On January 29, 2021 the wasteLAnd ensemble streamed the premiere of Voice Fragments, by Davíð Brynjar Franzson, featuring soprano Stephanie Aston. WasteLAnd is one of the anchors of new music here in Los Angeles and it is encouraging that they are finding ways to stay active during the pandemic. Voice Fragments was commissioned and developed for streaming and represents an adoption of the technology into the art rather than just an online presentation of a typical musical concert. The streamed premiere was of high quality in both sound and video, with Ms. Aston capably carrying the production with her visual
Read moreBeyond 12: Reinventing the Piano Volume 2 is a new CD release of piano music from MicroFest Records featuring Grammy-nominated pianist Aron Kallay. Beyond 12 refers to the conventional scale in Western music that has 12 equal divisions to the octave. Kallay, however, goes beyond that limitation by the use of a digital grand piano that configures the keyboard for alternate tuning systems. New pieces were solicited from eight different contemporary composers with only two ground rules: 1) Re-tune the keyboard, from extended just intonation to 88 equal-divisions of the octave and everything in between. 2) Re-map the keyboard, left
Read moreMicroFest Records has released Rider of Darkness, Path of Light, a new CD by composer Jeffrey Holmes that offers a potent brew of the Old Norse filled with “…primitive myths, transcendent legends, and dramatic elemental landscapes in their primal and violent natural states.” All of this is expressed in “post-spectral, teleological music incorporating elements of mysticism and lyrical expression.” The four pieces on this album are performed by a number of leading Los Angeles area and East Coast musicians along with solo vocalists Nicholas Isherwood and Kirsten Ashley Wiest. The first track is Urðarmána [Moon of Fate] (2012), as performed
Read moreTwo years ago, the late Noah Creshevsky said “today’s best seats are in our own homes or wherever we may be, listening to music through speakers or headphones, in chairs of our choosing.” His proposition was put to a drastic test in 2020.
Read more2020 Artist of the Year – Igor Levit I was fortunate last year to hear pianist Igor Levit’s US debut, where he played a Beethoven concerto with an ebullient demeanor that was truly stirring. He has remained a touchstone artist for me throughout the pandemic. Levit has been generous in sharing mini-recitals via his Twitter account, with a range of repertoire that is astounding, from ragtime to Rzewski with all points in between. But especially Beethoven. Released in 2019, Levit’s recording of the complete Beethoven sonatas (Sony Music) has remained in heavy rotation at our home. It is the most
Read moreIl Tamerlano Antonio Vivaldi Bruno Taddia, Bajazet; Filippo Mineccia, Tamerlano; Delphine Galou, Asteria; Sophia Rennert, Irene; Marina De Liso, Andronico; Arianna Vendittelli, Idaspe; Accademia Bizantina, Ottavio Dantone, director Naïve Vivaldi Edition Vol. 65 In recent years, there has been a reconsideration of Antonio Vivaldi’s stage works. A Vivaldi Edition is appearing on the Naïve label, its latest offering the pasticcio opera Il Tamerlano. Premiered in 1735 in Verona, the work contains arias by Vivaldi’s contemporaries Hasse, Giacamelli, and Broschi. Vivaldi composed recitatives and interludes and contributed several arias of his own. The various trunk arias may be from disparate sources,
Read moreBest of 2020: Simone Dinnerstein A Character of Quiet Simone Dinnerstein, piano Orange Mountain Music Pianist Simone Dinnerstein has been playing Philip Glass’s music live for the past few years. Her interpretations, recorded on an Orange Mountain CD (Glass’s label) reveal dynamic subtleties and a romantic sensibility that creates a sense of vulnerability in the three etudes presented here; many others have focused on the motoric quality of their compositional processes. When I heard Glass play these pieces, he suggested that an approach akin to that of Dinnerstein is correct. It is refreshing to hear a pianist with superlative technique
Read moreIngrid Laubrock Dreamt Twice, Twice Dreamt Intakt 2xCD Dreams can be a potent force for creators. Saxophonist Ingrid Laubrock has harnessed her subconscious to make her strongest work yet. Dreamt Twice, Twice Dreamt is a double album, the first CD featuring a chamber orchestra and the second CD small ensembles, both performing the same dream-based compositions, with the second CD’s versions “turned upside down and inside out,” according to Laubrock. Laubrock’s 2018 orchestral album, Contemporary Chaos, hinted at the skills she would bring to bear when writing for large ensembles. Dreamt Twice, Twice Dreamt goes even further towards an impressionist
Read moreThe search for ways to deliver new music to audiences during the pandemic continues, and on December 15, 2020, Music For Your Inbox inaugurated a promising subscription system for distributing video links via email. For Percussion Perhaps, Or… (night) (1971), by James Tenney was their initial offering and viewers were invited to subscribe or purchase tickets by December 10th, and receive the video link on the 15th. The performance by Stephanie Cheng Smith and Liam Mooney was previously recorded, available for viewing later at multiple times. In addition, subscribers were appropriately sent an original print postcard by dance pioneer Simone
Read moreHarold Shapero Orchestral Works Boston Modern Orchestra Project, Gil Rose, conductor BMOP Sound Composer Harold Shapero (1920-2013) was a central figure during the mid-twentieth century. A member of the Boston neoclassical group of composers, he was one of the first professors hired by Irving Fine for a new composition program at Brandeis University. Shapero had three principal influences that are evident in his work: the craftsmanship of Nadia Boulanger, transmitted both through his work with her in Cambridge and his principal teacher at Harvard, Walter Piston, the neoclassical works of Igor Stravinsky, and Aaron Copland’s midcareer music. In the 1950s
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