Composers Forum is a daily web log that allows invited contemporary composers to share their thoughts and ideas on any topic that interests them--from the ethereal, like how new music gets created, music history, theory, performance, other composers, alive or dead, to the mundane, like getting works played and recorded and the joys of teaching. If you're a professional composer and would like to participate, send us an e-mail.


Regular Contributors


Adrienne Albert
Beth Anderson
Larry Bell
Galen H. Brown
Cary Boyce
Roger Bourland
Corey Dargel
Lawrence Dillon
Daniel Gilliam
Peter Gordon
Rodney Lister
Ian Moss
Tom Myron
Frank J. Oteri
Carlos R. Rivera
David Salvage
Stefano Savi Scarponi
Alex Shapiro
Naomi Stephan
David Toub
Judith Lang Zaimont

Composer Blogs@ Sequenza21.com

Lawrence Dillon
Elodie Lauten
Anthony Cornicello
Everette Minchew
Tom Myron

Alan Theisen
Corey Dargel



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Electronic Music History Book?
Lou Bunk

I am in the Union even if you think I suck
Lou Bunk

Why Theory
David Salvage

A message about medium
Lawrence Dillon

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Jerry Bowles

Thinking Inside the Media Box
Alex Shapiro

Taste Test
Corey Dargel

Away from home
Rodney Lister

podcasting
David Toub

Name That Tune
Jerry Bowles


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Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019


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Thursday, July 14, 2005
another new music festival, and why shop at record stores?

Information is available here. I only wish I could read the program's Web site, which is not in English. What I do find most interesting is that they are going to make concert performances available as MP3s, which I applaud.

As I walked through the classical music section of a major record store in Philadelphia today, which was largely devoid of customers in the classical section, it really brought home how downloadable music could make the classical music section obsolete. I found a few nice recordings of new music (interspersed with the usual offerings), but given what is available on the Web, either for download or purchase, how much longer should a new music aficionado browse through bins in a record store clearly dominated by either rock or traditional classical music? No recordings by Palestine, de Alvear, or many other composers are found here. While there are some recordings of Feldman and (to be fair) a ton of releases by Glass and Reich, very little cutting edge music is to be found in these stores.

So, aside from the fun of browsing in person, is there much to be gained from a visit to a typical record store chain when new music increasingly is moving to either small independent distributors accessible from the Web, or Web sites containing downloadable audio files?

 



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