Composers Forum is a daily web log that allows invited contemporary composers to share their thoughts and ideas on any topic that interests them--from the ethereal, like how new music gets created, music history, theory, performance, other composers, alive or dead, to the mundane, like getting works played and recorded and the joys of teaching. If you're a professional composer and would like to participate, send us an e-mail.


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Adrienne Albert
Beth Anderson
Larry Bell
Galen H. Brown
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Roger Bourland
Corey Dargel
Lawrence Dillon
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Ian Moss
Tom Myron
Frank J. Oteri
Carlos R. Rivera
David Salvage
Stefano Savi Scarponi
Alex Shapiro
Naomi Stephan
David Toub
Judith Lang Zaimont

Composer Blogs@ Sequenza21.com

Lawrence Dillon
Elodie Lauten
Anthony Cornicello
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Alan Theisen
Corey Dargel



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Jerry Bowles

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Friday, March 25, 2005
Up/Down/Aroundtown

For me this is a non-issue. Following is one anecdote, and a final observation on the subject.

Anecdote: In 1990 I entered a piece in the Friends and Enemies of New Music composer competition ( a trio, DANCE/INNER DANCE). When I got the call to say it had won, I was also told wryly that my piece posed a problem for the competition administrators:

Two judging panels had been set up, one for Uptown composers, the other for Downtown folks -- and it was assumed that each would pick a piece according to preferred stylistic orientation, and that two winning works would duke it out at the concert.

But both sets of judges picked my trio -- so no resultant 'wrestling match'.

Observation:

What counts in music ultimately is the 'stuff' of it, not how it's said. Excellence in content, shapely realization, and fitting its chosen time-frame well are paramount. The style/manner has to gibe with the intent -- but it's the CONtent that counts.

Like Lawrence Dillon, I'll now say no more on this subject.

 



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