This Island Susan Narucki, soprano; Donald Berman, piano Avie Records Soprano Susan Narucki has long been known as an advocate for contemporary music, as has collaborative pianist Donald Berman. On their latest recording, for Avie, the duo present a program of art songs by female composers active in the first half of the twentieth century. Three of the song sets are world premieres. Narucki was inspired to begin collecting the songs for this recording by Rainer Maria Rilke. Specifically, in one of his letters he mentioned the Belgian Symbolist poet Émile Verhaeren, one of the most highly regarded
Read moreHearing Landscapes Hearing Icescapes Lei Liang New Focus Recordings From 2012-2022, composer Lei Liang did a residency at the Qualcomm Institute at UC San Diego, where he is a full professor. At Qualcomm, Liang worked with scientists in a variety of disciplines – software developers, robotic engineers, material scientists, cultural heritage engineers, and oceanographers – to infuse his music with ecological and ethnographic elements. The result, Hearing Landscapes Hearing Icescapes, are two electronic works that incorporate samples, folk songs, and a few live musicians. Hearing Landscapes is an homage to Huang Binhong (1865-1955), a gifted landscape painter. The audio
Read moreNo Cosmos -You iii Everything Else (Lighter than Air) Montreal-based trumpeter Scott Bevins has played in the band Busty and the Bass and collaborated with Pierre Kwenders and the collective Moonshine. You iii Everything Else is the debut of his No Cosmos project, which combines fusion-inflected jazz with experimental electronica. “Watercolor Ghost” is propelled by a circular electric piano riff with high soprano Sarah Rossy scat-singing on top of it. Bevins and saxophonist Evan Shay continue with the tune, lightly adorned here and there, but emphasizing basic contours of the melody. Drummer Kyle Hutchins creates economic, flowing grooves that
Read moreThe Song is You Enrico Rava and Fred Hersch CD/LP ECM Records ECM Records has begun resuming production of their releases as vinyl LPs. This is the first I am reviewing. As one expects from ECM, its sound quality is superlative. Those who remember ECM’s vinyl releases in the pre-CD era will welcome this return. In addition to production values, another aspect of ECM’s curation ethos is bringing together artists from their roster to make music together. Both trumpeter Enrico Rava and pianist Fred Hersch have created memorable releases for ECM. Pairing them is an inspired choice. The Song
Read moreRadical Romantics Fever Ray Mute It has been nearly six years since Plunge, Karin Dreijer’s last album under the moniker Fever Ray. Equally well known for their band The Knife, on which they collaborate with their brother Olof Dreijer, Karin has made distinctive electronic music for over twenty years. Their latest, Radical Romantics, is a welcome return. In gestation since 2019, it is some of the finest work released by the Fever Ray project. Another welcome return is one of collaboration. Olof helped to produce some of the recording and co-wrote four of the songs, the first collaboration
Read moreVoyageur Ali Farka Touré Work Circuit Records The late Ali Farka Touré (1939-2006) was one of the most venerated of West African guitarists. His work combined the musical culture of his home country Mali with that of other African styles, including frequent collaborations that extended his work’s reach. Touré had a belated introduction to First World listeners, via a solo record that came out in the 1980s, when he was in his fifties. By 1994, Taking Timbuktu had won him a Grammy, with more awards to follow, including a Grammy for the posthumous release Ali & Toumani. When
Read moreBehind the Wallpaper Alex Temple Spektral Quartet: Clara Lyon (violin), Theo Espy (violin), Doyle Armbrust (viola), Russell Rolen (cello); Julia Holter: voice New Amsterdam Records Out this Friday, March 3rd, via New Amsterdam Records is composer Alex Temple’s cycle Behind the Wallpaper. Vocalist Julia Holter joins the Spektral Quartet in this song cycle inspired by Temple’s gender transition. Holter, as always, is a marvel, with expressive, liquescent singing throughout her soprano voice’s range. The Spektral Quartet is given a variety of styles to play, from doleful lyricism reminiscent of Shostakovich’s string quartets to post-minimalism. The musical smorgasbord reminds me in
Read moreOracle Joanna Mattrey, Gabby Fluke-Mogul Relative Pitch Records RPR1143 In their first collaboration, improvisers violist Joanna Mattrey and violinist Gabby Fluke-Mogul create music that combines drones, microtones, and extended techniques. Mattrey also plays stroh violin, which includes an attached horn that serves as a resonating chamber. Performing the aforementioned sounds on the stroh creates far out results. Each piece on the album is titled, “The,” followed by a single evocative word. Wayward lines and multi-stop pizzicatos begin “The Vision,” which are then followed by pizzicato glissandos accompanying a bluesy riff. Improvisations vacillate between these two demeanors, with greater
Read moreAnthony Cheung Music for Film, Sculpture, and Captions Ueli Wiget, piano, Ensemble Modern, Franck Ollu, conductor; Ensemble dal Niente, Michael Lewanski, conductor; Ensemble Musikfabrik, Elena Schwarz, conductor Kairos Music Anthony Cheung is a prolific composer whose music is situated astride spectralism and second modernity. This is his fifth portrait CD, his first for Kairos, and first of music that accompanies extra musical media. While these sources of inspiration are pivotal components for the music’s genesis, it stands on its own as an audio recording. The works are performed by three top flight groups, Ensemble Modern, conducted by Franck Ollu
Read moreBeethoven, Schumann, Franck Renaud Capuçon, violin; Martha Argerich, piano Deutsche Grammophon Three violin sonatas by great nineteenth century composers, all in A, grace this recording by violinist Renaud Capuçon and pianist Martha Argerich. Longtime collaborators, the duo sound seamless in these performances. They create detailed renditions, faithful to the scores but keen to put their own stamp on the pieces. The first movement of the Schumann exemplifies this approach, with the performers digging into the main theme and unspinning legato lines in its development, the tempo treated flexibly. In the second movement, an Allegretto of considerable delicacy, Capuçon
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