Tallis Scholars at St. Mary’s: Bass Hit Sequenza 21 By Christian Carey NEW YORK – On December 10th, the Tallis Scholars found themselves in a bit of a quandary. Scheduled to give their annual Renaissance Christmas concert as part of Miller Theatre’s Early Music Series at Church of St. Mary the Virgin, the ten-voice ensemble was decimated to nine. Long-time member bass Robert Macdonald was ill and had been rendered voiceless. Peter Phillips, the Tallis Scholars’ director, quipped from onstage that unless he sang, which the rest of the singers “felt unwise,” the group’s other bass, Tim Whiteley, would
Read morePanic Duo, consisting of violinist Pasha Tseitlin and pianist Nic Gerpe were featured in a People Inside Electronics concert on December 10, 2016 at Throop Unitarian Universalist Church in Pasadena. The event was held in the roomy church auditorium and a full size crowd braved the weekend holiday traffic to hear seven contemporary pieces, including a world premiere. With one exception, all the pieces were by Los Angeles area composers and five were in attendance. The first piece was The Alchemy of Everyday Things by Jason Francesco Heath, inspired by the Villa Aurora, the cultural center and artists’ residence in
Read moreComposer Jeffrey Mumford remembers the recently departed Pauline Oliveros in the following obituary. I had the honor of being a TA for Pauline Oliveros during my graduate studies at the University of California, San Diego from 1979-81. Our worlds couldn’t have been more different. I was deeply discovering the endless inventiveness and poetry in the music of Elliott Carter, with whom I would soon study, and was also working with Bernard Rands as my major teacher at UCSD. A composer of color, I came from Washington, D.C. steeped in the music of among others, Count Basie, which resonated throughout our house in
Read moreEnsemble Lux Austrian Cultural Forum New York November 17, 2016 NEW YORK – Austrian Cultural Forum New York makes part of its mission supporting chamber musicians from Austria, bringing them to the United States for concerts. One of the best of these concerts I have attended was this past Thursday’s New York debut of Ensemble Lux, a string quartet with formidable technique and ambitious tastes in programming. Their concert ranged across a century’s worth of music, from Anton Webern’s 5 Movements for String Quartet (1909), to la pureté de l’envie blanche, a piece from 2010 by the Lux’s second violinist,
Read moreMeredith Monk turns 74 today. An early birthday present came from ECM Records on November 4th: a recording of Monk’s On Behalf of Nature project. We do not have the benefit of language: the “text” consists of songs, chants, and syllabification in unknown tongues. And there is no narrative per se, but there are clues present in the piece’s sound world that readily suggest its environmental message: at times with clarion calls; at others, with poignant vulnerability. Joined by a versatile troupe of vocalists (many of whom also play instruments on the recording), Monk sings with tremendous vigor and impressive range. The panoply of
Read moreBoston Conservatory at Berklee – recognized for offering one of the best opera programs in the U.S. – is launching a summer program at Berklee’s campus in Valencia, Spain for students from all over the world looking to pursue a career in opera. The Boston Conservatory Opera Intensive at Valencia is a comprehensive three-week program taking place June 25-July 15, 2017. This is the first program to be developed jointly between the Valencia campus since the merger between Berklee and the Conservatory in June 2016. “This summer program is designed for students who are serious about building a career in
Read moreIn this year where up is down and blue is red, one constant remains: our radio pal Marvin Rosen‘s end-of-year, day-long marathon playing recent music by living composers. But how does he get enough great, new stuff to program 25 hours? Why, from YOU! Marvin needs, wants, loves your submissions of pieces you’ve composed in the last few years. So read on, and find out what you need to do to make Marvin’s marathon mus-tastic. CALL FOR NEW MUSIC RECORDINGS to be presented during the 11th Live Marathon (10th devoted to 21st century music) curated and hosted by Marvin Rosen, host
Read moreIt’s never good to live in the past, but sometimes we have to, even though as our latest catch phrase would have it “it is what it is.” These are some of the thoughts which came to mind when I caught the last performance of San Francisco Opera’s revival of its 2010 production of Leos Janacek’s “The Makropulos Case ” (1923-26) which received its American premiere at this house in 1966. German soprano Nadja Michael, who as the over three-hundred-year-old opera diva Emilia Marty has traveled with more aliases than you could count on several hands, was its star. But
Read moreThis week, mezzo-soprano Joyce DiDonato has a new album out on Erato. In War and Peace features arias by Handel, Purcell, and other baroque composers that deal with, as one might expect, bellicose and pacific themes. Her coloratura and ornamentation are impressive throughout, as is the purity and beauty of her voice. Il Pomo d’Oro, led from the harpsichord by Maxim Emelyanychev, provides supple and stirring accompaniment. DiDonato is also using the album project as a springboard for conversations about ways to bring peace to our strife-torn world, with the hashtag #TalkPeace as its convergence point. In addition to reviews of the album, making
Read moreThe first woman (among several) to run for president was Victoria Woodhull, whose campaign back in 1872, before women were even allowed to vote, was greeted with nastiness from detractors and the press that rivals … well, politics today actually. Composer Victoria Bond and librettist Hilary Bell have crafted a two-act opera that depicts Woodhull’s historic run. It was acclaimed in its debut, by Anchorage Opera in 2012. Now New Yorkers have a chance to hear it. This Friday, October 28th at National Opera Center, Bond conducts a cast led by dramatic soprano Valerie Bernhardt, who will reprise the title role, and tenor Scott Ramsay, who plays her nemesis, Henry Ward Beecher. Mrs.
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