Spring has definitely sprung down here in Houston; everything that looked dead just a few weeks ago is sprouting all kinds of new growth. And that goes for opera as well, seeing that this year’s iteration of Opera Vista begins this Saturday, March 20th, and runs through March 27th.
Opera Vista focuses on bringing contemporary opera to Houston and the Vista Competition is an international search for ground-breaking new works by modern composers.
“The Vista Competition is unique in that it gives composers the opportunity to have their works performed by professional singers and instrumentalists,” says Viswa Subbaraman, OV’s Artistic Director. “They have a wonderful opportunity to interact with many well-known people from the world of opera and classical music, but I think more importantly, they get an insight into how their work is perceived by the audience.”
In October, six semi-finalists (Lembit Beecher, Katarzyna Brochocka, Alberto García Demestres, Joseph Eidson, Jonathan N. Kupper, Catherine Reid) from three countries were selected, ranging from adaptations of a Japanese folk tale to a horror opera. Excerpts from each work will be performed on March 24th & 26th at the Czech Center Museum Houston (4920 San Jacinto, at Wichita), each night beginning at 7:30pm. A panel of judges, including world-renowned composer Daron Hagen (There will be an evening of chamber music composed by Hagen at 7:30pm on March 25th at the Czech Center) and Leslie Dunner of the Joffrey Ballet, will critique each excerpt, and the audience will vote to select which operas will advance. In the final round the winning excerpts will be performed again with a longer critique from the judges, but then the audience will get to directly question the composers. The audience then votes to determine the winner of the competition, which will be announced March 27th at the festival’s closing performance. The winner receives $1,500 and a full production of their opera at the next festival.
This year’s festival will also include the world premiere of the winning opera from the 2009 Opera Vista Festival, Anorexia Sacra by Line Tjørnhøj. Line couples the plight of a young woman suffering from anorexia with the writings of the 13th century nun Claire of Assisi. Anorexia Sacra will be performed at 7:30pm on March 20th and 27th at the Live Oak Friends Meetinghouse (1318 West 26th Street).
There’s also a bit of meet-and-greet with all the composers on March 23rd, 6-8pm, at Momentum Audi (2315 Richmond Avenue).
Whew! Tickets and more information can be found at the OV website, which also contains sketches of each of the composers, operas and judges.
I have the utmost respect for Eighth Blackbird as musicians and new music advocates. In fact one of my fondest dreams as a composer would be to have them perform my chamber Sextet. But I was very disappointed to learn that the ensemble’s new Call for Scores requires composers to pay a $50 application fee to have their scores considered. While, as one of my colleagues put it, this may convince composers to be ‘a bit self-selective’ in their submissions, it’s also a handy way to self-fund the commission of a new work for the ensemble.
As much as I’d like to have Eighth Blackbird consider my work, I don’t want to participate in a process that feels exploitative.
Thoughts on application fees? The comments section is open!
Bit of a streak for American composers: this time last year we were congratulating Huck Hodge for winning the Netherland’s Gaudeamus Composition Prize. Now it’s Ted Hearne’s turn, for his Katrina Ballads. From the press release:
This prize is € 4,550 and is meant for writing a new composition to be performed in the Gaudeamus Music Week 2010.
The Gaudeamus Prize and the honorable mention were awarded by jury members Huba de Graaff (Netherlands), Anne La Berge (Netherlands), and Akira Nishimura (Japan). For this year’s International Gaudeamus Music Week, which was open to composers under 31, the Gaudeamus Foundation received almost 400 scores from all over the world; the jury subsequently selected fifteen works to compete for the Gaudeamus Prize 2009.
Ted Hearne received the prize for a selection from Katrina Ballads, performed on September 10, 2009 at the Conservatory of Amsterdam by `the ereprijs with Wim Boerman conducting. Hearne himself was vocal soloist in this piece.
Hearne’s own website (linked above) has audio of some of the Ballads and a number of other works. We talked about these pieces here at s21, back in September last year; good to see this recognition as well.
This year’s honorable mention went to young Japanese composer/performer Toru Nakatani, who sounds like he’s persuing some interesting work:
In 1996 Nakatani built a microtonal guitar with movable frets. Two years later he began to play with rock groups, jazz orchestras and improvisation groups. He subsequently went to both northern and southern India and Sri Lanka in 2000 and during his stay in New Delhi studied dilruba, a classical bowed Indian instrument. He has built original instruments such as a 19-stringed guitar with jawari, an instrument consisting of resonating strings only, and a guitar based on just intonation. He has had solo performances with these instruments since 2001. In 2008 his piece (16_1/32_1) was awarded the third prize at the Toru Takemitsu Composition competition.
Nakatani’s website is more placeholder than anything else; still a name to watch for in the coming years.
The 2009 Opera Vista Festival and competition just finished up down here in Houston. Line Tørnhøj of Aarhus, Denmark was voted by the audience as the winner with her opera Anorexia Sacra. Second place went to Camilo Santostefano of Buenos Aries, Argentina, and his opera El Fin de Narciso. Tørnhøj received a check for $1,500 and will have her opera fully staged at the 2010 Opera Vista Festival, while Santostefano received $1,000.
