Author: Christian Carey

CD Review, Choral Music, Contemporary Classical, File Under?

Cantus Records Manifesto

Cantus Manifesto Signum Classics   The all-male vocal ensemble Cantus’s first full length recording in seven years, Manifesto, features pieces, all in world premiere recordings, that explore relationships and identity. The title work is a piece by David Lang, the text taken from answers to a Google Search auto-complete list of the query “I want to be with someone who…” It was originally commissioned by Cantus for a program titled “The Four Loves.” Lang’s piece signifies romantic love and is written in a minimal style, the textual repetitions being a hallmark of his approach. “If I Profane,” by Libby Larsen,

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CD Review, File Under?

My Tree (CD Review)

My Tree Where the Grace Is Self-released, 2021   The duo My Tree consists of vocalist Caroline Davis and multi-instrumentalist Ben ‘Jamal’ Hoffmann. Davis is best known as a jazz saxophonist and flutist, but on My Tree’s latest recording, Where the Grace Is, she demonstrates an attractive voice comfortable in a hybrid blend of musical styles. These encompass funk and fusion from the seventies and more recent electronic pop. Hoffmann favors vintage gear, including analog synths and a Linn drum machine. He crafts intricate and memorable arrangements and demonstrates keen versatility.   Davis’s supple singing serves well the uplifting songs

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CD Review, early music, File Under?

Kate Lindsey and Arcangelo Record Nero

Tiranno Kate Lindsey, mezzo-soprano Arcangelo, Jonathan Cohen, director Alpha Records – Alpha 736   Nero, Emperor of Rome from AD 54-68, is the subject of a set of baroque arias and cantatas on mezzo-soprano Kate Lindsey’s latest recording with Arcangelo. Over the course of the program, Lindsey portrays several of the main characters associated with Nero’s biography: the Emperor himself, his mother Agrippina, his first wife Ottavia, and consort Poppea.   Alessandro Scarlatti’s cantata Il Nerone presents its titular character at his most tyrannical, singing “In my realm only cruelty reigns.” Lindsey conquers both the fast flying melismas and jaunty

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Contemporary Classical, Percussion

Future of New Jersey Percussion Ensemble in Jeopardy with departure of Peter Jarvis

It was saddening to learn that Peter Jarvis has been dismissed from his position at William Paterson University. Jarvis has worked with the New Jersey Percussion Ensemble, WPU’s elite cadre of music majors, for decades, directing the group in countless premieres and all the major repertory works.    The New Music Series at WPU, also directed by Jarvis, incorporated other musicians alongside the percussion ensemble, making it possible for the students to be coached on music from Cage to Carter.    With Jarvis’s departure, it appears that the important work of NJPE will cease. This is a significant loss for

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CD Review, Choral Music, early music, File Under?

Cinquecento Sings Isaac (CD Review)

Heinrich Isaac Missa Wohlauff gut Gsell von hinnen and other works Cinquecento Hyperion Records    While not as famous today as Josquin, Heinrich Isaac (1450-1517) was a contemporary and rival much esteemed during his lifetime. The main work programmed on this recording, Missa Wohlauff gut Gsell von hinnen, makes an explicit connection between the two composers. Comment peult avoir joye?, a monophonic chanson also set polyphonically by Josquin (included on the CD for comparison’s sake), was the subject of a paraphrase mass set early in his career by Isaac. Later, when Isaac was in the service of the Habsburg Emperor

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CD Review, Contemporary Classical, File Under?

Danny Driver Records Ligeti (CD Review)

  György Ligeti The 18 Etudes Danny Driver Hyperion   Composed between 1985 and 2001, the 18 Etudes by György Ligeti are an eloquent summary of the techniques he had developed throughout his career. They rival the best collections of etudes for piano while adding substantially to the variety of technical means to be explored, particularly in the realms of polyrhythm and sonority.    There are a number of recordings of the Etudes and it is difficult to choose a favorite: different ones excel at various aspects of these multifaceted works. Danny Driver’s is a strong contender. Amply powerful where

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CD Review, Contemporary Classical, File Under?

Magnus Lindberg on Ondine (CD Review)

  Magnus Lindberg Aura – Marea – Related Rocks Emil Holmström, Joonas Ahonen, piano and keyboards;  Jani Niinimaki, Jerry Plippomem, percussion  Finnish Radio Symphony Orchestra, Hannu Lintu Ondine   This recording includes three live recordings of compositions from the 1990s by Magnus Lindberg. Hannu Lintu leads the Finnish Radio Symphony Orchestra in energetic and focused renditions of two of these challenging works, bringing out considerable detail from Lindberg’s vivid orchestrations. A quartet of pianists and percussionists perform the chamber piece, Related Rocks, an interesting corollary to the larger compositions.    By 1990, when Lindberg had completed Marea, he was already

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CD Review, Contemporary Classical, File Under?

Scott Wollschleger – Dark Days (CD Review)

Scott Wollschleger Dark Days New Focus Recordings Karl Larson, piano   Scott Wollschleger’s music has great emotional range. Dark Days explores an atmospheric and lyrical side to his composing for piano. Wollschleger has collaborated with pianist Karl Larson for some time, and this collection of pieces created over a number of years attests to the felicitous nature of their work together.    The tile piece is both the briefest and most dissonant piece. It was composed on the day of Trump’s inauguration and channels Schoenberg’s atonal phase, but in a subdued manner. Much of the music here emulates impressionism instead

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CD Review, File Under?

Mogwai: “As the Love Continues” (CD Review)

Mogwai As the Love Continues Rock Action/Temporary Residence Ltd.   On February 26th, twenty-five years into their recording career, Mogwai hit #1 on the UK charts. The band’s two previous full length releases were in the Top 10 in the UK, but the success of As the Love Continues, their tenth album, is remarkable.   Known for a live act that is one of the loudest in history, Mogwai retains a musicality that often hews close to the shaping of post-rock, with varied textures supplied both by synthesizers and electric guitars replete with pedals. The looping melody of “Dry Fantasy”

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CD Review, Chamber Music, Electro-Acoustic, File Under?

Attacca Quartet – Real Life (CD Review)

Attacca Quartet Real Life Sony Music CD/DL   Kronos Quartet excepted, there have been a lot of really bad arrangements of pop music for string quartet. Part of the problem is that the arrangers of these covers attempt to translate a medium that involves amplification, electronics, and a flexible sense of rhythm into straight notation for acoustic ensemble. Attacca Quartet’s Real Life, on the other hand, sees the opportunity for collaboration in electronic music covers.    Their recordings are subjected to production from some of the top electronic musicians in the industry: Tokimonsta, Squarepusher, and Daedelus among them. The songs

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