Choral Music

Choral Music, Composers, Concert review, Conductors, Contemporary Classical, File Under?, New York, Orchestras

Adés Conducts the New York Philharmonic

Adés Conducts the New York Philharmonic David Geffen Hall January 24, 2026  Published in Sequenza 21 By Christian Carey   NEW YORK – Thomas Adés is best known as a composer, but he is a talented conductor as well. Leading the New York Philharmonic in a program of recent works and a neglected early twentieth century piece, his approach was effusive and commanding, with a versatile and fluid gestural repertoire. The orchestra’s musicians always play at a high standard, but their performance on last Saturday’s concert was superlative, and given the challenges posed by the programmed pieces, all the more

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by Christian Carey
Choral Music, Composers, Concert review, Contemporary Classical, early music, File Under?, Miller Theater, New York

The Tallis Scholars at St. Mary’s (Concert Review)

Mother and Child The Tallis Scholars, directed by Peter Phillips Miller Theater Early Music Series, Church of St. Mary the Virgin December 4, 2025 By Christian Carey   NEW YORK – The choral ensemble The Tallis Scholars, directed by Peter Phillips, are regular visitors to Manhattan, and their December concerts at Church of St. Mary the Virgin have a devoted following (pardon the pun). Often they perform a Marian-themed program appropriate to the space, and  their appearance this past Thursday was no exception. In addition to pieces principally drawn from the English Renaissance, a new Salve Regina setting by the

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by Christian Carey
Choral Music, Classical Music, Composers, Concert review, Concerts, Contemporary Classical, Criticism

Estonians Play Their Pärt

In listening to a three-hour concert of music by Arvo Pärt, the brilliance of the Estonian composer’s craft becomes clear. His use of percussion is a masterclass in orchestration, announcing the beginning of a piece with a chime, punctuating string passages with a ding or a gong, and clamorous timpani rolls in rare fortissimo moments. This all-Pärt concert on October 23 was the first program in a season-long celebration of the 90-year old composer at Carnegie Hall. Pärt holds the Composer’s Chair at Carnegie this season (that’s the Richard and Barbara Debs Composer’s Chair, to you). The occasion was also the American

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by Gail Wein
Choral Music, Concert review, early music, File Under?, New York

Stile Antico Sings Palestrina at St. Mary’s

Stile Antico Sings Palestrina at St. Mary’s March 29, 2025 Church of St. Mary the Virgin   NEW YORK – Celebrating their twentieth year, the vocal ensemble Stile Antico brought a program dedicated to the 500th anniversary of the composer Giovanni Pierluigi da Palestrina’s birth to Miller Theatre’s Early Music Series. The concert was held at the Church of St. Mary the Virgin in midtown, a space that Miller has employed to host a number of Renaissance music performances.   Stile Antico appeared with only eleven singers, instead of their usual complement of a dozen. Baritone Gareth Thomas was ill

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by Christian Carey
Choral Music, Classical Music, Concert review, File Under?

Musica Sacra at Carnegie Hall (Concert Review)

Music Sacra Classics for Christmas: Mozart, Bach, and Beethoven Musica Sacra Chorus and Orchestra Kent Tritle, conductor Simone Dinnerstein, piano Susanna Phillips, soprano Carnegie Hall December 18, 2024   NEW YORK – Musica Sacra, directed by Kent Tritle, gave a concert of Christmas music on Thursday, but you didn’t hear caroling. The group presented choral pieces with Christmas texts, and topped things off with the Beethoven Choral Fantasy, a piece premiered in December 1822 but having little to do with the holiday. Still, the work, which is part piano concerto and part choral cantata, is festive and was jubilantly performed. 

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by Christian Carey
CD Review, Choral Music, Composers, Contemporary Classical, File Under?

Frederica von Stade bids farewell on Naxos Recording (CD Review)

Crimson Roses: Contemporary American Choral Music Naxos Music CD Musica Viva Choir and Orchestra, Alejandro Hernandez-Valdez, conductor Erin Sensenig, soprano Frederica von Stade, mezzo-soprano   After a lengthy and illustrious career, the mezzo-soprano Frederica von Stade says farewell on Crimson Roses, an album recorded by Musica Viva that includes three contemporary choral pieces. The title work, And Crimson Roses Once Again Be Fair,  composed by Joseph Turrin, features both von Stade and soprano Erin Sensenig. It is a forty-five minute long cantata that commemorates the 100th anniversary of the First World War. Turrin set three poets who were part of the

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by Christian Carey
Choral Music, Concert review, early music, File Under?

Two Early Music Groups Visit New York (Concert Review)

Two Early Music Ensembles Visit New York Iestyn Davies, countertenor, Fretwork, viols, and Silas Wollston, organ and virginal, Carnegie Hall’s Zankel Hall, December 3rd, 2024 The Tallis Scholars, presented by Miller Theatre’s Early Music Series at Church of St. Mary the Virgin, December 5th, 2024 NEW YORK – This past week’s concert schedule featured two early music ensembles, one specializing in early baroque music, and the other known for renaissance repertoire but presenting a more wide-ranging program.  The countertenor Iestyn Davies is a highly regarded interpreter of Handel’s operas. He also appeared in Claire van Kempen’s play Farinelli and the

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by Christian Carey
CD Review, Choral Music, Contemporary Classical, File Under?

Žibuoklė Martinaitytė Aletheia – Choral Works (CD Review)

Žibuoklė Martinaitytė Aletheia – Choral Works Latvian Radio Choir, Sigvards Kļava, artistic director and conductor Ondine   Žibuoklė Martinaitytė (b. 1973) divides her time between her home country, Lithuania, and the United States. Her works have earned her accolades and laurels such as the Guggenheim Fellowship and a residency and commission from Aaron Copland House. She is well known for exquisitely constructed and powerfully scored orchestral music. On Aletheia, a different side of Martinaitytė’s music is shown; her music for a cappella mixed chorus. None of the pieces programmed on the recording use conventional texts, instead exploring a number of

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by Christian Carey
Choral Music, Concert review, Contemporary Classical, early music, File Under?

The Sixteen at St. Mary’s (Concert Review)

The Sixteen, conducted by Harry Christophers The Deer’s Cry Miller Theatre Early Music Series at Church of St. Mary the Virgin Saturday, October 26, 2024   NEW YORK – This past Saturday, renowned British vocal ensemble The Sixteen, conducted by Harry Christophers, made their Miller Theatre Early Music Series debut. Presented at Church of St. Mary the Virgin in midtown, the group performed music from their latest recording on Coro, The Deer’s Cry. Consisting of works by English Renaissance composer William Byrd (1540-1623) and Estonian composer Arvo Pärt (1935-), this seemingly eclectic pairing worked well together. Christophers may often be

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by Christian Carey
Choral Music, Concert review, File Under?

The Manhattan Choral Ensemble Sings Victoria (Concert review)

The Manhattan Choral Ensemble, Thomas Cunningham, Director The Victoria Requiem Church of the Blessed Sacrament May 18, 2024 By Christian Carey for Sequenza 21   NEW YORK – The Manhattan Choral Ensemble is an auditioned forty-voice group. Among them are enthusiastic amateurs, professional singers who want to work with Director Thomas Cunningham, who is a dynamic musician and imaginative programmer, and singers from music-adjacent pursuits, notably musical theater. A diverse group to be sure, but they sing beautifully together.    The main offering on their May concert program was by Tomas Luis de Victoria (1548-1611), his Requiem Mass, published in

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by Christian Carey