Contemporary Classical

In L.A.: “Bienvenido, Gustavo!”

Gustavo Dudamel is here! But I should quote the posters on buses, lamposts and billboards: “Pasion Gustavo”, “Radiante Gustavo”, “Dramatico Gustavo” (please forgive the absence of diacriticals). The home page of the Los Angeles Times, the still-staid Times, has a special section on Dudamel, down to an article on his childhood (gosh, that’s recent history) complete with photos at age 5, treatment awarded to the most headline-worthy. With the posters on buses, I really don’t think that the Phil is trying to sell concert tickets to bus riders. Instead, they are blanketing the area with the word that something exciting

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Composers, Opera

Review: Evan Ziporyn’s A House in Bali

Old age isn’t for sissies or the timid and I think the same thing can be said about writing for the stage, especially if it’s the operatic one. It took Verdi years before he produced something that worked on the boards. Evan Ziporyn’s no stranger to the stage–he’s written and performed Shadowbang–and his new two-act 140 minute amplified opera A House in Bali has much to recommend it. The story is drawn from gay Canadian composer Colin McPhee’s (1901-1964) 1946 memoir, with ancillary material drawn from the words of the two other main Western characters–anthropologist Margaret Mead and painter Walter

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Contemporary Classical, Film Music

(Untitled)

One of the totally unexpected perks that has come along with producing my podcast is all of the press releases that started showing up in my inbox, and even CDs in the mail once in a while.  Well, last night was another first for me: an invitation to screen a new film before its release.  I like films and like to follow what some of my favorite directors and screenwriters are up to, but I am far from an aficionado—so I won’t pretend to be one here. If you hadn’t heard, there is a new film coming out this month

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Chicago, Flute, Interviews, Podcasts, Violin

My Ears Are Open, ensemble dal niente

I thought it might be nice to close out the month of interviews from Chicago by featuring a couple musicians from dal niente.  The ensemble has some great concerts planned for October, but I caught violinist Austin Wulliman and flutist Shanna Gutierrez back in June. Austin’s episode is worth listening to just to hear him say, “I love me some Scelsi”.  You don’t hear that very often, but it’s true, oh so true.  Shanna talks a little in her episode about interesting experiences with composers, but the real value is in the seemingly endless list of resources she mentions if

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Concerts, Contemporary Classical, jazz, Performers

Legacy in progress

Imani Winds decided some time ago to make their tenth anniversary special, by commissioning ten new works from ten very different composers of color. Titled the Legacy Project, each new work not only gets premiered, but added to Imani’s rolling repertory as they perform across the country and beyond. So far they’ve taken on pieces by Wayne Shorter, Roberto Sierra, Alvin Singleton, Daniel Bernard Roumain, and Jason Moran; Danilo Perez, Jeff Scott and Simon Shaheen (and I suppose a mystery 10th composer) are in the wings. But just now the latest offering is stellar jazz vibraphonist Stefon Harris‘ Anatomy of

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Classical Music, Conductors, Los Angeles, Media, Online, Orchestras, Websites

Forget the “Maestro” and “Dudamel”, just call me Gustavo

Received a blurb from the LA Phil the other day, which in all caps proudly declares “LA PHIL LAUNCHES MICROSITE CELEBRATING INCOMING MUSIC DIRECTOR GUSTAVO DUDAMEL”  … Kaboom!… Here’s the relevant bit (my bolds): On September 24, 2009, the LA Phil launched a microsite celebrating the arrival of incoming Music Director Gustavo Dudamel. Introducing audiences worldwide to Gustavo in new and engaging ways, the comprehensive microsite, located at http://www.laphil.com/gustavo, features videos such as Gustavo’s first rehearsal with the YOLA Expo Center Youth Orchestra, the LA Phil’s video tribute “Welcome Gustavo,” and the press conferences unveiling Gustavo’s inaugural season and appointment

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Concerts, Contemporary Classical, Events, Festivals

All Points Bulletin

A few great concerts you might be able to catch, or might be missing: Carlsbad, CA:  (25-27 Sept.) Sure, everybody goes here, about midway between LA and San Diego,  just for Legoland California… But for the next few days, everyone should forget Legoland and instead head to the sixth annual Carlsbad Music Festival. The Calder Quartet and California EAR Unit will be playing all kinds of new music, including pieces by John Luther Adams, Daniel Wohl, Keeril Makan, Matt McBane, Ryan Brown, and Yannis Kyriakides. Premieres abound! And the weekend is given over to these ensembles supporting their special guest,

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Broadcast, Contemporary Classical, Radio

They heard you

Apropos our earlier news about the cutbacks to Marvin Rosen‘s “Classical Discoveries” and “Classical Discoveries goes Avant-Garde” programs on WPRB radio:  I’ve just received the good word from Marvin himself that — due in large part to all your messages of support —the station has decided to keep “Classical Discoveries goes Avant-Garde” in the schedule, each Wednesday from 11AM until 1PM ET. Marvin also writes: “I’ve been asked by the Classical Director to let you all know how WPRB feels. Please see her quote to me below”: “Please thank your listeners for me and for the whole of WPRB management,

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Cello, Composers, Contemporary Classical, Orchestral, Performers, Premieres

Cellist Composer Model

Nina Kotova premieres a new work by Christopher Theofanidis this weekend in Dallas. In the second part of looking at the new work, I spoke with the soloist about the piece, and learned more about how the piece came into being. Listen to our conversation: mp3 file The concert takes place Thursday, Friday & Saturday – and more performances coming up in Asia & Europe.

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