Simone Dinnerstein in Recital Miller Theatre – Columbia University December 8, 2018 Published on Sequenza21.com By Christian Carey NEW YORK – On Saturday, December 8th, pianist Simone Dinnerstein made a return appearance to Miller Theatre to perform an intriguing and eclectic solo recital. The stage was set with subdued lighting, with electric “candles” placed throughout and, over the course of the evening, small shifts of color. Ms. Dinnerstein, dressed in elegant, flowing attire, created an atmosphere through her performance demeanor as well. The recital was announced with no intermission and the pianist paused from playing only once, midway
Read more[Ed. note: Former S21 contributor, member, and friend David Salvage has in the last couple years pulled up his U.S. tent pegs and landed in Italy. He’s offered up his review of the latest György Kurtág premiere last month at La Scala.] …………………………………………………. After decades of prodding, false starts, intense study, delays, and, finally, seven years of composing, György Kurtág, at age ninety-two, has written his first opera. For its subject matter, he has chosen Samuel Beckett’s Endgame, a play he saw during its initial run in Paris in 1957 and has loved ever since. World premieres don’t get any more hotly
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Choral Music, Commissions, Concert review, Contemporary Classical, early music, File Under?, New York
Tallis Scholars: A Renaissance Christmas Miller Theatre Early Music Series Church of St. Mary the Virgin December 1, 2018 Published on Sequenza 21 By Christian Carey NEW YORK – The Tallis Scholars, directed by Peter Phillips, made their annual appearance in New York as part of Miller Theatre’s Early Music series at the Church of St. Mary the Virgin in Midtown. The program was billed as a dual celebration — the 45th anniversary of the Tallis Scholars and Miller Theatre’s 30th anniversary season. In honor of the occasion, Miller Theatre commissioned a new piece for the Tallis Scholars
Read moreBest of 2018 – Best Violin Concerto Michael Hersch end stages, Violin Concerto Patricia Kopatchinskaja, violin, International Contemporary Ensemble, Tito Muñoz, Orpheus Chamber Orchestra New Focus Recordings fcr208 Composer Michael Hersch consistently writes music with emotional immediacy that explores aching vulnerability with consummate eloquence. His Violin Concerto is like a wound still raw. Soloist Patricia Kopatchinskaja ramps up the intensity, as does ICE, conducted here by Tino Muñoz, rendering the work’s first and third movements with bracing strength and its second with fragile uneasiness. This emotion returns, amplified by high-lying solos and echoing attacks from the ensemble, to provide
Read moreOne of my favorite active vocal composers is Tom Cipullo. In the nineties, I performed his song cycle “Land of Nod,” which demonstrates his penchant for contemporary subjects, including pop culture, and the mixture in his music of lyricism, poignancy, and, occasionally, moments of wry humor. Cipullo’s work as an opera composer has delved into topics with weightier resonances. The following two works are no exception. EVENT DETAILS Chelsea Opera presents NY premieres After Life and Josephine Two one-act operas by Tom Cipullo December 1, 2018 7:00 pm Christ & St. Stephen’s Church 120 West 69th Street New York, NY Tickets available online Preferred seats: $35 in
Read moreThe Soundwaves new music series and Piano Spheres teamed up to present Garlands for Steven Stucky, a concert of piano music performed by Gloria Cheng. Steven Stucky was a long-time composer in residence at the Los Angeles Philharmonic, and his untimely death in 2016 touched his many friends here deeply. Garlands for Steven Stucky is a memorial tribute in the form of a CD album of short piano pieces contributed by no less than 32 students and musical colleagues. Each piece is short – just two or three minutes – and this concert at the Santa Monica Public Library offered
Read moreStile Antico in Concert October 13, 2018 Church of St. Mary the Virgin By Christian Carey NEW YORK – The first concert in Miller Theatre’s 2018-19 Early Music Series, given in midtown at the Church of St. Mary the Virgin, presented the acclaimed choral group Stile Antico from the UK. They have made regular appearances on the Miller series. As is their custom, Stile Antico sang without a conductor in a semicircle facing front. The occasional setup change consists of singers changing formation and, in pieces in which the full ensemble isn’t required, “extra” singers sit down. They
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Chamber Music, Classical Music, Composers, Concert review, Concerts, Contemporary Classical, Seattle
[untitled] is the moniker given by Seattle Symphony to its thrice-annual Friday night new music events. Staged in the lobby of Benaroya Hall, it’s a semi-formal atmosphere in which the Symphony can deploy its musicians in smaller groupings better suited to the exigencies of postmodern music. The first [untitled] concert of the new season took place on October 12, and featured the regional premiere of Hans Abrahamsen’s Schnee, offering listeners in the Pacific Northwest an opportunity to judge how well this work has earned the considerable attention it has received in its brief ten-year lifetime. Scored for two piano quartets (one conventional,
Read moreÞráinn Hjálmarsson Influence of Buildings on Musical Tone Caput Ensemble, Krista Thora Haraldsdottir, Icelandic Flute Ensemble, Ensemble Adapter, Nordic Affect Carrier Records Composer Þráinn Hjálmarsson’s latest CD, Influence of Buildings on Musical Tone, revels in the exploratory sound world of effects and extended techniques. That said, his work is more than an assemblage of alternative ways to treat instruments. Rather, the technical extensions serve to expand Hjálmarsson’s considerable palette of expression. The five different pieces on Influence of Buildings each employ a different ensemble. The title work features the Caput Ensemble, while “Grisaille” is performed by the Icelandic Flute Ensemble.
Read moreWe’re very excited about Andrea Olmstead’s The Definitive Biography of Vincent Persichetti which is about to be published. So excited, in fact, that if you pre-order it before November, you’ll save 50% off. Here’s a factoid for those of you who don’t know much about arguably the most influential music teacher of the 20th century: His 40-year teaching career at Juilliard included students Philip Glass, Steve Reich, Jacob Druckman, Peter Schickele (P. D. Q. Bach), Einojuhani Rautavaara, and many other prominent composers. To pre-order, go to Rowman.com and enter discount code RLFANDF30, or call (800) 462-6420 ext. 3024 and mention the discount
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