Composers Forum is a daily web log that allows invited contemporary composers to share their thoughts and ideas on any topic that interests them--from the ethereal, like how new music gets created, music history, theory, performance, other composers, alive or dead, to the mundane, like getting works played and recorded and the joys of teaching. If you're a professional composer and would like to participate, send us an e-mail.


Regular Contributors


Adrienne Albert
Beth Anderson
Larry Bell
Galen H. Brown
Cary Boyce
Roger Bourland
Corey Dargel
Lawrence Dillon
Daniel Gilliam
Peter Gordon
Rodney Lister
Ian Moss
Tom Myron
Frank J. Oteri
Carlos R. Rivera
David Salvage
Stefano Savi Scarponi
Alex Shapiro
Naomi Stephan
David Toub
Judith Lang Zaimont

Composer Blogs@ Sequenza21.com

Lawrence Dillon
Elodie Lauten
Anthony Cornicello
Everette Minchew
Tom Myron

Alan Theisen
Corey Dargel



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At Least We're Not Better Off Dead
Beth Anderson

Today's Agenda
Jerry Bowles

Pierre de France or Pierre Lapin?
Jerry Bowles

Read the List
Jerry Bowles

re: theory
David Toub

Theory and Practice
David Salvage

What's New is Old Again
Galen H. Brown

the unfamiliar
David Toub

If You See Someone, Say Something.
Corey Dargel

The Academy Has Accepted Your Music
Corey Dargel


Beepsnort Lisa Hirsch


Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019


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Tuesday, April 19, 2005
definitely better off

I had read Elodie Lauten's post yesterday and am glad others did as well. While I don't think composers are better off dead, I don't think it's that easy to get works performed, particularly if it's new/unusual music. As with anything (business, politics, medicine, law, etc), networking helps, regardless of one's intrinsic talents.

My music has only rarely been performed, to the degree that I'm exceptionally excited that Christina Fong and the Rangtzen Quartet are being kind enough to release a CD containing a short work of mine. I do not make my living from my music, which is probably really good since I would have starved to death long ago. I give a lot of credit to anyone who can earn their living through composition or any artistic pursuit. Because I write for my own pleasure, I've done so for almost 30 years regardless of whether or not anything gets performed (although it is better to be performed than not, of course). So I think any composer is better off writing, regardless of performance opportunities, commercial success or whatever, than not writing.

 



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