Tag: Free Jazz

Best of, CD Review, File Under?, jazz

Best of 2021: Three Recordings Featuring Matthew Shipp (CD Review)

Codebreaker Matthew Shipp TAO Forms CD Village Mothership Whit Dickey, drums; William Parker, bass Matthew Shipp, piano;  TAO Forms CD Procedural Language CD Live at SESC Blu-ray DVD Ivo Perelman, saxophones; Matthew Shipp, piano SMP boxed set   In both solo and group settings, Pianist Matthew Shipp has continued to prolifically record in 2021. His collaborations with longtime partners, drummer Whit Dickey and bassist William Parker on Village Mothership, and Procedural Language, a celebration of his two-decade musical odyssey with saxophonist Ivo Perelman, are scintillating reminders of Shipp’s development of a fluid musical language that adapts to different scenarios. In

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CDs, File Under?, jazz, Piano

Say it Ain’t So, Mr. Shipp

Matthew Shipp Piano Song Matthew Shipp, piano; Michael Bisio, bass; Newman Taylor-Baker, drums Thirsty Ear Records Pianist Matthew Shipp has been a prolific recording artist: he has released dozens of albums as a leader and appeared on dozens more as a collaborator. However, Piano Song, his 2017 recording for Thirsty Ear, will be his last for the imprint and, likely, his last for a US label (Shipp concedes that there may be a few more CDs released out of Europe). Shipp will continue to curate the releases on Thirsty Ear’s Blue Series (a jazz series that welcomes cross-genre efforts) and

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CDs, Experimental Music, File Under?, jazz

Free Jazz in the iPod Era

Anthony Braxton 3 Compositions (EEHMH) 2011 Firehouse 12 3xCD/blu-ray/digital Anthony Braxton: composer, sopranino, soprano, and alto saxophones, iPod; Taylor Ho Bynum: cornet, flugelhorn, trumpbone, iPod; Mary Halvorson: guitar, iPod; Jessica Pavone: violin, viola, iPod; Jay Rozen: tuba, iPod; Aaron Siegel: percussion, vibraphone, iPod; Carl Testa: bass, bass clarinet, iPod “As a culture, we are slowly moving away from target linear experiences that are framed as stationary constructs that don’t change on repeated listening, to a new world that constantly serves up fresh opportunities and interactive discourse. American people have made it clear that the new times will call for dynamic

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CDs, Contemporary Classical, Experimental Music, Houston, Improv, jazz, Recordings, Review

Metal Meets Jazz Meets Free Improvisation: Houston’s The Core Trio Makes Musical Alchemy

(Houston, TX) The music of the Houston ensemble The Core Trio, featuring Richard Cholakian on drums, Thomas Helton on upright bass, and Seth Paynter on saxophones, is an utterly convincing amalgamation of jazz, free improvisation, heavy metal, electronic sounds, and music from across the Asian continent. Their repertoire includes compositions by Helton and Paynter, as well as arrangements of songs by Ozzy Osbourne and Ronnie James Dio. They often invite guest musicians to join them in performance, including trumpet players Kris Tiner and Tim Hagans, myself on laptop, and pianist Robert Boston. This Friday, Boston, saxophonists Warren Sneed and Martin

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Concerts, Contemporary Classical, Interviews, jazz, Saxophone

Ornette Coleman in Austin, TX

Fort Worth-born Ornette Coleman will perform November 18th, 2010 8pm at Austin’s Bass Concert Hall with his son Denardo Coleman on drums, Tony Falanga on acoustic bass, and Al MacDowell on electric bass. I can’t think of a genre of music that hasn’t been influenced by Coleman and his recorded legacy. He had a profound impact on musicians as diverse as Leonard Bernstein, John Zorn, and Jerry Garcia and at the age of 80, Coleman continues to disregard geographical, political and cultural boundaries in a relentless search to build upon his palette of sound. A recent interview with Ornette Coleman

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