File Under?, New York, Percussion

So Percussion Goes Maverick, Gets Remixed, Celebrates Cage!

So Percussion recently released remixes of tracks from Amid the Noise, their recording of music by Jason Treuting. You can grab it for free via their Bandcamp site (embed below). Treuting recently released sheet music for Amid the Noise, which can be purchased at Good Child Music. Amid the Noise Remixes by So Percussion This year, a great number of artists and ensembles are celebrating John Cage’s centenary – even Jessye Norman and Meredith Monk are getting in on the act as part of Michael Tilson Thomas’s revival of the American Mavericks series with the San Francisco Symphony. While it

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Chamber Music, Composers, Concerts, File Under?, New York, Video

Friday: ACF at Bohemian Hall

Some of the arts organizations in New York are venerable establishments. Others may be relative newcomers, but take little time to install themselves as intrinsic parts of the music scene. It has only been here since the early aughts, but many of New York’s performers and concertgoers would have a hard time envisioning musical life here without the countless collaborations and imaginative programs brought to fruition at the modest-sized, yet mightily influential, Austrian Cultural Forum. ACF begins its tenth season with a celebration: a concert this Friday at Bohemian Hall: a more commodious space. At Bohemian Hall, they have an enlightened take on

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