Year: 2012

Chicago, Concerts, Contemporary Classical, File Under?

Spektral Quartet’s Theatre of War (preview)

May 23-24, 2012: Spektral Quartet and High Concept Laboratories Present Theatre of War by Arlene and Larry Dunn On Wednesday, May 23 in Chicago, the Spektral Quartet and High Concept Laboratories will present Theatre of War, an artistic investigation into the disconnects between the experiences of those most directly affected by our wars and the experience of the public at large. The event comes at a salient moment, immediately following the NATO summit meeting in Chicago. Theatre of War will be held at the Chopin Theatre and will be repeated on Thursday, May 24. All ticket proceeds are being donated

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Classical Music, Concert review, Contemporary Classical, File Under?, Orchestral, Orchestras

Princeton Symphony Plays Sarah Kirkland Snider

Princeton Symphony Orchestra Richardson Auditorium, Princeton, NJ May 13, 2012 ChamberMusicianToday.com PRINCETON – The Princeton Symphony’s final concert of its classical season included two repertory staples – Brahms’s Fourth Symphony and Ravel’s Piano Concerto in G Major – as well as a revised version of Sarah Kirkland Snider’s sole work to date for orchestra, Disquiet. Although Snider is a rising star in the world of contemporary music, she has thus far made her name as a formidable composer of vocal works, notably the song cycle Penelope, as well as theatre music and chamber compositions for groups such as yMusic and

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Big Band, Chamber Music, Composers, Contemporary Classical, Events, Experimental Music, Festivals, Improv, jazz, Piano, Premieres, San Francisco, Saxophone, Sound Art, Women composers

2012 Outsound Summit lineup revealed

The San Francisco Bay Area’s underground music scene will come together this coming July in an annual celebration of its tremendous range of styles, its love of improvisation, and its collective obsession with new and unusual timbres and techniques.  It’s the 11th Annual Outsound New Music Summit!  All events will take place at the San Francisco Community Music Center at 544 Capp Street near 20th Street in the Mission District, and tickets can be ordered online from Brown Paper Tickets or purchased at the door. The ever-popular Touch the Gear Expo kicks off the Summit on Sunday July 15, 7-10

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Concerts, Contemporary Classical

Tonight: Smooke has not One but Two Premieres

TWO PREMIERES BY DAVID SMOOKE by Judah Adashi Here in Baltimore, we take great pride in our vibrant music scene. Indeed, it’s so vibrant that my friend and colleague, David Smooke, has two local premieres in one night! (OK, one of them is in DC, but we mustn’t let such details stand in the way of rooting for the home team.) Tonight at 8:00pm at the Atlas Performing Arts Center (1333 H Street NE), David will join Great Noise Ensemble as the featured soloist in the world premiere of his toy piano concerto, Nutshell Studies of Unexplained Death. The piece takes

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Contemporary Classical, Piano, Premieres, Seattle

Shai Wosner: Debut of Michael Hersch’s Piano Concerto (A Preview)

On May 15th, pianist Shai Wosner will be performing a brand new Piano Concerto by Michael Hersch. Titled along the ravines, the piece will be making its first ever concert appearance with the Seattle Symphony at Benaroya Hall, Tuesday May 15th at 7:30 PM. Shai explains how he came upon his interest for the new work. “When I was looking to commission a new work, thanks to the Borletti-Buitoni Trust of London, I was listening to all kinds of music from composers from different generations and I came across a couple of CDs with piano and chamber works by Michael

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Conductors, Contemporary Classical, File Under?, New York, Orchestras

Alabama Symphony at Spring for Music

Tonight, the Alabama Symphony, conducted by Justin Brown, appears at Carnegie Hall as part of Spring for Music, a week long celebration of out-of-town orchestras with adventurous programming aesthetics. Many of them are making their Carnegie Hall debuts; all of them are bringing programs of interest and demonstrating that, despite the oft-reported economic vicissitudes in the world of classical music, there remains a tremendous vitality of orchestral music making throughout North America. In addition to a repertory standby, Beethoven’s Seventh Symphony, the ASO presents two New York premieres of pieces they commissioned: Avner Dorman’s Astrolatry and Paul Lansky’s Shapeshifters. The

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Deaths, Los Angeles, Opera

The Opera Librettos of Maurice Sendak

[youtube]http://www.youtube.com/watch?v=TSbOCfIh3HI[/youtube] There has been plenty of eulogizing and assessment of Maurice Sendak’s remarkable career, most of it focused (rightly so) on his wonderful books. While Sendak’s work in opera and ballet has been praised, I don’t feel that enough attention has been paid to the two operas he worked on with Oliver Knussen. The first, Where the Wild Things Are, is the best children’s opera of our time; the second, Higglety Pigglety Pop!, is one of the best late 20th-century operas of any type. Higglety Pigglety Pop! is a fairy tale with great appeal to children, yet the surreal story

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Concert review, Concerts, Contemporary Classical, Music Instruments, Performers

Dialogue Between the Traditional and The Modern–Chinese Hua Xia Chamber Ensemble at Alice Tully Hall: A Review

Dialogue between the Traditional and the Modern Chinese Hua Xia Chamber Ensemble Tsung Yeh, conductor Zhang Weiliang, Artistic Director and xiao soloist Alice Tully Hall at Lincoln Center, NY May 7th. 2012 The biggest thing I can say about the Hua Xia Chamber Ensemble‘s program at Alice Tully is this: For the first 5 minutes or so when they came out and played the first piece Lang Tao Sha, which was a traditional piece, I couldn’t write a thing. It was an incredible rush that made me more fully appreciate not only the music of China, but music at its

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Concerts, Contemporary Classical, Experimental Music, Interviews

Experiments in Opera: Roulette Spring Series (A Preview)

Experiments in Opera, the new collective founded by composers Jason Cady, Aaron Siegel, and Matthew Welch, presents its Spring Series on May 10 + 11 (Thursday and Friday) at Roulette in Brooklyn. Four new operas will be heard in workshop performances over the two evenings. The May 10 program features a complete semi-staged, multi-media performance of Cady’s Happiness is the Problem, plus a semi-staged, work-in-progess presentation of To Scale by the creative trio known as Cough Button, and a concert excerpt from Siegel’s Brother Brother. May 11 will be devoted to a semi-staged production of Welch’s Borges and The Other,

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Chamber Music, Composers, Concerts, Conferences, Contemporary Classical, Festivals, Music Events, News

Music: Cognition, Technology, Society

“How can music ‘speak’ and how do we have knowledge of it? What is its potential to express, represent, and communicate? How has changing expertise concerning sonic and musical knowledge shaped these questions across time and space?” These are the questions that inspired the interdisciplinary conference entitled “Music: Cognition, Technology, Society” that will take place at Cornell University this weekend, May 11 – 13. The conference will spotlight Tod Machover (Massachusetts Institute of Technology) in a dual-role as guest composer and keynote speaker. Other keynote speakers include Eric Clarke (University of Oxford), Ichiro Fujinaga (McGill University) and Robert Gjerdingen (Northwestern

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