Milton Babbitt (1916-2011) was known for being one of the principal composers to develop twelve-tone composition. Despite the complexity of his music, he wrote a great deal for voice: a few pieces for male voices, but mostly for female singers. This is partly due to the advocacy of performers, Bethany Beardslee and Judith Bettina prominent among them. A recording on New Focus provides ample evidence that the legacy of Babbitt’s vocal music is secure. Soprano Nina Berman and pianist Steven Beck have recorded all of Babbitt’s music for treble voice. Not only that, the pieces for voice and
Read moreBenjamin Lackner Last Decade Benjamin Lackner, piano; Mathias Eick, trumpet; Jérôme Regard, bass; Manu Katche, drums ECM Records Pianist Benjamin Lackner makes his ECM debut with Last Decade. Joined by a stalwart group of collaborators, many of them ECM alumni who have appeared on many of the label’s releases, Lackner is in an ideal situation to present his compositions, as well as one by bassist Jérôme Regard. A few of the constraints the pianist placed on himself, no electronics, a staple of his previous recordings, and the addition of trumpeter Mathias Eick to his usual piano trio format, have
Read moreWhit Dickey Quartet Root Perspectives Tony Malaby, tenor saxophone; Matthew Shipp, piano; Brandon Lopez, bass; Whit Dickey, drums TAO Forms CD Drummer Whit Dickey has put together a formidable quartet for Root Perspectives, a release on his TAO Forms label. Joining Dickey are tenor saxophonist Tony Malaby, pianist Matthew Shipp, and bassist Brandon Lopez, all stalwart players of ecstatic jazz. While the musicians have worked with each other in various contexts, this particular configuration is new. They find their footing fast. Malaby is versatile in his approaches to playing. Howling high notes, skronk squalls, and chromatic scalar work
Read moreDuo Gazzana Kõrvits/Schumann/Grieg ECM Records Sisters Natascia Gazzana, violinist, and Raffaella Gazzana, pianist, have recorded a number of releases for ECM that program a combination of great romantic chamber works and contemporary fare. On their latest, they present romantic works by Robert Schumann and Edvard Grieg alongside contemporary pieces by Tõnu Kõrvits. The latter does a great deal to balance the former two, providing a less effusive tone and tangy harmonies. Kõrvits’s Stalker Suite (2017) opens the recording. It was written for the Duo Gazzana and dedicated to the filmmaker Andrei Tarkovsky. The piece is titled after the
Read moreJennifer Grim Through Broken Time Jennifer Grim, flute; Michael Sheppard, piano New Focus Recordings In Anthony Barrone’s astute liner notes, he describes Through Broken Time, flutist Jennifer Grim’s New Focus recording as a mixture of pieces that explore Afro-modernism and post minimalism. I would suggest that classic modernism also plays a role in these varied and compelling pieces for solo flute, overdubbed flutes, and flute with piano accompaniment. Case in point is Tania León’s Alma. Her propensity for Mediterranean rhythms and melodies is on display, but in places it is subsumed by post-tonal gestures and irregular rhythms. Balancing
Read moreHilary Hahn Eclipse Hilary Hahn, violin; Frankfurt Radio Symphony, Andrés Orozco-Estrada DG CD/DL Hilary Hahn is making a reputation programming famous classics paired with twentieth century works. A previous release featured Sibelius and Schoenberg, while her latest recording, Eclipse, programs Antonin Dvorak’s Concerto in A minor, Pablo de Sarasate’s Carmen Fantasy, and Alberto Ginastera’s Violin Concerto. While some listeners may come for the Dvorak, they may well be glad to learn of the Ginastera. Andrés Orozco-Estrada leads the Frankfurt Radio Symphony in a well-shaped and keenly executed rendition of the Dvorak, providing explosive brass cadence points to set
Read moreA House of Call. My Imaginary Notebook. Heiner Goebbels Ensemble Modern, Vimbayi Kaziboni, conductor ECM Records Heiner Goebbels’ A House of Call is an evening length collaboration with Ensemble Modern, an group with which he has collaborated on a number of projects over a thirty-five year period; this is their fourth CD for ECM. Subtitled “My Imaginary Notebook,” a reference to John Cage’s roaratorio via Finnegans Wake by James Joyce, the piece brings together several stylistically distinct sections, notably troping pieces associated with the ensemble. Sound recordings that Goebbels has collected over the years, many of folk music-making, are a
Read moreHans Werner Henze Nachtstücke und Arien (1957) Los Caprichos (1963) Englische Liebeslieder (1984-5) Juliane Banse, soprano; Narek Kakhnazaryan, cello; ORF Vienna Radio Symphony Orchestra, Marin Alsop, conductor NAXOS 8.574181 Hans Werner Henze is due a revival. His excellent operas and stylistically varied pieces for orchestra, voices, and chamber forces are some of the most distinguished music written by a German composer since the Second World War. Why then does he seem to take a backseat to others, from Stockhausen to Rihm, in terms of acknowledgement and performances? Henze’s music sits astride postwar modernism and the New Romanticism that have been
Read moreFile Under Favorites 2022 Canti di guerra, di lavoro e d’amore Silvia Tarozzi and Deborah Walker Unseen Worlds Violinist/vocalist Silvia Tarozzi and cellist/vocalist Deborah Walker have collaborated on projects as improvisers and interpreted contemporary classical music, notably the work of Harold Budd. On their 2022 release for Unseen Worlds, Canti di guerra, di lavorro e d’amore (Songs of war, work, and love), they delve into folk music from the region Emilia, where they grew up. The specific focus of the release is the anti-Fascist songs performed by partisans during the Second World War. The inclusion of Coro delle Mondine
Read moreThe Blue Hour Shara Nova, voice A Far Cry Nonesuch Records Where once only one composer would create a work, creative collaborations are gaining a presence in contemporary classical music. The Blue Hour is the co-creation of five artists: vocalist/composer Shara Nova, and composers Angelica Negrón, Caroline Shaw, Rachel Grimes, and Sarah Kirkland Snider. They are joined by the chamber orchestra A Far Cry, who commissioned the work. The texts used throughout are excerpts from On Earth, by Carolyn Forché. The poem contains farflung, often abstract, images as its protagonist moves in the space between life and death, navigating memories
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