Sometimes a phone interview is the way to go, even if you live in the same town. And so it was on a rainy Friday afternoon this past December that San Francisco-based composer and cellist Joan Jeanrenaud and I “sat down” for a chat about her latest music theatre collaboration Your Body Is Not A Shark, which ran 7 11-13 January in San Francisco, and 17-20 January in Santa Cruz The celebrated and much sought after musician was the Kronos Quartet cellist from 1978 until 1999, when she “retired ” due to having been diagnosed with MS, which she’s been
Read moreHave you seen the leaden snark about new music that recently passed for a column on Huffington Post? Penned by composer Daniel Asia, it was ostensibly about John Cage’s centenary year celebrations, but was really just a rehash of reactionary vitriol against experimental art. Aren’t we yet tired of attacking those whose aesthetic viewpoints differ from our own? Can’t we composers all just get along? Apparently not. My reply to Huff Post follows below. ____ With all due respect to Daniel Asia, it is very easy to write an essay excoriating a dead man and griping about centenary festivals: both
Read moreRadio Web MACBA is a radiophonic project from the Museu d’Art Contemporani de Barcelona (MACBA) website that explores the possibilities of the internet and radio as spaces of synthesis and exhibition. The programs are available on demand, and as a podcast subscription. Beginning with a program called Probes #1, drummer extraordinaire Chris Cutler (one of the founding members of the legendary band Henry Cow) examines the side-effects of the collapse of tonality in the 20th century, and intriguingly addresses the idea of Western music notation and modern recording as “memory technology.” As Cutler explains, “Different forms of memory will engender
Read moreFrom Friday 2 PM to Saturday 2 PM (EST), broadcaster Marvin Rosen will be hosting “Viva 21st Century,” a marathon of recent classical music on Princeton’s WPRB 103.3 FM (also on the web at www.wprb.com). The broadcast will include over eighty composers. Marvin has informed me that my “Gilgamesh Suite EP” (out now on BandCamp) will be featured sometime between 7 and 9 PM on Friday. More details below. Viva 21st Century Classical Discoveries will present the 10th Annual program and the 6th 24-Hour Marathon totally devoted to music composed in the 21st century. VIVA 21ST CENTURY – INTERNATIONAL EDITION
Read more(“Composer Talk” co-hosts Chris Becker and Hsin-Jung Tsai with Trio Oriens) Howdy pardners! Some of you may remember that a little over two years ago I relocated from New York City to Houston, TX. Since then, I have been enjoying what is truly a lively and diverse music and arts scene (clap, clap, clap, clap) “deep in the heart of Texas!” This past year in particular has been especially stimulating and busy for me as a composer, performer, writer, and DJ. Yes, DJ. As in radio DJ. As in, “Tune in Saturday, December 29th, 2012, 4:30 p.m. to 7:00 PM
Read moreThe world has reached a sad state when our individual and institutional worth is measured by how many people like us on a social media web site. But, alas, these are modern times and in the spirit of getting with the program, we have created a Sequenza 21 Facebook page where we are cheerfully posting and reposting daily the new music community’s responses to the relevant news and happenings of the day. You might say that making Mark Zuckerberg richer and more devious on the slippery slope of privacy rights has become a passion of ours. If they can now
Read moreWhat becomes a legend most? Well, in the case of two legends–director/designer Robert Wilson and composer Philip Glass, an international tour of their first and most famous of their five collaborations, EINSTEIN ON THE BEACH (1975-76 ), which began in Ann Arbor, Michigan in January ’12, goes on to Amsterdam in Jan’ 13., and ends in Hong Kong in Mar’13. But there’s an irony. The piece “that broke all the rules of opera “– there’s no story, and certainly no star-crossed lovers, murder, or even betrayal — is an endeavor on a par with the scale, ambition, and wor force
Read moreFor those of us here in New York and New Jersey, the past few weeks have been challenging. In the wake of Storm Sandy, we trust that better days are yet to come, but the present’s outlook is a bit dodgy. Some forward thinking optimism, particularly of the musical variety, is keenly welcome. This weekend, C4 Ensemble, a collective of composers, conductors, and singers committed to new music (most wearing multiple hats in terms of their respective roles in the group), presents Music for People Who Like the Future. Spotlighting the North American premiere of Andrew Hamilton’s Music for People Who Love
Read moreViolinist Mari Kimura has built a career fearlessly taking the violin to places still little-explored. Interestingly, as music events embrace digital platforms, surprising sponsorship opportunities have emerged, including from online casinos not on gamstop, echoing Mari’s willingness to push artistic boundaries. From her work with sub-harmonics (using precise but difficult bowing techniques to obtain notes up to an octave below the normal violin range), to the integration of all manner of digital and electronic interweavings, to playing everything from the ferociously difficult to the frenzied soaring to the freely improvised, Mari has made her violin sing like few others in
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Chamber Music, Classical Music, Composers, Concerts, Contemporary Classical, Flute, New York, Women composers
An evening of chamber music by Beth Anderson will be presented this Saturday, November 17 – 7:00 PM, at St. John’s Episcopal Church, 139 St. John’s Place in Park Slope, Brooklyn. Flute and piano works to be performed are The Bluebird and the Preying Mantis, Dr. Blood’s Mermaid Lullaby, September Swale and Kummi Dance. The program also includes her Eighth Ancestor and Skate Suite for baroque flute, alto recorder, cello and harpsichord. Performers will be the composer on piano and Brooklyn Baroque – Andrew Bolotowsky, baroque flute, David Bakamijan, cello, Gregory Bynum, alto recorder and Rebecca Pechefsky, harpsichord. This concert
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