The Song is You Enrico Rava and Fred Hersch CD/LP ECM Records ECM Records has begun resuming production of their releases as vinyl LPs. This is the first I am reviewing. As one expects from ECM, its sound quality is superlative. Those who remember ECM’s vinyl releases in the pre-CD era will welcome this return. In addition to production values, another aspect of ECM’s curation ethos is bringing together artists from their roster to make music together. Both trumpeter Enrico Rava and pianist Fred Hersch have created memorable releases for ECM. Pairing them is an inspired choice. The Song
Read moreChamber Music from Hell Chris Opperman Chris Opperman, Synclavier, piano Kurt Morgan, programming, electric bass Mike Keneally, electric guitar Ryan Brown, drum set Jason Camelio, trombone Brianna Tagliaferro, cello Marco Minnemann, drum set The New Jersey Percussion Ensemble (Peter Jarvis, Payton MacDonald, Mike Aberback, Paul Carroll) Ursula Joy Opperman, Synclavier Purple Cow Records When you have two Synclavier players on a recording that begins with a comic spoken introduction (“Where is Everybody?” – these reappear periodically in a robotic voice), it is tempting to suggest that the composer, Chris Opperman, must be writing a post-Zappa homage. Without
Read moreRadical Romantics Fever Ray Mute It has been nearly six years since Plunge, Karin Dreijer’s last album under the moniker Fever Ray. Equally well known for their band The Knife, on which they collaborate with their brother Olof Dreijer, Karin has made distinctive electronic music for over twenty years. Their latest, Radical Romantics, is a welcome return. In gestation since 2019, it is some of the finest work released by the Fever Ray project. Another welcome return is one of collaboration. Olof helped to produce some of the recording and co-wrote four of the songs, the first collaboration
Read moreVoyageur Ali Farka Touré Work Circuit Records The late Ali Farka Touré (1939-2006) was one of the most venerated of West African guitarists. His work combined the musical culture of his home country Mali with that of other African styles, including frequent collaborations that extended his work’s reach. Touré had a belated introduction to First World listeners, via a solo record that came out in the 1980s, when he was in his fifties. By 1994, Taking Timbuktu had won him a Grammy, with more awards to follow, including a Grammy for the posthumous release Ali & Toumani. When
Read morePalm Sweat: Marc Ducret Plays the Music of Tim Berne Marc Ducret, guitar/arranger Out of Your Head CD/DL This is no ordinary jazz guitar album. Saxophonist/composer Tim Berne and guitarist Marc Ducret are longtime collaborators. After receiving a stack of compositions from Berne, Ducret set out to arrange them for overdubbed guitars, brass choir, voices, percussion, and cello (played by his son). Ducret knows Berne’s own style well, and while celebratingnd 2 it places his own stamp on this collection of work. “Curls/Palm Sweat/Mirth of the Cool” begins the recording. An eleven-minute long suite, in it Ducret comes on heavy,
Read moreToday, dragonchild released “Above All,” a single from his forthcoming debut self-titled album, out April 21st, 2023 on FPE Records. dragonchild is new project by Debo Band’s DA Mekonnen. Mekonnen’s background is fascinating. He is a composer, saxophonist, and ethnomusicologist who is applying the study of eighties Ethiopian cassette culture to create the music on the LP. His lithe saxophone solos celebrate this tradition of disseminating music, reviving its musical grammar and spirit. Recommended. Above All by FPE Records
Read moreRecomposed, Volumes 1-3 Bernd Alois Zimmermann WDR Sinfonieorchester, Heinz Holliger: conductor Sarah Wegener: soprano; Marcus Weiss: saxophone; Ueli Wiget: piano Wergo 3xCD boxed set Bernd Alois Zimmermann (1918-1970) lived in Cologne and was an important member of the postwar avant-garde. However, he retained an independent voice, and did not operate in the circles of the Cologne School. His 1960 opera Soldaten, an ambitious work in terms of theatrical devices, vocal requirements, and musical demands, is both a zenith in terms of post-tonal writing and, with its use of collage, a precursor to postmodernism. Everyone needs to make a
Read moreLaufey A Night at the Symphony Laufey, vocals; Iceland Symphony Orchestra, conducted by Hugh Brunt AWAL A Night at the Symphony sees release this week. Jazz artist Laufey performs a varied program in a concert performance with the Iceland Symphony Orchestra, conducted by Hugh Brunt. It consists of previously released songs off her debut album Everything I Know About Love and 2021 EP Typical of Me, standards, and Icelandic jazz artist Elly Vilhjálms’ “Ég Veit Þú Kemur. Hearing a jazz ballad sung in Icelandic is a new experience for me. Vilhjálms’ style and the arrangement are indebted to Kurt
Read moreBehind the Wallpaper Alex Temple Spektral Quartet: Clara Lyon (violin), Theo Espy (violin), Doyle Armbrust (viola), Russell Rolen (cello); Julia Holter: voice New Amsterdam Records Out this Friday, March 3rd, via New Amsterdam Records is composer Alex Temple’s cycle Behind the Wallpaper. Vocalist Julia Holter joins the Spektral Quartet in this song cycle inspired by Temple’s gender transition. Holter, as always, is a marvel, with expressive, liquescent singing throughout her soprano voice’s range. The Spektral Quartet is given a variety of styles to play, from doleful lyricism reminiscent of Shostakovich’s string quartets to post-minimalism. The musical smorgasbord reminds me in
Read moreOracle Joanna Mattrey, Gabby Fluke-Mogul Relative Pitch Records RPR1143 In their first collaboration, improvisers violist Joanna Mattrey and violinist Gabby Fluke-Mogul create music that combines drones, microtones, and extended techniques. Mattrey also plays stroh violin, which includes an attached horn that serves as a resonating chamber. Performing the aforementioned sounds on the stroh creates far out results. Each piece on the album is titled, “The,” followed by a single evocative word. Wayward lines and multi-stop pizzicatos begin “The Vision,” which are then followed by pizzicato glissandos accompanying a bluesy riff. Improvisations vacillate between these two demeanors, with greater
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