It was a time of list-making and so they made a list–the most important new musical works of an otherwise shitty, miserable decade. I’ll begin: 1. La Pasión según San Marcos (2000) Osvaldo Golijov 5. The Little Match Girl Passion David Lang 10. Paradiso Jacob ter Veldhuis Your turn. Update 1: 3. September Canons (2002) Ingram Marshall – An incredibly powerful 9/11 remembrance made transcendent by Todd Reynolds’ performance.
Read moreWNYC’s acquisition of New York radio’s stalwart WQXR was a win/lose proposition. Win, in that a major classical station would stay alive; lose in that the new assigned frequency (which can conflict with a powerful Connecticut station on the same frequency) and reduction in broadcast power (from 6,000 watts to only 600 watts) reduces its reach by some millions of potential listeners. Not that it matters much to me, parked on my hiney here in Houston; I and so many others simply go online to hear the station’s stream, anywhere and anytime. And a further win: Besides the station’s main
Read moreMusical America is honoring Louis Andriessen as their 2010 Composer of the Year. Seems a fitting tribute in his seventieth birthday year. That said, there’s been much activity in the contemporary classical arena in 2009. Who would the Sequenza 21 community like to see getting lauded for their achievements? The comments section is open for nominations.
Read moreElliott Carter turns 101 today. By all accounts, he’s hale, hearty, and busily composing!
Read moreThe S.E.M. Ensemble will open its 40th anniversary season with its annual Christmas concert at Paula Cooper Gallery in New York City on Tuesday, December 15. SEM has performed a holiday concert at the gallery for the last 25 years, and this year’s program will feature two N.Y. premieres by new-music icon Christian Wolff (above left), the first public performance of Petr Kotik‘s (above right) new percussion work performed by TimeTable Percussion, and Lejaren Hiller‘s rarely heard String Quartet no. 5, along with a work by J.S. Bach. Christian Wolff is also marking his 75th birthday this year, and has
Read moreOur friends at Cedille Records, the Grammy Award-winning, Chicago-based classical record label, are about to embark on their 20th year. Launched two decades ago in a student apartment on Chicago’s South Side by James Ginsburg, then 24, son of Ruth Bader Ginsburg, who is a pretty prominent lawyer in Washington, DC, Cedille (that’s say-DEE to you) made its debut in November 1989 with its first CD release, a program of solo piano pieces performed by Chicago-based Soviet emigre pianist Dmitry Paperno. Since then, Cedille’s catalog, which features world-class musicians in and from the Chicago area, has grown and diversified, while
Read moreHere are a few concerts worth checking out if you’re near New York City. Friday, December 4th: Newspeak celebrates their 5-year anniversary at Public Assembly in Williamsburg, 6:00-9:00pm. Also on Friday night in the West Village, Forecast Music spends the evening performing new works for voice at Greenwich House, 8:00pm. Saturday, December 5th: NYsoundCircuit is presenting an evening of “continuous music, food, visuals, drinks, and fashion” at the Brecht Forum, 8:00pm. Sunday, December 6th: The Knights are performing at the Church of St. Ann & the Holy Trinity in Brooklyn Heights, 3:00pm. And I always like to mention shows happening
Read moreThis month kicks off the New York Philharmonic’s Contact! series. Concerts in December and April feature seven composers and seven premieres, played first at Symphony Space and then a day or two later at the Metropolitan Museum of Art. The Phil tells us that “performances will include personal introductions to the music from the composers themselves, in a less formal and more intimate setting.” The list is a really great mix of styles and careers from a few different continents: The December 17 and 19 concerts feature music by Marc-André Dalbavie, Arthur Kampela, Lei Liang and Arlene Sierra, conducted by
Read moreLast night’s Green Umbrella concert was programmed as part of “West Coast, Left Coast”, and it certainly sounded as if almost all of the 1500-or-so of us had as much fun as I did. The program ended on a high with five selections from Frank Zappa‘s The Yellow Shark album (1992), conducted by John Adams, our festival curator (and conductor, and occasional composer, and friendly guide). You can read Adams’ comments made during rehearsals here (just read the second half of yesterday’s entry and then scroll down to the November 25 entry). The concert ended with a riotous (orgasmic?) performance
Read moreIt’s hard enough delivering an orchestra commission when you’re hale and hearty; but despite losing most of his vision during the course of its lengthy gestation (2001-06) York Höller managed to complete his work Sphären. His efforts amidst considerable adversity have garnered him the 2010 Grawemeyer Award. Although now almost completely blind, Höller continues to compose. Abetted by assistants, samplers, and a new software called Jaws, he is soldiering on. One hopes that the Grawemeyer’s $200,000 prize will assist in this endeavor. So, composers, next time you’re planning to tell your commissioner why the piece isn’t done, you’ll need a pretty
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