Composers Forum is a daily web log that allows invited contemporary composers to share their thoughts and ideas on any topic that interests them--from the ethereal, like how new music gets created, music history, theory, performance, other composers, alive or dead, to the mundane, like getting works played and recorded and the joys of teaching. If you're a professional composer and would like to participate, send us an e-mail.


Regular Contributors


Adrienne Albert
Beth Anderson
Larry Bell
Galen H. Brown
Cary Boyce
Roger Bourland
Corey Dargel
Lawrence Dillon
Daniel Gilliam
Peter Gordon
Rodney Lister
Ian Moss
Tom Myron
Frank J. Oteri
Carlos R. Rivera
David Salvage
Stefano Savi Scarponi
Alex Shapiro
Naomi Stephan
David Toub
Judith Lang Zaimont

Composer Blogs@ Sequenza21.com

Lawrence Dillon
Elodie Lauten
Anthony Cornicello
Everette Minchew
Tom Myron

Alan Theisen
Corey Dargel



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It is time...
Daniel Gilliam

Love the Music, Hate the Hall
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Further Evidence of the Decline of Western Civilza...
David Salvage

But If So, To What Extent?
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Louisville Orchestra in peril
Daniel Gilliam

My advice
Daniel Gilliam

Got Dynamics?
David Salvage

The Typology of the Creative Process
Galen H. Brown

Get Carter
Rodney Lister

Compositional momentum
Roger Bourland


Beepsnort Lisa Hirsch


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Monday, February 06, 2006
How to save european contemporary music?

Hello composers,

It'my first contribute here, please excuse my english...

Bad times here in Italy (and Europe) for contemporary music. Really bad.
Most of concert halls and musical associations live by government funds but now Italy thinks contemporary arts became an impossible luxury. Country of Corelli, Vivaldi, Bellini, Donizetti, Verdi, Puccini, Casella, Maderna, Nono, Bussotti, Donatoni (you know, it's only a short list) now considers its music less important then ever. More or less the same is happening in France, Holland, Germany, all the rest of Europe.
Italian Government decided a 30% cut for 2006; in 2005 cut 50%. We have not much left... And without Orchestras and Halls we have only the possibility to teach in conservatories (what? composition for future composers?) or change our job. I did, actually. Now I make my living working as digital painter and software engineer, and I'm not the only in this situation.
After 15 years writing and performing this is the scenario.

Probably european composers need new ideas to propose their works, maybe we are dinosaurs. I don't know.

Ciao a tutti.

 



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