We Remember September 11 // 24 Hour WPRB Live Radio Marathon At the 10th anniversary of September 11, Classical Discoveries with Marvin Rosen will present a 24 hour live radio marathon, totally devoted to music written by composers from many countries as a reaction to the unforgettable events of that day. The program will air on WPRB 103.3 Princeton and around the world at www.wprb.com and will start on Saturday, September 10 at 7:00pm ET until 7:00pm the next day, Sunday, September 11, 2011. Marvin has already in quite impressive collection of 9/11 works some of which have already been
Read moreDaniel Wolf’s appreciation is better than anything I need to muster, so I’ll just say Happy Birthday Alvin Lucier, wonderful milestone, and thanks for some of the most beautifully pure musical and sonic revelations ever conceived. Update: While I still don’t have much to add, I will point you to this wonderful discovery… In 1972-3, When (now long & well-established) experimental composer/performer Nicolas Collins was a fresh-faced freshman in college, he took Lucier’s Introduction to Electronic Music class. Good student he was, Collins also took copious notes on what Lucier taught them during those two semesters. Collins has gone ahead
Read moreTurkish pianist Seda Röder has been around these parts more than a few times; sometimes for her wonderful playing and sometimes for her wonderful podcasts. Now an Associate at Harvard, since coming over to the U.S. in 2007 (after graduating the Mozarteum in Salzburg) Seda has been a bit of a whirlwind when it comes to new music. Not content to take the standard performer’s trajectory, Seda gives almost equal measure to not onlyconcertizing, but also informing and promoting on behalf of the lesser-known — both newer and older — corners of modern classical music. Of course, in one of the corners most dear
Read more(And Gods know sanctuary is something many of us might be searching for these days…) This Monday, 21 March, at 8pm in the Weill Recital Hall at Carnegie Hall (57th Street and Seventh Avenue, NYC), the ensemble Lunatics at Large begin a series of four concerts with five premieres, of works involving the collaboration of five composers and five poets. This little bit of numerology is titled “The Sanctuary Project“; Project Director Evi Jundt says: We picked artists whose work we believed would be evocative of the theme ‘Sanctuary.’ First, the poets presented one new poem and some older works to the composers.
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Composers, Concert review, Concerts, Contemporary Classical, Experimental Music, Festivals, Improv, Other Minds, Performers, San Francisco
[The latest iteration of the always-stellar Other Minds festival is now done and in the books. We asked our equally-stellar Bay Area musician friend Tom Djll if he’d like to cover a bit of it for us, and he happily sent along his impressions of the second and third concert evenings.] Other Minds 16 Jewish Community Center, San Francisco Concert Two, Friday, March 4, 2011 There’s a shard of spotlight on my shoulder. A music stand hovers off the sphere of peripheral vision; under it, the shadow of fingers curl like the violin scroll toward which they crawl, spiderish. The
Read moreComposer Paul Lansky writes at his Facebook page: “I’m sorry to report that Milton Babbitt died this morning at age 94. He was a great and important composer, and a dear friend, colleague and teacher.” Whether as a pillar of strength, or a pillar to push in opposition to, Babbitt was one of the most dominant presences in American classical music these past 50 years. As news and appreciations pop up, we’ll try to give you links. Meantime, there’s this wonderfully human interview from just about 10 years ago, with NewMusicBox’s Frank J. Oteri.
Read moreAh, this the Golden Age, my friends, when the mellifuous sound of Autotune is everywhere, bringing dulcet harmony and order to everything from the latest pop and hip-hop singles worldwide to even the news. And now, thanks to the inspiration of Toronto composer Matthew Reid, even to the veritable sounds of “silence” as well!… Of course we all know that John Cage‘s iconic piece 4’33” is not really three movements of silence; the point is that those movements frame and draw attention to all of the other sounds present in the space where the piece is being played. What Reid has
Read more…Though it never really closed… Started around 1998 in upstate New York by a small group of musicians including Benjamin Boretz, Mary Lee Roberts and Arthur Margolin, The Open Space was conceived as print and online magazine venture and CD publisher dealing with contemporary music as “…output from a community for people who need to explore or expand the limits of their expressive worlds, to extend or dissolve the boundaries among their expressive-language practices, to experiment with the forms or subjects of thinking or making or performing in the context of creative phenomena. We want to create a hospitable space for
Read moreGetting ready to enjoy all those new, happy/shiny Xmas presents, I’m sure… Well, here’s another that won’t cost you a dime: S21’s WPRB-favorite-son, announcer Marvin Rosen, is getting a jump on the upcoming Alan Hovhaness centennial with a 24-hour marathon broadcast of Hovhaness’s music (that’s Marvin above, in 1992, with Hovhaness at the composer’s home). “Mountains and Rivers Without End” begins Sunday, Dec. 26th at 7pm, and will feature more Hovhaness than you can shake a stick at (I know more than a few composers who might well be furiously shaking that stick, but I myself am pretty partial to this American original). Two
Read moreIf contemporary classical music had “supergroups”, the 8-year-old ensemble Ne(x)tworks would definitely be one of them. With the likes of Joan La Barbara (voice), Kenji Bunch (viola), Shelley Burgon (harp & electronics), Yves Dharamraj (cello), Cornelius Dufallo (violin, Director), Miguel Frasconi (glass instruments & electronics), Stephen Gosling (piano), Ariana Kim (violin), and Christopher McIntyre (trombone), their roster is led by major movers long on the NYC new-music scene. Working with both classical and improvisational roots, their repertoire encompasses the open scores of the New York School composers of the ’50s, the experiments of the AACM, and the SoHo scene and
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