Michael Tippett New Year Rhian Lois soprano Ross Ramgobin baritone Susan Bickley mezzo-soprano Roland Wood baritone Robert Murray tenor Rachel Nicholls soprano Alan Oke tenor BBC Singers BBC Scottish Symphony Orchestra, Martyn Brabbins, conductor NMC Recordings Michael Tippett’s final opera, New Year (1988) has finally been recorded. The work was produced in Houston in 1989 and Glyndebourne in 1990 and then fell out of the repertoire. The Birmingham Opera performed it last year, and the NMC double-CD recording is of a 2024 live semi-staged production by the BBC Scottish Symphony, conducted by Martyn Brabbins. New Year’s reemergence is
Read moreThe Canadian pianist/composer Adam Sherkin shares music from his home country on an extensive program at Merkin Hall in New York on March 15, 2025. “Composers in Play XV” is presented by Piano Lunaire, an organization launched by Sherkin and his colleagues in 2018. On this occasion he joins forces with the American pianist Anthony de Mare. Together the two perform music by (mostly) living Canadian composers for one and two pianos. Each of the performers has connections with some of the creators. In Sherkin’s case it is himself as the composer of Ink from the Shield for two pianos,
Read moreKhruangbin remixes Arooj Aftab Arooj Aftab’s Night Reign was one of my favorite recordings of 2024. Released today, the Thai funk by way of Texas artists Khruangbin have made a remix of one of the album’s most memorable tracks, “raat ki rani.” As a bonus, here is another favorite from Aftab, live in London playing with Anoushka Shankar: ____ Aftab’s Night Reign Tour 2025 begins late March in North America, Brazil and UK/EU: NORTH & SOUTH AMERICAN TOUR DATES 3.27.25 | Union Stage | Washington, D.C 3.29.25 | Big Ears Festival 2025 | Knoxville, TN
Read moreSatie Alain Planès, Pleyel piano (1928) François Pinel, piano duets, Marc Mauillon, baritone Harmonia Mundi In 2025, substantial attention is being paid to the 150th anniversary of Maurice Ravel’s birth. Pianist Alain Planès has instead decided to celebrate the centenary of Erik Satie’s passing with a recording of music from the various stylistic periods of the eclectic composer’s oeuvre. Most of the music are works originally for piano and transcriptions, but there is a set of four-hands pieces and another of songs. At age seventy-seven, Planès has maintained his technique and interpretive skill, accommodating the varying demeanors –
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Classical Music, Concert review, Conductors, Contemporary Classical, File Under?, Lincoln Center, New York, Orchestras, Twentieth Century Composer, Vocals
Sound On: A Tribute to Boulez The New York Philharmonic, Conducted by David Robertson Jane McIntyre, Soprano David Geffen Hall, January 25, 2025 By Christian Carey – Sequenza 21 NEW YORK – If you think that audience development is a relatively new practice, then you may not have heard of Rug Concerts. In the 1970s, during Pierre Boulez’s tenure as Music Director of the New York Philharmonic, these were an experiment to attempt to attract young people and downtown artsy types to try a concert at Avery Fisher Hall. Instead of rows of seating, rugs were strewn about the
Read moreLisa Illean Arcing, stilling, bending, gathering NMC Records, 2024 Composer Lisa Illean (b. 1983) is from Australia and has been based in recent years in the UK. Her work encompasses a variety of techniques, including alternate tunings and sampled electronics. These are means to consummately expressive ends, and Illean’s music maintains an organic sensibility irrespective of how the sounds are formed. The title piece, performed by the Australian Academy of Music, is split into various constellations of sound: small groups of strings, solo piano, and pre-recorded sound. Illean uses detuned pitch collections to make a supple harmonic language. Like much
Read moreIt was a valiant effort, and one that might work better in the studio than onstage, but there’s a reason why the coupling of harp and piano, especially with an orchestra behind them, is a rare one: barring extraordinary measures (e.g., amplification, spatial separation or having the instruments play alternately instead of together), the piano will always overpower the harp. This was the unfortunate case in Seattle Symphony’s premiere of Hanoï Songs by Benjamin Attahir, a young composer who’s shown more invention in works like Adh Dhohr (a concerto for the Renaissance-era serpent and orchestra) and Al’ Asr (just given
Read morePROTOTYPE – OPERA | THEATRE | NOW defines itself as a “festival of visionary opera-theatre and music-theatre works”. Its presentation of In a Grove (January 16 – 19, 2025) was as close as Prototype comes to conventional opera in the context of eschewing tradition. It was also one of the most compelling productions I’ve seen in a long time. The intimate setting at La MaMa’s Ellen Stewart Theater augmented the visceral impact. The story unfolded in four sections, each expressing a different character’s point of view of a murder in the woods. If that description sounds like the Kurosawa film Rashomon,
Read moreCanyons compilation Sequenza 21 friend Nick Norton has speedily put together a digital compilation called “Canyons” to benefit LA firefighters. It is a loaded setlist, with contributions from India Galley, Dustin Wong, Molly Pease, Isaac Schankler, Nicholas Deyoe, Warp Trio, and more. The release is pay what you like on Bandcamp (embed below), but don’t be stingy; the firefighters can use all the help they can get. comp.02_canyons by people | places | records
Read moreKalevi Aho String Quartets 1-3 Stenhammar Quartet BIS Kalevi Aho (1949-) is a prominent Finnish composer whose oeuvre includes a number of orchestral and chamber works and a smaller body of vocal music. His string quartets are from relatively early in his career, the first from quite early, written when he was only eighteen. All three are included on a BIS recording made by the Stenhammar Quartet, a group from Sweden. The pieces are presented out of order, beginning with the second quartet, which was written in 1970, during his studies with Einojuhani Rautavaara at the Sibelius Academy
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