Lawrence Dillon@Sequenza21.com
"There are no two points so distant from one another that they cannot be connected by a single straight line -- and an infinite number of curves."
Composer Lawrence Dillon has produced an extensive body of work, from brief solo pieces to a full-length opera. Partially deaf from birth, Dillon grew up in a bustling household with seven older siblings. He began composing as soon as he started piano lessons at the age of seven. In 1985, he became the youngest composer to earn a doctorate at The Juilliard School, and was shortly thereafter appointed to the Juilliard faculty. Dillon is now Composer in Residence at the North Carolina School of the Arts, where he has served as Music Director of the Contemporary Ensemble, Assistant Dean of Performance and Dean of the School of Music.

Dillon's music, in the words of American Record Guide, is "lovely...austere...vivid and impressive." His works are recorded by Albany Records, Channel Crossings and CRS, and published by American Composers Editions. He is represented by Jeffrey James Arts Consulting.

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Sunday, September 16, 2007
arpeggios

I used to think that composers should be original, should invent things that nobody else had thought of before.

Over time I’ve come to realize that there is a kind of genius to taking things that already exist and making them your own.

Isn’t it amazing, to take a simple example: arpeggios have been around for centuries.

But any composer who uses them now will almost certainly be accused of stealing from Philip Glass.

posted by Lawrence Dillon 7:35 AM