The festival also also featured performances of the two winning operas from the 2007 Vista Competition: Edalat Square by R. Timothy Brady and Soldier Songs by David T. Little.
And before you can even catch your breath, here comes the deadline for submitting that score you’ve been slaving away on night and day: July 5th is the date you need it in for next year’s fest. Obviously the cash prize is not going to let you retire to the Riviera; but it’s a chance for a real staging & performance with excellent musicians, with a good and enthusiastic crowd, and recognition for your next step down that road. Viswa Subbaraman and crew really work their butts off to put this on; kudos for providing so much encouragement to the new, amid all the grand fossilization paraded everywhere else. All the info on the who, what, where and why can be found at Opera Vista’s website. Get cracking! (you, that is, not the voice…)
$15 Adults / $10 Students / Online Tickets Available here.
For the fourth annual edition the Pictures Composition Contest, New Jersey students were asked to compose music inspired by visual art exhibited in the Montclair Art Museum. EXIT 9 Percussion Group will perform quartets written by the students.In addition, they will premiere the 2009 Ionisation Commission, SPAN, by Darren Gage.
Elizabeth Ferguson is a coordinator for this year’s Make Music New York event, and has a little offer for NYC-based composers/musicans. I’ll let her take it from there:
Make Music New York is a unique, free outdoor celebration performed by anyone who wants to play, and enjoyed by everyone who wants to listen. Last year, some 875 performances took place on streets, sidewalks and parks in all 5 boroughs on the first day of summer, June 21st.
MMNY is now accepting submissions for this year’s “musical handshake“: a single melody serving as the secret lingua franca for musicians on Sunday June 21st, 2009. As part of the third annual festival, hundreds of musicians are taking part in “Mass Appeal” performances, playing pieces written for single types of instruments. Huge ensembles of clarinets, crotales, French horns, hub caps, violas, accordions, saxophones, and more will perform across NYC’s five boroughs.
The “musical handshake” will allow these musicians to greet one another throughout the day, beyond their own bands of instruments, with the hope that momentary handshakes will turn into longer, improvised musical conversations. In the evening, the composition will receive its public premiere at the Mass Appeal afterparty in Central Park. The winning handshake will be selected by a panel of judges and announced in
May.
SUBMISSION GUIDELINES
• Participants must be residents of the New York City area and in attendance on June 21st. [Ed. note: this is the one rule that we don't get at all. Tons of composers living in NYC didn't start out there, so who cares where the tune comes from, really?]
• A musical handshake is a short melody, up to 10 seconds long, consisting of two phrases, so that two musicians can use it to greet each other with a call and response.
• Nearly all instruments and all musicians – from amateurs to professionals – should be able to play the musical handshake.
• No more than two submissions per composer will be accepted.
• Entries are due by midnight on Friday May 1st, 2009.
• Entries must be submitted in standard musical notation.
• Please email submissions as PDF attachments to musicalhandshake@makemusicny.org.
Or mail your composition, on a single 8.5 x 11 piece of paper, to: Mass Appeal “Musical Handshake”
c/o Make Music New York
PO Box 1164
New York, NY 10013
• Include your name, address, phone number, and email address on the same page as your composition. (Judges will not see this information when choosing a handshake.)
• By submitting a musical handshake, you affirm that the composition is your own, and agree that, if selected, your submission will become the property of Make Music New York, Inc.
If you believe that the importance of the arts in these times is inversely proportional to the economic news, than there’s never been a better time for YouTube’s Symphony Orchestra. YouTube announced today the winners of the world’s first orchestra selected entirely through video auditions on-line, a process yielding more than 3,000 videos from all over the world, and 200 finalists.
Since I work in the social media aspects of business software marketing, it’s been a fascinating experience to see my husband, Bill Williams, in his role as the Music Coordinator for the YouTube project, examine many of the nuances and applications of social media’s power.
The global YouTube community, and Michael Tilson Thomas, Music Director of the San Francisco Symphony, selected from the finalists more than 90 musicians playing 26 different instruments from 30 different countries including: Australia, Austria, Belgium, Bermuda, Brazil, Canada, China, Columbia, Czech Republic, France, Germany, Greece, Hong Kong, Hungary, Israel, Italy, Japan, Lithuania, Malaysia, Mexico, Netherlands, Poland, Romania, Russia, South Korea, Spain, Sweden, Ukraine, United Kingdom, and the United States. Many of the winners have played professionally but a number of them have not.
The musicians will travel to Carnegie Hall in April for a summit and for a concert under the direction of Tilson Thomas.Selected submissions will be compiled into a mashup video, which will premiere at the Carnegie Hall concert on April 15.The concert will uniquely cover the 1200 year span of classical music and many surprises are in store for the concert-goer.Tickets are on sale now.
Since the launch of this initiative in December 2008, the YouTube Symphony Orchestra’s channel has received more than 13 million views worldwide.To further demonstrate the commitment of YouTube to this genre, new features to improve the site quality and functionality are present on the Youtube.com/symphony channel. According to the press release, The YouTube Symphony Orchestra marks the first program on YouTube to welcome submissions from nearly every country in the world, and the channel continues to be available in 16 different languages. YouTube has partnered with more than 40 major classical music organizations and institutions to bring this initiative to musicians around the world.
