S21 blogger (and right nice composer) Tom Myron passes along word that the Centro Studi Luciano Berio has just launched their new website, in what would have been Luciano Berio’s (1925-2003) 85th year. The Centro is busy conserving and spreading the legacy of this 20th-century giant, cataloging/digitizing his personal papers, maunuscripts and sketches, organizing concerts and symposia, sharing news, information and sound right from the site. As it grows this great resource can only get greater, so it’s definitely worth a bookmark from composer, fan and scholar.
Read moreI just wanted to make sure everyone knew that tonight in Chicago the International Contemporary Ensemble will be paying tribute to an amazing violist, Omar Hernández-Hidalgo. They have commissioned three new pieces in his honor which will be premiered at 7:30 at the Museum of Contemporary Photography. Back in early June, Steve made us all aware of what happened and the response from the community was quick and memorable. On a personal note, I was fortunate to be part of the Indiana University New Music Ensemble while Omar was there and I’ll always remember the day he walked in to
Read moreThe Electronic Music Foundation’s really big shoo, “Ear to the Earth 2010 — The 5th New York Festival of Sound, Music, and Ecology“, will be running from October 27th through November 1st. This year the theme is “Water and the World”, and features a veritable pantheon of composers, performers and sound artists. A bit from their press release: Water is essential to the support of all living organisms. Yet, we are headed to a crisis in managing it. For its fifth installment, Ear to the Earth 2010 will turn its attention to the current states of water and our social
Read moreHopefully you’ve been following Armando Bayolo’s postings on our Forum about his adventures with Louis Andriessen’s De Materie – I’ve known about it for over a year now and it’s intensely satisfying seeing a good friend’s massive endeavors come to fruition. If you’re even remotely close to Washington DC tonight, there’s nothing culturally more important on the Eastern Seaboard than Great Noise Ensemble’s performance of this massive work by one of the 20th century’s most important composers. From the GNE website: De Materie incorporates eclectic musical influences, ranging from Johann Sebastian Bach and Igor Stravinsky to the old Netherlands chanson
Read moreThursday evening was a good night for new music, as a new chamber ensemble formed by Baltimore-based composer David Smooke gave its maiden voyage performance at Mercyhurst College in Erie, Pennsylvania to an enthusiastic and supportive audience. Sporting the memorable moniker of the League of the Unsound Sound (LotUS), the first performance was a hybrid of members of the core ensemble with guest performers, as pianist and Mercyhurst faculty Shirley Yoo, percussionist Tim Feeney and Smooke on toy piano were joined by percussionist David Schotzko and pianist Stephen Buck. Upon entering the recital hall, one was immediately drawn to the
Read moreWhen I was a kid, my family did a lot of hiking and camping, and on those trips at mealtime or for a cup of tea during a rest my dad would do the cooking. He would break out a little camp stove, fill a pot with water, and turn on the gas, igniting it with a match. The gas would ignite with a whoosh, and then the sound would settle into a steady white-noise hiss. The noise was loud enough to drown out little sounds like trees shifting in the breeze and the buzz of a nearby fly, but
Read moreRussian composer/theosophist/sensualist Alexander Scriabin (1872-1915) spent a lot of his life dreaming of a kind of sensory extravaganza, pieces that would submerge the audience in swirling sound, dance, colored light, heady aromas… Yeah, kind of like the 60s, but a little more Old-World refined. One result of Scriabin’s musical synasthesia was that he held very specific views on which colors were inextricably tied to each key and note. As Wiki tells it: In his autobiographical Recollections, Sergei Rachmaninoff recorded a conversation he had had with Scriabin and Nikolai Rimsky-Korsakov about Scriabin’s association of colour and music. Rachmaninoff was surprised to find
Read more[youtube]http://www.youtube.com/watch?v=N36TWwH98gE[/youtube] This Friday and Saturday October 22 and 23, Andrea Liberovici’s multimedia work Mephisto’s Songs premieres a part of the Apollo Theater’s Salon Series. I’m not familiar with Liberovici, but I am familiar with Mephisto’s featured performer singer Helga Davis. In addition to Ms. Davis’ amazing vocals, the piece includes recorded narration by Robert Wilson and cello improvisations by The Kronos Quartet’s awesome Jeffrey Zeigler. Live musicians for this performance include Clarice Jenson (cello), Fred Cash Jr. (bass), and Abe Fogle (drums). Some of you may be familiar with Helga Davis as a host of WQXR’s Overnight Music. She works
Read moreOrpheus Chamber Orchestra announced the winners of the Project 440 competition tonight. The four winners will create new works for Orpheus to be premiered in 2012. They are (clockwise from top left) Alex Mincek, Clint Needham, Andrew Norman, and Cynthia Wong: It was quite a rigorous vetting process with some very talented competition. Congratulations to all!
Read moreThe first University of Michigan Composers’ Forum concert of the 2010-2011 season took place in the evening on Monday, October 11. Earmarked by the department as a preview for the upcoming Midwest Composers Symposium in Cincinnati, I had been looking forward to this event for over a month as my first opportunity to experience the creativity of my colleagues here in Michigan. Like most music schools, our Composers’ Forum is organized and performed by students and viewed as an arena in which the composers studying here may test concepts and solidify their ideas before moving on to a more professional
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