Composers Forum is a daily web log that allows invited contemporary composers to share their thoughts and ideas on any topic that interests them--from the ethereal, like how new music gets created, music history, theory, performance, other composers, alive or dead, to the mundane, like getting works played and recorded and the joys of teaching. If you're a professional composer and would like to participate, send us an e-mail.


Regular Contributors


Adrienne Albert
Beth Anderson
Larry Bell
Galen H. Brown
Cary Boyce
Roger Bourland
Corey Dargel
Lawrence Dillon
Daniel Gilliam
Peter Gordon
Rodney Lister
Ian Moss
Tom Myron
Frank J. Oteri
Carlos R. Rivera
David Salvage
Stefano Savi Scarponi
Alex Shapiro
Naomi Stephan
David Toub
Judith Lang Zaimont

Composer Blogs@ Sequenza21.com

Lawrence Dillon
Elodie Lauten
Anthony Cornicello
Everette Minchew
Tom Myron

Alan Theisen
Corey Dargel



Latest Posts


another new music festival, and why shop at record...
David Toub

Electronic Music History Book?
Lou Bunk

I am in the Union even if you think I suck
Lou Bunk

Why Theory
David Salvage

A message about medium
Lawrence Dillon

Taste Test Echo
Jerry Bowles

Thinking Inside the Media Box
Alex Shapiro

Taste Test
Corey Dargel

Away from home
Rodney Lister

podcasting
David Toub


Beepsnort Lisa Hirsch


Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019


Archives
01/02/2005 - 01/09/2005 01/09/2005 - 01/16/2005 01/16/2005 - 01/23/2005 01/23/2005 - 01/30/2005 01/30/2005 - 02/06/2005 02/06/2005 - 02/13/2005 02/13/2005 - 02/20/2005 02/20/2005 - 02/27/2005 02/27/2005 - 03/06/2005 03/06/2005 - 03/13/2005 03/13/2005 - 03/20/2005 03/20/2005 - 03/27/2005 03/27/2005 - 04/03/2005 04/03/2005 - 04/10/2005 04/10/2005 - 04/17/2005 04/17/2005 - 04/24/2005 04/24/2005 - 05/01/2005 05/01/2005 - 05/08/2005 05/08/2005 - 05/15/2005 05/15/2005 - 05/22/2005 05/22/2005 - 05/29/2005 05/29/2005 - 06/05/2005 06/05/2005 - 06/12/2005 06/12/2005 - 06/19/2005 06/19/2005 - 06/26/2005 06/26/2005 - 07/03/2005 07/03/2005 - 07/10/2005 07/10/2005 - 07/17/2005 07/17/2005 - 07/24/2005 07/24/2005 - 07/31/2005 07/31/2005 - 08/07/2005 08/07/2005 - 08/14/2005 08/14/2005 - 08/21/2005 08/21/2005 - 08/28/2005 08/28/2005 - 09/04/2005 09/04/2005 - 09/11/2005 09/11/2005 - 09/18/2005 09/18/2005 - 09/25/2005 09/25/2005 - 10/02/2005 10/02/2005 - 10/09/2005 10/09/2005 - 10/16/2005 10/16/2005 - 10/23/2005 10/23/2005 - 10/30/2005 10/30/2005 - 11/06/2005 11/06/2005 - 11/13/2005 11/13/2005 - 11/20/2005 11/20/2005 - 11/27/2005 11/27/2005 - 12/04/2005 12/04/2005 - 12/11/2005 12/11/2005 - 12/18/2005 12/18/2005 - 12/25/2005 12/25/2005 - 01/01/2006 01/01/2006 - 01/08/2006 01/08/2006 - 01/15/2006 01/15/2006 - 01/22/2006 01/22/2006 - 01/29/2006 01/29/2006 - 02/05/2006 02/05/2006 - 02/12/2006 02/19/2006 - 02/26/2006 02/26/2006 - 03/05/2006 03/05/2006 - 03/12/2006 03/12/2006 - 03/19/2006 03/19/2006 - 03/26/2006 03/26/2006 - 04/02/2006 04/02/2006 - 04/09/2006 04/09/2006 - 04/16/2006 04/16/2006 - 04/23/2006 04/23/2006 - 04/30/2006 04/30/2006 - 05/07/2006 05/07/2006 - 05/14/2006 05/14/2006 - 05/21/2006 05/21/2006 - 05/28/2006 05/28/2006 - 06/04/2006 06/04/2006 - 06/11/2006 06/11/2006 - 06/18/2006 06/18/2006 - 06/25/2006 06/25/2006 - 07/02/2006 07/02/2006 - 07/09/2006 07/09/2006 - 07/16/2006 07/16/2006 - 07/23/2006 07/23/2006 - 07/30/2006 08/06/2006 - 08/13/2006 08/13/2006 - 08/20/2006 08/20/2006 - 08/27/2006 08/27/2006 - 09/03/2006 10/29/2006 - 11/05/2006 12/31/2006 - 01/07/2007 04/08/2007 - 04/15/2007

Powered by Blogger

Saturday, July 16, 2005
Cessation of Movement

The tradition of multi-movement compositions spans the centuries, with roots in the linked sections of religious services and the groupings of dance suites. In our own time, some composers have sustained this tradition while others have rejected it. Still others have blurred the distinction, blending independent movements into large-scale forms.

What do you think? Are there compelling expressive reasons to use multi-movement forms, or are they an unwanted relic of the past? Have you used them in your music? Have you deliberately avoided them? Do you like it when people clap in the middle of your piece? Do you like it when they shift around and cough?

 



Search WWWSearch www.sequenza21.com