Pedro de Cristo Magnificat Cupertinos, Luís Toscano, director https://www.cupertinos.pt/en/presentation/ Hyperion Records During the “Golden Age” of Portuguese Polyphony, the late sixteenth and early seventeenth century, composers on the Iberian Peninsula retained a more conservative idiom that has often been likened to Palestrina’s approach to counterpoint and declamation. Thus, the style of the Renaissance was retained longer than on the rest of the continent or in England. The mastery that resulted in this cultivation elevated composers such as Duarte Lobo (c.1565-1646), Manuel Cardoso (1566-1650), and Miguel de Magalhães (1c. 571-1652) to considerable acclaim, affording them patronage from King John
Read moreChristopher Fox Trostlieder Exaudi, conducted by James Weeks Kairos Music British composer Christopher Fox’s latest portrait CD on Kairos focuses on music for vocal ensemble. Exaudi, conducted by James Weeks, is one of the finest groups for recent repertoire in the UK, and they present this program with characteristic care and detail. This is their third disc devoted to Fox’s music The four Trostlieder Widerwertigkeit des Kriegs (“Poems of comfort in the awfulness of war”) (2015) were written as companion pieces to Heinrich Schütz’s 1648 collection Geistliche Chormusik. Published at the end of the Thirty Years War,
Read moreAndrew Mcintosh Little Jimmy Yarn/Wire Kairos Composer and sound recordist Andrew Mcintosh has worked with Yarn/Wire, a quartet of two pianos and two percussionists, for over a decade, and this Kairos portrait CD demonstrates their keen musical connection. The title work references a special scene: recordings of Rosenita Saddle in Angeles National Forest, where Mcintosh routinely walked. It has since been ravaged by damage from wildfires. Sounds from wildlife, particularly wind, birds, and crunching underfoot during nature walks, connect Little Jimmy’s title work and solo piano piece “I Have a Lot to Learn” with feelings of the loss of the
Read moreBarre Phillips and György Kurtág Jr. Face á Face ECM Records Luminary avant-jazz bassist Barre Phillips and György Kurtág Jr., son of the well-known Hungarian composer and an electronic musician, join together on Face á Face. Kurtág uses a variety of synths, providing both pitched material and percussion to complement Phillips’ bass-playing. It might not be a pairing one would have readily thought of, even with Phillips’ long pedigree of collaborations, but Face á Face is a compelling recording. The album opener, “Beyond,” finds the two in a cat-and-mouse game, Kurtág beginning
Read moreMatthew Shipp Trio World Construct ESP Disk’ Matthew Shipp, piano; Michael Bisio, bass; Newman Taylor Baker, drums On World Construct, pianist Matthew Shipp is joined by bassist Michel Bisio and drummer Newman Taylor Baker. Shipp has recorded with a plethora of current jazz performers. Each collaboration brings about different aspects of his playing and the ensemble vibe. A short prelude, “Tangible,” establishes the vibe here, with melodic interplay between piano and bass, and drums punctuating the action. “Sustained Contrast” demonstrates Shipp’s connection to the jazz tradition, with plaintive descending arpeggiations in a ballad context. This is counterweighted with low
Read moreThe Covid pandemic of the last two years has drastically reduced live performances, and many musicians have stayed busy making studio recordings. Experimental music has benefited from this with the release of threads, a new CD from Sofa Music by trombonist Mattie Barbier. Recorded at the Tank Center for Sonic Arts in Rangely, Colorado in October of 2020, threads is an exploration of the possibilities of musical sounds when heard in an environment with ‘extraordinary internal acoustical resonance’. The Tank Center facility is built around an abandoned steel railroad water tank some seven stories high making it a unique venue
Read moreFile Under Favorites 2022 Olivia de Prato I.AM. New World Records Violinist Oliva de Prato is one of the stalwarts of the New York new music community, performing premieres with a plethora of organizations and in demand as a solo artist. Her latest recording for New World, I.AM. is a celebration of “Artistry and Motherhood.” De Prato, a mother herself, commissioned composers who are navigating motherhood and their careers. The project provides a nurturing, welcome perspective. “Automatic Writing Mumbles of the Late Hours,” is by Natacha Diels, a composer and sound artist. The piece requires de Prato to trigger
Read moreTyondai Braxton Telekinesis Nonesuch/New Amsterdam Telekinesis is Tyondai Braxton’s largest piece to date. It is inspired in part by the Japanese manga classic Akira, the story of a young boy’s discovery of his telekinetic powers and the disaster that ensues. Commissioned by the Southbank Centre in London and Musica Nova Helsinki Festival, Telekinesis is scored for electric guitars, orchestra, choir, and electronics. It is the latter that Braxton has thus far been associated with, but Telekinesis includes large sections of notated music, blending with the electronics to make thickly layered amalgams. The performers on the Nonesuch/New Amsterdam recording
Read moreMicrofest Records has released Amazing Grace, a CD collection of three pieces by American composer Ben Johnston (1926-2019). The album features the Lyris Quartet and includes the title track, Amazing Grace (1973), Quartet #9 (1987) and Octet (1999). Kyle Gann, once a student of Ben Johnston, rightly states in his liner notes that: “Not all musicians realize it, but Ben Johnston, was a major figure in the Midwestern new music world in the 1970s and ‘80s, comparable to John Cage on the East Coast or Lou Harrison on the West. He looms even larger in the world of microtonal music,
Read moreNico Muhly – Alice Goodman The Street Parker Ramsay, harp; Rosie Hilal, narration; The Choir of King’s College, Cambridge, Daniel Hyde, Director of Music King’s College, Cambridge, 2xCD The Street, Nico Muhly’s first collaboration with Alice Goodman, a librettist best known for her work with John Adams, presents a modern retelling of the Stations of the Cross. The first CD sets the mood for the drama to come, with performances of the Bach C-minor Partita No. 2 and the instrumental version of The Street by harpist Parker Ramsay. Ramsay is a gifted performer – his recordings include a fluent rendition
Read more