Nothing this ambitious has ever been undertaken in the world of classical music in such a short period of time. One perspective is that the discovery of hidden talent can mean the difference between just another orchestra assembled by conventional means and a orchestra chosen in part by us, by subject matter experts, and by the crowd, providing a point of reference for the way we participate in the arts in the future.
In addition to marketing software, Margot also plays a mean jazz piano and is the only person I know who has Giant Steps as a ringtone. JB
He’s been on my list for a while now, to make famous (ha ha) as an S21 “click pick”. But before I get the chance to feature him, Huck Hodge goes and wins this year’s Gaudeamus Prize:
At the final concert of the International Gaudeamus Music Week 2008, which took place in Amsterdam from 1 to 7 September, the Gaudeamus Prize was awarded to the American composer Huck Hodge (1977).
The Gaudeamus Prize, an award of 4,550 Euros, is intended as a commission for a new work to be performed at the next edition of the International Gaudeamus Music Week. Hodge received the prize for Parallaxes, a composition for ensemble, performed on September 3 at the “Muziekgebouw aan ’t Y” by the Asko|Schönberg Ensemble conducted by Bas Wiegers.
His site will fill you in on his work, with plenty of good listening. From his C.V. it looks like he’s taking a post up in my old hometown of Seattle, teaching composition at the University of Washington. Bully for them, and bravo to Huck.
This past Friday, Westminster Choir College in Princeton, New Jersey hosted a masterclass for the Pictures 2008 project. This competition, sponsored by NJ Arts Collective and the Montclair Art Museum, invited NJ high school and college students to compose works based on a painting in the museum’s collection: Sunset by George Inness (1892). The winning works, as well as my new trio Innesscapes, will be presented on a concert given by the Halcyon Trio at the museum on May 9th at 8 PM. The event also features a pre-concert talk with Inness scholar Adrienne Baxter-Bell at 7:15.
At the masterclass, both the winners and the runners-up met with the Halcyon Trio: Andrew Lamy, Brett Deubner, and Gary Kirkpatrick (www.Halcyontrio.com). The trio discussed issues of orchestration, notation, and interpretation with the composers, giving them valuable feedback about their work. Whether the composer in question was a 13 year-old middle school student or a college-level composition major, the trio members treated them and their music with professionalism and enthusiasm. Gary Schneider from museum’s education department gave an insightful presentation discussing Inness’ landscape paintings. All in all, it was a most exciting and successful day for the next generation of NJ composers.
Pictured: Halcyon Trio members Brett Deubner, Andrew Lamy, and Gary Kirkpatrick, composer Christian Carey, Montclair Art Museum Education Director Gary Schneider, and student winners David Zas (Rider U.) Michael Mikulka (Rutgers U.), Thomas Oltarzewski (Montclair State U.), Rachael Chastain (Pennsville HS), Ian Vogler (Lakewood HS), Daniel Konstantinovsky (Tenafly Middle School), Tim Vorderstrasse (Midland Park HS), and Sam Skinner (Glen Field Middle School, Montclair).
Sebastian Currier has won the 2007 University of Louisville Grawemeyer Award for Music Composition for “Static,” a six-movement piece for flute, clarinet, violin, cello and piano.
Currier, who teaches at Columbia University, studied at the Manhattan and Julliard schools of music. His winning work was commissioned by Copland House of Cortlandt Manor, N.Y., for its resident ensemble, Music from Copland House, with funds from Meet the Composer, a national organization supporting new works by composers.
The ensemble premiered the piece at Columbia’s Miller Theatre in February 2005 and recorded it for Koch International Classics. Frank has details over at NewMusicBox.
And speaking of Mr. Oteri, he’s mad as hell about the second-class citizenship of post-classical composers and he’s not going to take it anymore…in the Composers Forum.
Spring has definitely sprung down here in Houston; everything that looked dead just a few weeks ago is sprouting all kinds of new growth. And that goes for opera as well, seeing that this year’s iteration of Opera Vista begins this Saturday, March 20th, and runs through March 27th.
This year’s festival will also include the world premiere of the winning opera from the 2009 Opera Vista Festival, Anorexia Sacra by Line Tjørnhøj. Line couples the plight of a young woman suffering from anorexia with the writings of the 13th century nun Claire of Assisi. Anorexia Sacra will be performed at 7:30pm on March 20th and 27th at the Live Oak Friends Meetinghouse (1318 West 26th Street).
Bit of a streak for American composers: this time last year we were congratulating 
If you believe that the importance of the arts in these times is inversely proportional to the economic news, than there’s never been a better time for YouTube’s Symphony Orchestra. YouTube 
He’s been on my list for a while now, to make famous (ha ha) as an S21 “click pick”. But before I get the chance to feature him, 
Sebastian Currier has won the 2007 University of Louisville Grawemeyer Award for Music Composition for “Static,” a six-movement piece for flute, clarinet, violin, cello and piano.
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