Scott Wollschleger Dark Days New Focus Recordings Karl Larson, piano Scott Wollschleger’s music has great emotional range. Dark Days explores an atmospheric and lyrical side to his composing for piano. Wollschleger has collaborated with pianist Karl Larson for some time, and this collection of pieces created over a number of years attests to the felicitous nature of their work together. The tile piece is both the briefest and most dissonant piece. It was composed on the day of Trump’s inauguration and channels Schoenberg’s atonal phase, but in a subdued manner. Much of the music here emulates impressionism instead
Read moreMogwai As the Love Continues Rock Action/Temporary Residence Ltd. On February 26th, twenty-five years into their recording career, Mogwai hit #1 on the UK charts. The band’s two previous full length releases were in the Top 10 in the UK, but the success of As the Love Continues, their tenth album, is remarkable. Known for a live act that is one of the loudest in history, Mogwai retains a musicality that often hews close to the shaping of post-rock, with varied textures supplied both by synthesizers and electric guitars replete with pedals. The looping melody of “Dry Fantasy”
Read moreAttacca Quartet Real Life Sony Music CD/DL Kronos Quartet excepted, there have been a lot of really bad arrangements of pop music for string quartet. Part of the problem is that the arrangers of these covers attempt to translate a medium that involves amplification, electronics, and a flexible sense of rhythm into straight notation for acoustic ensemble. Attacca Quartet’s Real Life, on the other hand, sees the opportunity for collaboration in electronic music covers. Their recordings are subjected to production from some of the top electronic musicians in the industry: Tokimonsta, Squarepusher, and Daedelus among them. The songs
Read moreMartin Suckling This Departing Landscape NMC Recordings CD/DL Tamara Stefanovich (piano), Katherine Bryan (flute), BBC Scottish Symphony Orchestra, BBC Philharmonic, Ilan Volkov Two concertos and two substantial orchestral works by Scottish composer Martin Suckling are programmed on This Departing Landscape, his debut portrait CD. The White Road (after Edmund de Waal) is inspired by De Waal’s ceramic artworks. It features flutist Katherine Bryan, a friend of Suckling’s since childhood – they played in youth orchestra together, and she managed to extract a promise of this commission some twenty years ago. Her virtuosic and energetic performance is remarkable. The violin
Read moreMatt Evans Touchless Whatever’s Clever Records “touchless questions the phenomenology of touch, reaching to transcend the boundaries of the physical to embody touch while remaining touchless.” – Matt Evans In 2019, Matt Evans lost his partner, the sculptor and eco-feminist artist Devra Freelander. He commemorates both grief and the light that came into his life as a result of their relationship on the recording touchless. Synthesizers, field recordings, piano, and additional acoustic instruments provided by guest musicians come together to create beguiling textures. Two piano pieces bookend the recording, Arcto 2 and Arcto 1. Artco 2, which
Read moreCaroline Shaw Sō Percussion, Dawn Upshaw, and Gilbert Kalish The Narrow Sea Nonesuch CD/DL Caroline Shaw and So Percussion Let the Soil Play its Simple Part Nonesuch CD/DL The last live performance I saw before the pandemic hit New York was Caroline Shaw with Sō Percussion at Miller Theatre, which I wrote about for Musical America. It was Shaw’s debut as a solo vocalist (she has performed as an ensemble member in Roomful for Teeth for several years). Hearing these pieces again reminds me of the joy of concert life before the pandemic. I am glad to
Read more“Blue” Gene Tyranny Degrees of Freedom Found Unseen Worlds 6XCD boxed set/digital Composer and pianist “Blue” Gene Tyranny passed away in December 2020 of complications due to diabetes. The boxed set Degrees of Freedom Found, a generous six-CD compilation of tracks from 1963-2019, was already in the works and contains liner notes by Tyranny. Thus, it is an endorsed release rather than a posthumous archival grab. He was associated with a number of prominent musicians, Robert Ashley, Carla Bley, Bill Dixon, and Iggy Pop, whom he joined on an early tour of the Stooges. Most viewed him as
Read moreThis past weekend, Kosmologia Interdisciplinary Ensemble premiered a multimedia work, Dreaming/Undreaming, at the Princeton Festival. The piece combines dance, video art, and piano music by J.S. Bach and the ensemble’s artistic director Carmen-Helena Téllez. Here is the trailer. When I learned that it was inspired by two short stories of Jorge Luis Borges, “The Library of Babel” and “The Aleph,” the project piqued my interest. The juxtaposition of Bach with Téllez’s more atmospheric compositions is an intriguing way to underscore the work’s two sources. The two strands of identity allow dancer Alexa Capareda to create two “characters” with distinct movement identities. Pianist Natasha Stojanovska plays assuredly. Her Bach is “old school” in terms
Read moreSergio Merce En lugar de pensar (Instead of thinking) Wandelweiser CD “The name of the album is about this feeling that I have. I believe that playing music is a non-cerebral thought form; thought in the sense of being a channel to see, to reveal, a channel that opens through intuition, observation and attention but not through thinking.” Argentinian composer Sergio Merce frequently records at home, but the results aren’t rough hewn as a result. Employing a microtonal saxophone of his own design, synthesizer, and an electronic wind instrument, Merce creates music that encompasses drones, layered sine waves,
Read moreChaya Czernowin Heart Chamber Naxos DVD Patrizia Ciofi, soprano; Dietrich Henschel, baritone; Noa Frenkel, contralto; Terry Wey, countertenor; Frauke Aulbert, vocal artist Deutsche Oper Berlin, Johannes Kalitzke, conductor Chaya Czernowin’s opera Heart Chamber deals with the emotional journey involved in navigating a relationship. It does so with large-scale forces; in addition to vocal soloists, a substantial orchestra, a chorus and chamber ensemble placed on the sides of the stage, and surround electronics. Because this is a love story that is not without its travails, and the interior lives and subconscious feelings and fears of the characters are so potent,
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