"There are no two points so distant from one another that they cannot be connected by a single straight line -- and an infinite number of curves."
Composer Lawrence Dillon has produced an extensive body of work, from brief solo pieces to a full-length opera. Partially deaf from birth, Dillon grew up in a bustling household with seven older siblings. He began composing as soon as he started piano lessons at the age of seven. In 1985, he became the youngest composer to earn a doctorate at The Juilliard School, and was shortly thereafter appointed to the Juilliard faculty. Dillon is now Composer in Residence at the North Carolina School of the Arts, where he has served as Music Director of the Contemporary Ensemble, Assistant Dean of Performance and Dean of the School of Music.
Dillon's music, in the words of American Record Guide, is "lovely...austere...vivid and impressive." His works are recorded by Albany Records, Channel Crossings and CRS, and published by American Composers Editions. He is represented by Jeffrey James Arts Consulting.
Tom Myron and I had a recent misunderstanding over the term postmodernism. The term is relative at best, which is ironic for many reasons.
I’m curious to know what others have made of this word. My understanding has come mostly from Charles Newman’s analyses of postmodern literature. Newman contrasted postmodernism with modernism in a way that can be summarized as follows:
Characteristics of Modernism
It is revolutionary (Virginia Woolf: "On or about December 1910, human nature changed.")
The certitude of despair.
The idea that one can have a revolutionary art without an evolutionary society.
Art as a sanctuary (perhaps the only one) for the individual.
Self-absorption in the grand manner: Elitism
The idea of art as a technical, even scientific process.
The task of art: its own self-realization.
Aesthetic moralism.
Characteristics of Post-modernism
license to talk about anything in the context of anything else: after all, international banking is more surreal than surreal art itself.
a violent adjacency of pure expressivity and pure accessibility, which reflects more often than not an atmosphere of intense demoralization.
the first period that does not idealize a specific past period as an emulative model. Rather, the entire history of art comes under attack through parody.
modernism reacting to overinformation.
By the late 20th century, repression of modern art was no longer a problem: the problem was indifference. Art was replaced by mass consumer culture in the hearts of the mainstream audience. Newman saw postmodernism as an assault upon a passive, indifferent mass culture.
Does this contradict or align with your understanding?
posted by Lawrence Dillon
7:39 AM
