Blue Heron in New York In Praise of Laura Peperara – Music for the Concerto delle dame • Ferrara, 1580s St. Ignatius of Antioch Published in Sequenza 21 By Christian Carey February 25, 2026 NEW YORK – Blue Heron always presents thematic programs, and they excel at giving the audience a sense of the time and place in which the music they perform resides. This past week in their program at St. Ignatius of Antioch Church, they featured the music performed in the court of Ferrara in the 1580s, specifically by the Concerto delle dame. These were a trio
Read morePierre-Laurent Aimard in Recital 92nd Street Y November 19, 2025 Published in Sequenza 21 NEW YORK – Pianist Pierre-Laurant Aimard has had a long and fruitful collaboration with the composer George Benjamin. Aimard’s recital program this past Wednesday at the 92nd Street Y was conceived and built around two of Benjamin’s pieces, Shadowlines, a group of six canons for solo piano, and Divisions, a new four-hand piece on which the composer joined him for this New York premiere. The other programmed works were meant to complement the Benjamin pieces and proved to be strong foils for them. Nikolai
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Classical Music, Commissions, Concert review, Concerts, Contemporary Classical, jazz, Lincoln Center, New York, Orchestras, Premieres
An expansive palette of colors was on display at the New York Philharmonic concert at David Geffen Hall on Friday. David Robertson shone a light on the performers and the scores, exposing nuances of hues, pastels, brights and brilliance. The entire program – Igor Stravinsky’s Petrushka, the Violin Concerto by Wyton Marsalis and the world premiere of a new work by Caroline Mallonee – focused on color and mood. I had high hopes in particular for this performance of Petrushka, to erase my memory of a flaccid reading of the work a couple of years ago. The Philharmonic redeemed themselves,
Read moreBlack American composers dominated the programming at two of New York City’s major institutions last week — a 180° turn from the typical fare of Dead White Men at most orchestral concerts. On Wednesday, October 16, Carnegie Hall presented Sphinx Virtuosi — the flagship ensemble of the Sphinx Organization, an organization whose mission it is to encourage careers of Black and Latino classical musicians and arts administrators. Thursday at Lincoln Center’s Geffen Hall was New York Philharmonic’s program “Exploring Afromodernism” — a program which was repeated on Friday. Both concerts featured outstanding and committed performances of mainly 21st century classical
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Chamber Music, Classical Music, Composers, Concerts, Contemporary Classical, Events, Music Events, New York, News, Premieres
Tonight, the Locrian Chamber Players gives the New York premiere of Quintet 2 by Christian B. Carey. Sequenza 21 readers know Carey very well through his insightful reviews of concerts and recordings in this publication. He is also a superb composer with a lengthy catalogue of varied works. Quintet 2 is scored for oboe, clarinet, violin, cello and piano, and Carey wrote it for the East Coast Contemporary Ensemble, who commissioned it and premiered it in 2016. In his program note, Carey writes that much of his music – including this work – is based on the idea of labyrinthine
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BAM, Bang on a Can, Brooklyn, Chamber Music, Classical Music, Composers, Concerts, Contemporary Classical, Events, Experimental Music, Minimalism, New York, Opera, Percussion
Long Play …. Not long enough! This year’s Long Play schedule is particularly dizzying. The annual festival presented by Bang on a Can in Brooklyn, now in its third year, seems to have crammed more events than ever into its three day festival, running May 3, 4 and 5. For instance, on Saturday, May 4 at 2 pm, you’ll have to choose between a new opera by the Pulitzer Prize finalist Alex Weiser with libretto by Ben Kaplan, called The Great Dictionary of the Yiddish Language (at American Opera Projects) AND Ensemble Klang imported from the Netherlands playing works by the
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Chamber Music, Classical Music, Composers, Concert review, Concerts, Contemporary Classical, New York
How does a composer write music? Whether she pulls interesting sounds out of the air, or creates an elaborate scheme of hieroglyphics – can an uninformed listener tell the difference? Sometimes not, as was the case Wednesday night at the 92nd Street Y where the incomparable Takács Quartet gave the New York premiere of Flow by Nokuthula Endo Ngwenyama. Flow was backed up by an elaborate set of program notes that described inspiration ranging from the sound of the Big Bang to the breathing discipline “Pranayama”. Even with that knowledge in hand, for the most part I couldn’t detect the
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Classical Music, Commissions, Composers, Concerts, Contemporary Classical, Events, Lincoln Center, Music Events, New York, Orchestral, Women composers
A few months ago, I wrote an article that distilled the New York Philharmonic Fall 2023 season into enticing programs for contemporary music lovers. “When you see New York Philharmonic’s glossy brochures and online ads, you might be hard pressed to spot the new music offerings that are in nearly every program. For instance, “Trifonov Plays Schumann” hides the fact that there is a work for strings by the Lithuanian composer Raminta Šerkšnytė, a composition which Gidon Kremer referred to as ‘the calling card of Baltic music.’” Here is my annotation of Philharmonic concerts in Spring 2024 for the tiny
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Classical Music, Concerts, Contemporary Classical, Lincoln Center, Music Events, New York, Orchestral
When you see New York Philharmonic’s glossy brochures and online ads, you might be hard pressed to spot the new music offerings that are in nearly every program. For instance, “Trifonov Plays Schumann” hides the fact that there is a work for strings by the Lithuanian composer Raminta Šerkšnytė, a composition which Gidon Kremer referred to as “the calling card of Baltic music.” I mentioned this in passing to a staffer at the Philharmonic, and referred to it as a slam on marketing. I immediately regretted uttering that phrase, because it’s not really about that. Marketing managers do what they
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Chamber Music, Classical Music, Composers, Concerts, Contemporary Classical, Festivals, New York, Strings, Violin
I don’t know when else you’d have a chance to see expert musicians interact with a sculpture by one of the most iconic American artists of the 20th century. This rare event, on August 20 at the Dimenna Center in New York, is part of the annual TIME:SPANS festival. In Earle Brown’s Calder Piece the artist’s mobile is an essential part of the piece. The artwork will “conduct” the Talujon Percussion Quartet as its sections sway from their pivot points. And, yes, you will also get to see the instrumentalists “play” the sculpture, though the artist himself initially expected a
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