Congratulations to Tania León for being awarded the 2021 Pulitzer Prize in Music for her work Stride. The piece was commissioned and premiered by the New York Philharmonic as part of its Project 19 initiative, which marked the centenary of the 19th amendment with nineteen commissions from female composers. The Oregon Symphony shared in the commissioning of Stride. Below is a rehearsal of Stride. You can hear the whole thing by heading over to NYPhil+ (paywall).
Read moreBrian Ferneyhough Complete Piano Music Ian Pace, piano (Ben Smith, piano on Sonata for Two Pianos) Metier CD Marc Yeats The Anatomy of Melancholy Ian Pace, piano Prima Facie CD Ian Pace is one of the finest interpreters of complex contemporary music currently active. Two recent recordings of music by British composers of exquisitely intricate scores – Brian Ferneyhough and Marc Yeats – serve to further cement his reputation as the go-to artist for this repertoire. Brian Ferneyhough studied with Klaus Huber and others, but a great deal of his early work in the 1960s consisted of
Read moreGunnar Andreas Kristinsson Moonbow Sono Luminus CD Caput Ensemble Icelandic composer Gunnar Andreas Kristinsson’s second CD, Moonbow, presents a selection of pieces written during the past decade for sinfonietta and chamber forces. Clarinetist Ingólfur Vilhjálmsson joins Caput Ensemble, conducted by Guðni Franzson, in Sisyphos. Written in 2014, this is the composer’s most acclaimed piece, and one can readily hear why. Based on the mythological tale of the title character ceaselessly rolling a boulder up a hill as punishment in Hades, the concerto features eruptive outbursts, virtuoso solo turns, a middle section of minimal repetitions, and a closing danse macabre.
Read moreGiya Kancheli Simple Music Jenny Lin, piano; Guy Klucevsek, accordion Steinway and Sons CD Giya Kancheli died in 2019, leaving behind an imposing catalog that included a number of late large works for orchestra and chorus. The Georgian composer also wrote in a more intimate style, often for films and theater. These pursuits kept his work out of view of the censors of the Soviet era, so eager to hunt down modernist composers. Thirty-three of these pieces, ephemeral but attractive, are collected in Simple Music. Pianist Jenny Lin and accordionist Guy Klucevsek realize these works on a Steinway CD.
Read moreLouis Andriessen The Only One Nora Fischer, soprano Los Angeles Philharmonic, Esa-Pekka Salonen, conductor Nonesuch Records Louis Andriessen is in poor health. The eighty-one year old composer finished his last work, May, in 2019. It received a belated premiere (sans audience due to the pandemic) in December 2020 by Orchestra of the Eighteenth Century and Cappella Amsterdam, conducted by Daniel Reuss (the linked broadcast of the piece starts forty-eight minutes in). The Los Angeles Philharmonic, conducted by Esa-Pekka Salonen, has released another of Andriessen’s final works, The Only One (2018), on a Nonesuch recording. It is a set
Read moreMarco Stroppa Miniature Estrose – Primo Libro (1991-2003, revised 2009) Erik Bertsch, piano Kairos CD Pianist Erik Bertsch’s debut recording for Kairos is of composer Marco Stroppa’s most highly regarded piano works, the first book of Miniature Estrose. Bertsch was the first pianist to perform it in its entirety in Italy. The overall arch of the complete cycle of piano pieces, including a second book, has been sketched but not yet released. Even its partial completion is an impressive hour long demonstration of the capabilities of the piano in the twenty-first century. https://www.youtube.com/watch?v=zv7hy_QySsA The first selection on
Read moreTulpa Curtis K. Hughes New Focus Recordings “Tulpa is a term appropriated by 20th century theosophists from Tibetan Buddhism to refer to a manifestation of a physical being generated purely by thought, sometimes also likened to an imaginary friend, a doppelgänger, or a shadow version of the self.” Curtis K. Hughes Curtis K. Hughes is Professor of Composition at Boston Conservatory. Tulpa is his second portrait CD and the programmed works span from 1995 to 2017. There is a consistency from the earliest to most recent works, with the principle change being an ever more assured compositional
Read moreFive Experimental Recordings Anna Heflin The Redundancy of the Angelic: An Interluding Play Shannon Reilly, Emily Holden, violins; Anna Heflin: viola, voice, composer, writer Infrequent Seams cassette and download “I’m sitting on a galaxy. Stars and moons blanket the deep red spa chairs. I rest on constellations. Space itself supports me. Luna lifts me.” Thus begins Anna Heflin’s debut recording, which encompasses a spoken word play, sound art, and string duets filled with secundal dissonances and sustained drones. Heflin acknowledges a debt to Mozart in the violin/viola duo textures of the music, as well as to Bartôk’s own dissonant writing,
Read moreJosquin: Missa Hercules Dux Ferrarie – Missa D’ung aultre amer – Missa Faysant regretz Tallis Scholars Gimell Records Josquin Motets and Mass Movements Brabant Ensemble Hyperion Records The Golden Renaissance: Josquin des Prez Stile Antico Decca Classics While scholarly consensus on Josquin’s birthdate has moved around over time (current estimates are around 1450), his death was in 1521, five hundred years ago. To mark this anniversary, three of the best ensembles singing early music have released recordings devoted to the composer’s works. The Tallis Scholars began their Josquin masses recording project decades ago, and this program
Read moreDouglas Boyce Hunt By Night: Chamber Works by Douglas Boyce counter)induction; Trio Cavatina; Beth Guterman Chu, viola; Schuyler Slack, cello, Ieva Jokubaviciute, piano New Focus CD In selecting the fifteenth century “L’Homme Arme” tune as the centerpiece for his quintet by the same name, composer Douglas Boyce demonstrates an affinity for connecting music of the past with an individual contemporary voice. The piece leads off his portrait CD Hunt by Night, and it matches a structural integrity akin to Renaissance talea with an energetic, propulsive demeanor. Chamber ensemble counter)induction impressively navigates the intricacies of the score, particularly impressive in
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