Composers

Composers, Contemporary Classical, Interviews, Music Events, Orchestral, Premieres

Mandolin Master 2

Labor Day 2009 and while John Clare has an airshift, he also has an interview. Chris Thile is relaxing in New York and making coffee, ready to talk shop. Thile jokes, waxes poetic and has a thoughtful answer for the questions. You see, Chris is about to add to the small repertoire of mandolin & orchestra concertos, with his own Ad astra per alas porci. The world premiere performances are September 17, 19, and 20, 2009 with The Colorado Symphony & Jeffrey Kahane. In the second part of our interview Chris talks about how the piece came about and if

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Composers, Conductors, Electro-Acoustic, Experimental Music, Festivals, Improv, Interviews, Music Events, Opera, San Francisco

Let’s ask Gino Robair

The San Francisco Electronic Music Festival celebrates its 10th anniversary this week.  On the final festival night, Saturday, September 19th, the program will include a special all-electronic performance of the opera I, Norton, by San Francisco Bay Area composer Gino Robair. I, Norton is based on the proclamations of Norton I, Emperor of the United States and Protector of Mexico, who lived during the Gold Rush era in San Francisco. The concert begins at 8:00 p.m. at the Brava Theater Center, 2781 24th Street, San Francisco. Tickets are available online from Brown Paper Tickets. Gino Robair has created music for

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Classical Music, Composers, File Under?, New York

NYPO’s New Music Funding gets a big boost

The New York Times Arts Beat has details about a $10 million dollar gift the New York Philharmonic recently received from equity manager Henry Kravis. A gift earmarked for new music, the money will underwrite composer residencies and commissions for the orchestra. For those disheartened by the NYPO’s sometimes tepid commitment to new music during the 90s and 00s, this is a welcome sign that things may be changing for the better under the tenure of their new Music Director Alan Gilbert. Magnus Lindberg will be the orchestra’s Composer-in-residence for the ’09-’10 and ’10-’11 seasons. New York audiences will get

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Composers, Contemporary Classical, Interviews, Premieres

To the stars with mandolin!

It doesn’t seem all that long ago that I heard the world premiere of Blind Leaving the Blind. (Read about it here: S21 Review.) It was quite a night @ Zankel, St. Patrick’s Day 2007. Chris Thile has since recorded the work with the Punch Brothers, and made a duo album with Edgar Meyer. Now Thile is about to embark on another journey – a mandolin concerto, Ad astra per alas porci. This week he plays with The Colorado Symphony (September 17, 19, and 20, 2009; with Jeffrey Kahane), then six more chances to hear it, with the Oregon Symphony

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Composers, Concerts, Conferences, Contemporary Classical, Kansas City, Minimalism

Minimalism Conference: Final Report

When I finally struck out for the Kansas City airport on Sunday afternoon, Kyle Gann was about 45 minutes into a very chilled-out performance of his heroic four-and-a-half-hour transcription of Dennis Johnson‘s November–a piece which inspired La Monte Young’s The Well Tuned Piano and was the first minimalist piece to employ a diatonic scale, repetition, and to stretch for multiple hours.  November probably would have been lost to history had Kyle not undertaken the work of rescuing it.  Sarah Cahill was going to take over from him at some point that afternoon, and the final notes of that performance were

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Composers, Electro-Acoustic, Experimental Music, Festivals, Interviews, Performers, San Francisco

Let’s ask Donald Swearingen

The San Francisco Electronic Music Festival (SFEMF) kicks off next week, and several of its original founders will be performing in celebration of the festival’s tenth anniversary.  One of them, Donald Swearingen, will take the stage on Thursday, September 17th along with Maria Chavez, Mark Trayle, and Mason Bates.  The show starts at 8 pm in the Brava Theater, 2781 24th Street, San Francisco. Tickets are available online or at the door. It’s hard to coax Donald Swearingen away from his many projects, but I did manage to get him to share some background and a few hard-to-find details about

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Composers, Concerts, Contemporary Classical, Electro-Acoustic, Film Music, Opera, Premieres, San Francisco

Let’s ask Jack Curtis Dubowsky

San Francisco-based composer, conductor, writer, educator, and filmmaker Jack Curtis Dubowsky is a very busy man.  This Wednesday night, September 9th at 7:30 p.m., he’ll take the stage along with the Jack Curtis Dubowsky Ensemble in San Francisco’s Meridian Gallery, located at 535 Powell Street, convenient to Powell Street BART.  Next month, he has a new opera premiering. But fortunately, he wasn’t too busy to talk to me. S21: How does it feel to be leading off the Meridian Gallery’s 11th season of Composers in Performance? JCD:  It’s an honor to be selected to be a part of the Meridian

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Classical Music, Click Picks, Composers, Contemporary Classical, Events, Radio

Radio Radio: all new, all the time

Well, that is if the time happens to be this Tuesday September 08 from 7:00pm EDT, ’till 7:00pm EDT Wednesday September 09, and you pin your ear to Princeton’s WPRB (103.3FM). I’m just reminding you of what Elodie Lauten has already so nicely plugged a little while back on her own blog: that it’s once again time for radio host Marvin Rosen to serve up his annual Classical Discoveries Marathon. And by “all new”, I don’t mean just the stock & standard 20th-century stuff; this year’s adventure is titled “Viva 21st Century – American Edition” — music by almost 100

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Composers, Conferences, Contemporary Classical, Kansas City, Minimalism

Minimalism Conference, Day 4

Tonight’s performance by Charlemagne Palestine was, in short, one of the most extraordinary musical experiences of my life.  Palestine has developed a technique for playing the organ which involves the use of wooden shims to hold down keys so he can build up drones with many notes and still have his hands free to improvise melodies over top of it.  He starts with an open fifth and builds over the course of a couple hours to a dense roar that uses most of the available power of the instrument.  It was mesmerizing.  In truth, I wasn’t expecting to like it

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Composers

Music for Large Animals (and Smaller People) by Judith Lang Zaimont

Judith Lang Zaimont’s new music/art video, Beasts is now up on YouTube but you can watch it right here by clicking the little pointer thing. The video features paintings and drawings by Gary Zaimont who, I believe, is Judith’s husband, from his Large Animal Series of 2007-08. The videography is by Michael Bregman. The music is Growler, one movement from Judith’s Symphony for Wind Orchestra in Three Scenes in a performance is by the University of Minnesota Wind Ensemble, directed by Dr. Jerry Luckhardt, from the 2004 World Premiere. Enjoy. See Judith’s discussion of the piece here. Her comments reflect,

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