Beauty Will Be Amnesiac Or Will Not Be At All Immediata (Digital) On Beauty Will be Amnesiac Or Will Not Be At All, composer/pianist Anthony Pateras and composer/sound artist Jérôme Noetinger join forces to create an hourlong work for Synergy Percussion and improvised electronics. Its conceit is a clever one: the piece is of similar scope to Iannis Xenakis’ work Pleïades and utilizes a similarly gargantuan battery of percussion instruments, over 100, notably Xenakis’ 17-pitch microtonal metallophones, the Sixxen. These are used to particularly fine effect in the accumulating washes of sound in the piece’s first movement. Pateras’s notated music and Noetinger’s electronics blend well together, with an emphasis on merging
Read moreOn Saturday, June 3, 2017 Music@Boston Court hosted Broken Rivers, a concert of piano trio music presented by the composer collective Synchromy. Pianist Vicki Ray, Cellist Timothy Loo and Alyssa Park on violin performed no less than eight pieces, including three premiers. Also featured were compositions selected from a call for scores that drew over 240 respondents. Narration for several of the pieces was provided by actor Ray Ford. Only a few vacant seats remained in the Branson performance space with the audience looking forward to a full program. The first piece was the premiere of a new version of
Read moreOn Tuesday, May 30, 2017 Tuesdays@Monk Space hosted a concert titled Vicki Ray and Richard Valitutto present New Song. Every seat was filled in the cozy Koreatown performance space with an audience looking forward to an evening of contemporary art songs from some of the finest musicians and composers in Los Angeles. Four Elemental Songs (2014), by Vicki Ray was first and this consisted of four short movements based loosely on the natural elements of air, fire, water and earth. Elissa Johnston was the vocalist, accompanied by the composer at the piano. Luftpause, the first movement, began with a light,
Read moreOn Saturday, May 27, 2017 Betalevel was the venue for a concert of experimental music, spoken text and radio sounds as created and performed by Scott Cazan, Pauline Gloss and Casey Anderson. A nice crowd ventured into the colorful subterranean performance space on a quiet holiday evening in the Chinatown district of Los Angeles. The first piece on the program was Grammar, by Scott Cazan, who presided over a computer table filled with cables leading to mixers and speakers. A section of the floor in front was filled with symbols and letters chalked onto the cement prior to the start
Read moreThe indefatigable Marvin Rosen is marking 20 years of broadcasting his indispensable radio program “Classical Discoveries” on WPRP in Princeton, New Jersey (and on the web) and to celebrate the occasion he is doing two special programs this week; one, tomorrow, May 29 from 5:00 till 11:00am and another broadcast on Wednesday, May 31, from 5:00 till 11:00am. Marvin’s two main interests in music are old music–Baroque and before–and new music–composers who are still breathing or still modestly still warm in their graves. He was probably the first person with a radio show to begin championing the music
Read moreBook review The Spectral Piano From Liszt, Scriabin, and Debussy to the Digital Age By Marilyn Nonken, with a chapter by Hugues Dufourt Cambridge University Press, 192 pp., 2014/2016 (paperback edition) By Christian Carey Recently reissued in paperback, pianist/author Marilyn Nonken’s book The Spectral Piano is a fascinating examination of the history of piano music beginning in the mid-1800s that leads to its use in a spectral context from the 1970s to the present. Nonken’s thesis is that the employment of the piano to imitate the harmonic series so prevalent in contemporary spectralism is a venerable practice; that composers have
Read moreOn Thursday, May 25th at 7:30 PM, the Orchestra of the League of Composers, directed by Louis Karchin along with conductor David Fulmer, will present a program of works by Arvo Pärt, Fred Lerdahl, Lisa Bielawa, and Sheree Clement (a new piece commissioned by League of Composers/ISCM) at Columbia University’s Miller Theatre. Tickets are $25/$15 for students/seniors Below is my program note for the concert, which should supply some background in advance of the concert. Program note: Season Finale: Orchestra of the League of Composers/ISCM By Christian Carey One of the fundamental ways in which the League of Composers fulfills its mission is by programming a diverse selection
Read moreGeoff Nuttall is looking for a few good rocks. One for each hand of 60 random patrons who show up at Charleston’s Dock Street Theater this Friday at 11 am or 1 pm for the first 2017 concert of Spoleto Festival USA’s immensely popular Bank of America Chamber Music Series. The rocks will be there for a piece called Trans for Percussion Solo and Audience, written by composer Lei Liang. The percussion solo will be performed by the legendary percussionist Steven Schick; the audience part will be performed by the 60 patrons who have been armed with rocks. The same
Read moreRefractions Daniel Corral Populist Records CD PR012 Jeremy Kerner, electric guitar; Isaura String Quartet; Corral, music box and laptop LA-based Populist Records has released another treasure trove of unusual ambience. Daniel Corral’s Refractions, featuring the composer on music box laptop alongside electric guitarist Jeremy Kerner and the Isaura String Quartet, captures a compelling ambient composition. Delicate strains from guitar and strings are offset by bell-like interjections from Corral’s music box and swaths of sustained sounds from his laptop. The piece begins with all of these various textures and gradually is winnowed down to the music box, supplying minimal punctuations and
Read moreOn May 6, 2017 Populist Records presented a CD release concert at Automata in Los Angeles featuring Refractions, a new album by Daniel Corral. The Koan String Quartet and guitarist Jeremy Kerner joined Corral playing music box and laptop to perform the entire album. A full house was in attendance on a chilly but otherwise quiet Saturday night in Chinatown. The evening began with two improvisational duos in the Persian tradition by Timothy Maloof and Rahman Baranghoori who arrived with violins and a recorded drone. The first of these duos began softly with sustained tones in the violin against the
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