Long Distance Poison Gamma Graves Ecstatic Peace Cassette Gamma Graves is a prime example of the kind of release that has helped to fuel the cassette resurgence on the indie/experimental music scene. Produced by a variety of sources, from bedroom DIY collectives and small tape-only labels to established imprints like Ecstatic Peace, the audio cassette format, long thought extinct, is back. Tapes have been unassumingly encroaching their way onto the shelves of connoisseur collectors and music critics (no less than Steve Smith is a devotee): even record sellers such as Insound and Other Music have made room for them again.
Read moreThis weekend, Ann Arbor’s University Musical Society is putting on its most ambitious project since I’ve been in town: Philip Glass‘s legendary opera Einstein On The Beach. The production is directed by Robert Wilson with choreography by Lucinda Childs and includes a stunning cast hand-picked by Mrs. Wilson and Glass for the revival. Performances are this Friday (7 PM), Saturday (7 PM) and Sunday (2 PM) at the downtown Power Center performance space. Alas, the shows are sold out at this point, but if you are a diehard fan, or just an interested individual in the area, there is always
Read moreLast night Steve Reich, the Bang on a Can All-Stars and red fish blue fish appeared in front of a full Disney Concert Hall as part of the LA Philharmonic 2011/2012 Green Umbrella series of contemporary music. Steve Reich was warmly greeted by an enthusiastic audience and performed the first piece Clapping Music along with percussionist David Cossin. Clapping was followed by Video Phase an updated version of Reich’s 1967 Piano Phase. This was created by David Crossin in 2000 by playing the piece on MIDI percussion pads that trigger piano samples of the notes. A prerecorded video of this
Read moreAlso Published on Urban Modes On January 10 I had the pleasure of attending a performance of Huang Ruo’s music at (le) poisson rouge. I’ve been a fan of Huang Ruo since 2007, and I was particularly interested in hearing his most recent string quartet, having missed the Chiara Quartet’s premiere last season. This performance was given by the excellent Momenta Quartet (Emilie-Anne Gendron and Alex Fortes, violins; Stephanie Griffin, viola; Michael Hass, cello). The quartet’s title, Calligraffiti (a fusion of the words “calligraphy” and “graffiti”) is meant to reflect the composition’s autobiographical nature: Huang Ruo grew up in China and
Read moreAndy Akiho may have started out as a performer only, but his heart has driven him to become not only a wonderful composer in his own right, but a composer/performer that creates some of the most wonderful and compelling sounding pieces combining steel pans with a variety of instruments from other great new classical musicians. Having studied composition with such greats as Julia Wolfe, David Lang, Ezra Laderman, and Martin Bresnick among others, Akiho had just recently won eighth blackbird’s inaugural Finale National Composition Contest. Andy talked to me about that and some of my favorite works of his.
Read moreI’ve uncharacteristically procrastinated on this post for about a month and a half. In early December (I think), Christian Carey asked me to write a note about applying to doctoral programs in Music Composition after reading my incessant tweets on the subject, and I’ve been sitting on the assignment ever since. Much of the delay owes itself to my Masters Thesis. But, as of Monday afternoon, that project is finished and I have no more excuses. The decision to apply to any program, whether a D.M.A./Ph.D. or a summer festival, is individual; the core motivations for pursuing or abstaining
Read moreDon’t know what you folks are doing this coming Tuesday night, January 17, but I will be trekking uptown to Symphony Space to see the Gaudete Brass, a splendid Chicago-based chamber ensemble rarely seen in these parts, who will present a concert of still-hot-off-of-Sibelius contemporary brass chamber music, including the world premiere of a new work by S21 familiar Rob Deemer. “We were going to be traveling to New York to showcase at the Chamber Music America’s National Conference and while we were in town, we decided to present a concert that will mostly feature music we premiered this past
Read moreOn Monday, January 16 at Carnegie Hall, Distinguished Concerts International New York brings together over three hundred musicians to give the world premiere of The Peacemakers by Karl Jenkins. The composer will conduct this work for choir, orchestra, and instrumental soloists. It is the first world premiere of one of his large-scale works to take place in New York. TICKETS: www.carnegiehall.org or 212-247-7800 or in person at the Carnegie Hall Box Office. The recording of The Peacemakers just came out this past Tuesday on EMI Classics. It features the strings of the London Symphony Orchestra and three choirs: the City of Birmingham
Read moreBreaking news from Cuernavaca, Mexico–Stefano Scodanibbio has passed away, a tremendous bassist, a fearless improviser, and a gifted composer. Faced with ALS, he decided to spend his last days in Mexico, a country he loved. I haven’t found any reports in English, but for those of you who speak Spanish, here’s the report. Google translation (not too bad) here.
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Composers, Contemporary Classical, Electro-Acoustic, Experimental Music, Interviews, Women composers
Photo courtesy of Andre Penven for Coilhouse Magazine Zoë Keating (Wow, what can I say??) has definitely cultivated a very respectable place in the new music and indie music circles. After rethinking a classical concert career as a cellist for working a tech job, she was intervened to perform with various friends, played in the band Rasputina, eventually went solo with a gorgeously layered, rhythmic cello sound. Zoë went on to sell over 40,000 copies of her CDs without distribution, a record label or management. And she has over one million Twitter followers. The internet loves her! Besides her solo
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