Composers Forum is a daily web log that allows invited contemporary composers to share their thoughts and ideas on any topic that interests them--from the ethereal, like how new music gets created, music history, theory, performance, other composers, alive or dead, to the mundane, like getting works played and recorded and the joys of teaching. If you're a professional composer and would like to participate, send us an e-mail.


Regular Contributors


Adrienne Albert
Beth Anderson
Larry Bell
Galen H. Brown
Cary Boyce
Roger Bourland
Corey Dargel
Lawrence Dillon
Daniel Gilliam
Peter Gordon
Rodney Lister
Ian Moss
Tom Myron
Frank J. Oteri
Carlos R. Rivera
David Salvage
Stefano Savi Scarponi
Alex Shapiro
Naomi Stephan
David Toub
Judith Lang Zaimont

Composer Blogs@ Sequenza21.com

Lawrence Dillon
Elodie Lauten
Anthony Cornicello
Everette Minchew
Tom Myron

Alan Theisen
Corey Dargel



Latest Posts


Something really beautiful
Beth Anderson

depends how one defines plagiarism...
David Toub

Plagarism
Jerry Bowles

Elitism, Birthdays, Concerts
Jerry Bowles

Elitism
Lawrence Dillon

21 Years Too Late
Galen H. Brown

E-mail, We Get E-mail
Jerry Bowles

Coincidence?
Galen H. Brown

Program Notes
Jerry Bowles

Outsourcing Orchestras
Jerry Bowles


Beepsnort Lisa Hirsch


Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019


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Sunday, May 15, 2005
Is 1984 the Future of Opera?

"Maybe this is the future for the development of new operas. If you have the means, you develop your own opera." -- Robert Lepage, director of Lorin Maazel's largely self-financed 1984.
As Anthony Tommasini notes in today's NY Times: "... Mr. Maazel has bought his way to the top without having paid his dues as a composer...what of deserving composers without means?"

 



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