103 year old Elliott Carter has written a new work, Two Controversies and a Conversation, which will be premiered tonight at the Met Museum as part of the New York Philharmonic’s Contact! series. The concert, conducted by David Robertson, also includes a newly commissioned work by Michael Jarrell and Pierre Boulez’s …explosante-fixe… Carter discusses the piece in the video below. The Contact! program will be repeated on Saturday at Symphony Space.
Read moreOur friends at RCRDLBL are sharing an MP3 of “Lots” by indie classical composer Dan Deacon (embed below). Dan Deacon’s new full length recording, America, is out August 28th via Domino Records.
Read moreComposers and sound artists have only got a few days – until May 31st – to answer the annual Vox Novus call for 60-second recorded works for the 60×60 Project. What started as a gleam in the eye of composer and impresario Robert Voisey is now celebrating its tenth season of providing international exposure and multiple performances to composers of any nationality, age, or career stage. 60×60 was designed to showcase the diversity of the contemporary music scene by getting as many composers as possible before the largest possible audience. And it’s succeeded — 2000 composers have had their works
Read moreTo many, Memorial Day weekend means the kickoff of the summer season: getaways, barbecues, traffic, and more traffic … But the New York new music scene doesn’t seem to be on holiday from its Spring season yet. indeed, we’ll be talking a number of events in coming weeks, extending well into June. Performers and, one hopes, audiences, aren’t even taking the weekend off. Tonight is an all Milton Babbitt concert at CUNY Grad Center. It features several pieces done by the performers who’ve made them part of their core repertoires. But any chance to hear Judith Bettina sing Philomel again
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Chamber Music, Composers, Concerts, Conferences, Contemporary Classical, Festivals, Music Events, News
Report by Tyran Grillo (between sound and space) Photos by Evan Cortens Music: Cognition, Technology, Society set a formidable intellectual task before participants of the selfsame conference at semester’s end on the quieting campus of Cornell University. Under the attentive care of organizers Caroline Waight, Evan Cortens, Taylan Cihan, and Eric Nathan, what might have been an overwhelming conceptual storm proved smooth sailing through a series of back-to-back panels. The lack of overlap meant that everyone in attendance could take in the full thematic breadth and draw connections that might otherwise have been missed in the three-ring circus of a
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Big Band, Chamber Music, Composers, Contemporary Classical, Events, Experimental Music, Festivals, Improv, jazz, Piano, Premieres, San Francisco, Saxophone, Sound Art, Women composers
The San Francisco Bay Area’s underground music scene will come together this coming July in an annual celebration of its tremendous range of styles, its love of improvisation, and its collective obsession with new and unusual timbres and techniques. It’s the 11th Annual Outsound New Music Summit! All events will take place at the San Francisco Community Music Center at 544 Capp Street near 20th Street in the Mission District, and tickets can be ordered online from Brown Paper Tickets or purchased at the door. The ever-popular Touch the Gear Expo kicks off the Summit on Sunday July 15, 7-10
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Chamber Music, Composers, Concerts, Conferences, Contemporary Classical, Festivals, Music Events, News
“How can music ‘speak’ and how do we have knowledge of it? What is its potential to express, represent, and communicate? How has changing expertise concerning sonic and musical knowledge shaped these questions across time and space?” These are the questions that inspired the interdisciplinary conference entitled “Music: Cognition, Technology, Society” that will take place at Cornell University this weekend, May 11 – 13. The conference will spotlight Tod Machover (Massachusetts Institute of Technology) in a dual-role as guest composer and keynote speaker. Other keynote speakers include Eric Clarke (University of Oxford), Ichiro Fujinaga (McGill University) and Robert Gjerdingen (Northwestern
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Classical Music, Commissions, Composers, Composers Now, Concerts, Contemporary Classical, Festivals, New York
On Tuesday evening in New York City, Edmonton is taking Carnegie Hall by storm. The “Spring for Music” series, a yearly Carnegie event, is an opportunity for symphony orchestras around North America to come and present their work in New York City- an opportunity that would not necessarily be possible for some of these orchestras if “Spring for Music” did not exist. This Tuesday will see the Carnegie debut of the Edmonton Symphony Orchestra, an up-and-coming star in the symphonic world. The Edmonton Symphony Orchestra is celebrating its 60-year anniversary this year. An integral and beloved part of the
Read moreIn the Kaleidoscope: the Music of Sean Shepherd April 23, 2012 Music Mondays at Advent Lutheran Church NEW YORK – Sean Shepherd’s music was featured in last week’s Music Monday concert at Advent Lutheran Church on New York’s Upper West Side. One of the fast rising stars of contemporary classical music’s thirty-something set, Shepherd has already been performed by the New York Philharmonic, on their Contact contemporary music series, and is currently in residence with both the orchestras Cleveland and Reno. Upcoming performances of his works are this summer at the Tanglewood Festival of Contemporary Music and in the Fall
Read moreIn December 2010, as I was still adjusting to the climate change between Houston, Texas and Ann Arbor, Michigan, I heard a piece that has stuck with me ever since. I wrote about it here, along with two others, and called this particular work, which was performed with video and dance, “the most well executed student production of ANY KIND I have seen.” This piece is Music in Pluralism by William Zuckerman, a former University of Michigan composition student who is currently freelancing in New York. On April 11th at 8 PM, in the Kaufman Center’s Merkin Hall, Music and
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