Composers Forum is a daily web log that allows invited contemporary composers to share their thoughts and ideas on any topic that interests them--from the ethereal, like how new music gets created, music history, theory, performance, other composers, alive or dead, to the mundane, like getting works played and recorded and the joys of teaching. If you're a professional composer and would like to participate, send us an e-mail.


Regular Contributors


Adrienne Albert
Beth Anderson
Larry Bell
Galen H. Brown
Cary Boyce
Roger Bourland
Corey Dargel
Lawrence Dillon
Daniel Gilliam
Peter Gordon
Rodney Lister
Ian Moss
Tom Myron
Frank J. Oteri
Carlos R. Rivera
David Salvage
Stefano Savi Scarponi
Alex Shapiro
Naomi Stephan
David Toub
Judith Lang Zaimont

Composer Blogs@ Sequenza21.com

Lawrence Dillon
Elodie Lauten
Anthony Cornicello
Everette Minchew
Tom Myron

Alan Theisen
Corey Dargel



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A discipline that leads nowhere is a dead discipli...
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Robert Pinsky on Gnarliness and Relevance
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Zorn's Space
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The Decline and Fall of the Classical Empire
Galen H. Brown

Student Composer Concerts
David Salvage

You Can't Take it With You - So Where Does it Go?
Jeff Harrington

The GarageBand Cometh?
Rob Deemer

Paying for It - Vanity Project or Business as Usua...
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Howard Stokar F***in' Represents!
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Beepsnort Lisa Hirsch


Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019


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Wednesday, April 26, 2006
The Wall Street Journal Explains It All

Here's some red meat from today's Wall Street Journal. Writing about the recent Los Angeles Philharmonic Minimalist Festival, Brett Campbell opines:
"Yet despite the immennse variety of music played here over two weeks, it all shared a rejection of almost two centuries of creeping musical complexity that, by the early 1960s, culminated in the dissonant atonal sounds that eventually alienated listeners."

 



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