Tag: ECM Records

File Under?, Improv, jazz, Piano

Keith Jarrett – New Vienna (CD Review)

Keith Jarrett New Vienna ECM Records   Keith Jarrett turned eighty on May 8th, 2025, and to fete him, ECM Records has released New Vienna, a solo piano concert recorded on his last tour, in 2016, at the Goldener Saal, Musik Verein in the Austrian city. A previous recording, The Vienna Concert, recorded in 1991 and released in 2000, was also a solo outing by Jarrett, at the Staatsoper. It has been cherished by many listeners as a particularly fine example among the many live appearances by Jarrett that have been documented and released. New Vienna is a worthy successor. 

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CD Review, File Under?, Strings

Danish String Quartet – Keel Road on ECM (CD Review)

Danish String Quartet Keel Road ECM Records ECM 2785   Rune Tonsgaard Sørensen, Violin, Clog Fiddle, Harmonium, Spinet, Voice, Whistle; Frederik Øland, Violin, Voice, Whistle; Asbjørn Nørgaard, Viola, Voice, Whistle; Fredrik Schøyen Sjölin, Violoncello, Bass, Voice, Whistle; Nikolaj Busk, Piano; Ale Carr, Cittern   The Danish String Quartet have explored music from many eras and styles. Keel Road  (ECM, 2024), is the third recording in which they delve into Northern European folk music, ranging through Scandinavia, Britain, and Ireland; they call it “a musical journey through the North Sea.” The arrangements were made by the quartet, and in addition to

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CD Review, File Under?, Improv, jazz

Ban and Maneri – Transylvanian Dance on ECM (CD Review)

Transylvanian Dance Lucian Ban, piano Mat Maneri, viola ECM Records   “These folk songs teach us many things.”   Transylvanian Dance is the second recording on ECM by pianist Lucian Ban and violist Mat Maneri; the first was Transylvanian Concert (2013). As the album title suggests,  the duo explores Eastern European material, specifically that collected by Béla Bartók. Ban was born in Romania and delights in the fascinating polyrhythms of this region. Maneri is well versed in the microtonal and multi-scalar aspects of folk song. These are not mere transcriptions. Maneri has described them in interviews as, “a springboard,” a

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CD Review, File Under?, jazz

Ralph Alessi Quartet on ECM (CD Review)

Ralph Alessi Quartet It’s Always Now ECM CD   Trumpeter Ralph Alessi brought a passel of originals to his latest recording date, his fourth for ECM, It’s Always Now. Most are single-author compositions, but a few are collaborations with pianist Florian Weber. The two are joined on the recording by double bassist Bänz Oester and drummer Gerry Hemingway. It is a formidable lineup, one responsive to and supportive of each others’ playing.    Coauthored with Weber, “Hypnagogic” opens the album, with whole-tone arpeggiations from Weber and repeating notes from Alessi creating a mysterious atmosphere. Alessi’s lines unfurl into passages morphing

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CD Review, Chamber Music, File Under?, Strings

Danish String Quartet – Prism V (CD Review)

Danish String Quartet Prism V ECM Records   This is the last outing in Danish String Quartet’s Prism series. Each of the five recordings has included a late Beethoven string quartet, a related Bach fugue, and a later work influenced by Beethoven. Prism V’s program begins with “Vor deinen Thron tret’ich,” Bach’s chorale prelude BWV 668, arranged for string quartet. It also includes “Contrapunctus 14” from Bach’s Art of Fugue, Anton Webern’s String Quartet (1905), and Beethoven’s String Quartet in F Major, Op. 135.   The performance of the chorale prelude is beautiful, played with expressive tone and ardent phrasing,

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CD Review, File Under?, Guitar, jazz

Dominic Miller – Vagabond on ECM Records (CD Review)

Dominic Miller Vagabond Dominic Miller, guitar; Jacob Karlzon, piano, keyboard; Nicolas Fiszman, bass; Ziv Ravitz, drums ECM Records   Vagabond is guitarist Dominic Miller’s third recording for ECM Records. Apart from bassist Nicolas Fiszman, Miller has assembled a new group of collaborators: keyboardist Jacob Karlzon and drummer Ziv Ravitz join him in a quartet setting. Miller composed most of Vagabond’s eight originals while living in the South of France. He has suggested that nature and the small towns and buildings he passes on long walks supply him with inspiration. The guitarist’s Argentinian roots may be a bit further out of

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CD Review, Contemporary Classical, File Under?, jazz

Rochford and Downes on ECM (CD Review)

Sebastian Rochford, Kit Downes A Short Diary ECM Records    “This short diary (of loss), offered as a sonic memory,   created with love, out of need for comfort.” -Sebastian Rochford   When Sebastian Rochford’s father, the Aberdeen poet Gerard Rochford (1932-2019) passed away, the drummer decided to create a recording in his memory. He composed most of the music after his father’s death, and enlisted pianist Kit Downes as a collaborator. Downes is actually a musical switch-hitter; he is also an accomplished organist. “This Tune Your Ears Will Never Hear” opens the album mid-tempo with thick chords and snare in

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CD Review, File Under?, jazz

The Song is You – Enrico Rava and Fred Hersch on ECM (CD Review)

The Song is You Enrico Rava and Fred Hersch CD/LP ECM Records   ECM Records has begun resuming production of their releases as vinyl LPs. This is the first I am reviewing. As one expects from ECM, its sound quality is superlative. Those who remember ECM’s vinyl releases in the pre-CD era will welcome this return. In addition to production values, another aspect of ECM’s curation ethos is bringing together artists from their roster to make music together. Both trumpeter Enrico Rava and pianist Fred Hersch have created memorable releases for ECM. Pairing them is an inspired choice. The Song

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CD Review, early music, File Under?

András Schiff – Clavichord on ECM (CD Review)

J.S. Bach András Schiff Clavichord   He was the best organist in Europe and a mean harpsichordist too, but Johann Sebastian Bach loved playing the clavichord. The intimacy of its soft dynamic range, supple tone, and the ability to have an aftertouch with a slight vibrato made the instrument a distinctive one, ideal for small rooms: for practice or to be played for a few listeners. András Schiff has distinguished himself as one of the premiere Bach pianists of our time, making a convincing case for the music to be realized on a concert grand. He has recorded extensively for

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