Composers Forum is a daily web log that allows invited contemporary composers to share their thoughts and ideas on any topic that interests them--from the ethereal, like how new music gets created, music history, theory, performance, other composers, alive or dead, to the mundane, like getting works played and recorded and the joys of teaching. If you're a professional composer and would like to participate, send us an e-mail.


Regular Contributors


Adrienne Albert
Beth Anderson
Larry Bell
Galen H. Brown
Cary Boyce
Roger Bourland
Corey Dargel
Lawrence Dillon
Daniel Gilliam
Peter Gordon
Rodney Lister
Ian Moss
Tom Myron
Frank J. Oteri
Carlos R. Rivera
David Salvage
Stefano Savi Scarponi
Alex Shapiro
Naomi Stephan
David Toub
Judith Lang Zaimont

Composer Blogs@ Sequenza21.com

Lawrence Dillon
Elodie Lauten
Anthony Cornicello
Everette Minchew
Tom Myron

Alan Theisen
Corey Dargel



Latest Posts


To Entertain or Not to Entertain? Is That a Quest...
Lanier Sammons

"Why is your music so effing loud?”
David Toub

Kyle's Post-Semester Rampage
Jerry Bowles

Amateur/Professional Choirs
Cary Boyce

Amateur Ensembles
Cary Boyce

Start Spreading the News
Galen H. Brown

Writing for Amateur Ensembles
Jerry Bowles

positive and negative music?
David Toub

Photography as Music
Jerry Bowles

A text as a world or a text as a text.
Ezequiel Viñao


Beepsnort Lisa Hirsch


Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019


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Thursday, June 01, 2006
failure is not an option

Here's a quickie:

Can someone be a failure as a composer? And if so, define "failure."

My opinion, FWIW: failure has nothing to do with commercial success. You only fail as a composer if you don't succeed in writing what you want to write. Other than that, "failure" for composers (and artists as well) is not a relevant term.

 



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