Composers

Chamber Music, Classical Music, Commissions, Composers, Concerts, Contemporary Classical, Flute, Piano

Palisades Virtuosi Presents 10th Anniversary Concert, Including a New Work from Jeff Scott

The critically-acclaimed Palisades Virtuosi presents a very special 10th Anniversary Concert – the first concert of their 2012-2013 season on Friday, November 9 – 8:00 PM at the Unitarian Society of Ridgewood, 113 Cottage Place in Ridgewood, New Jersey. The evening will also include a pre-concert composer and performer talk at 7:15. Flutist Margaret Swinchoski, clarinetist Donald Mokrynski and pianist Ron Levy began their series of concerts in Ridgewood, New Jersey in 2003, when there were relatively few works composed for their instrumentation. So, their “Mission to Commission” was born. 10 seasons later, there are an additional 60 works of concert

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by Jeffrey James
Composers, Contemporary Classical, New Amsterdam, New York, Performers, Recordings, Support

New Amsterdam Records meets Sandy

…and the results were not good… One of the brightest small labels for new music in the last 4-5 years has been NYC’s New Amsterdam Records. Founded by Judd Greenstein, Sarah Kirkland Snider, and William Brittelle, its catalog is full of some of the best young, fresh composers working today, performed by a bevy of equally fresh & talented players. This label has quickly risen to the forefront in capturing and disseminating the newer American scene. All of that hard work has unfortunately just gotten a lot harder; Their offices are in the Redhook area of New York City, and weren’t dealt kindly with by Hurricane Sandy.

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by Steve Layton
Composers, Concert review, Conductors, Contemporary Classical, Criticism, Festivals, Orchestral, Twentieth Century Composer

Cage and Beyond

Just before intermission of the opening concert of the Beyond Cage Festival on October 22, I pulled out my iPhone to see if the Giants were beating the Cardinals for the National League Pennant, and was disoriented to see that it was 9:49pm. It seemed like there must have been a massive network malfunction, because the extraordinary performance of Atlas Ecpliticalis with Winter Music that I and the rest of the audience had fervently applauded could not possibly have gone on for an hour and forty-five minutes. The duration had felt assuredly like a leisurely performance of an early Romantic

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by George Grella
Composers, Copyright

The Chess Game of Fact Checkers As Applied To Music

“You are entitled to your own opinion, but you are not entitled to your own facts.” – Sen. Daniel Patrick Moynihan For the past several election cycles, a cottage industry of fact-checkers emerges from their pumpkin patches each fall to assess the credibility of candidates’ claims.  One of most-quoted of these, FactCheck.org, is affiliated with my alma mater.  These groups’ findings are not only cited by the media but are also used by partisans of both Presidential candidates.  And while neither the press nor the candidates are free to plagiarize the articles produced by fact-checkers, the facts themselves are fair

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by Marc Ostrow
CDs, Composers, Contemporary Classical, Fundraising, Minimalism, Piano

A catalogue created through you

The Dutch composer/performer/poet Samuel Vriezen and I go waaay back on the web, to a time when musicians found each other and some musical conversation on the old Usenet newsgroups. In the dozen-plus years since that time, I’ve watched Samuel be pretty darn active on all kinds of fronts: producing concerts, composing a wonderful body of music, writing and translating poetry… He’s even been invited over this way to the U.S. a few times for presentations of his work. Samuel’s own musical inclinations have evolved since his time in university, but for a long while now what really interests him

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by Steve Layton
Composers, Concerts, Contemporary Classical, Festivals, New York

Reconstituting “The Loves of Pharaoh” at BAM

We’re approaching the heart of the Brooklyn Academy of Music’s 30th annual Next Wave Festival, and one of it’s more unique offerings is right around the corner. This Thursday through Saturday, composer Joe C. Phillips, Jr. will lead his ensemble, Numinous, in the premiere performances of his newly composed score for Ernst Lubitsch’s long-lost silent film, The Loves of Pharaoh. I think the project presents a fascinating challenge for a composer – how do you respect the history of an artifact like The Loves of Pharaoh, while still expressing your 21st-century artistic perspective? I won’t speculate on how Mr. Phillips

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by Garrett Schumann
Composers, Contemporary Classical, Piano, Recordings

Autumn again and the leaves keep piling up

Long a fixture here at S21 until just a few years ago, composer David Salvage has been busy teaching at Hampden-Sydney College in Virginia. Back in 2010 he conceived the idea of keeping his compositional chops up by starting an open-ended series of piano pieces, called Albumleaves.  At the same time David started a blog as an integral part to showcase them, in which each new piece features not only the score but a recorded performance as well. The series is now pushing 90 pieces (!), and some of them have just come out on a recording on the Navona label. It’s

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by Steve Layton
Composers, Contemporary Classical, File Under?, New York

Hooray for Haas

The scuttlebutt around Columbia University’s new senior composer hire seems to be true. As Alex Ross reported on The Rest is Noise yesterday, Austrian composer Georg Friedrich Haas will be joining Columbia’s faculty sometime during the 2012-’13 academic year, replacing Tristan Murail, One revels in the possibilities, not only for graduate students in composition, but for the rest of us too; we’ll likely get to hear some terrific programs during his time stateside! Our friend Thomas Bjørnseth has some terrific musical selections by Haas on his Atonality.Net website, and The Wellesz Theatre is streaming Haas’s 2011 opera Bluthaus in its entirety via YouTube (embed below). .

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by Christian Carey
Composers, File Under?, Interviews, Opera

Dog Days: an Interview with David T. Little

After a long gestation, which included multiple workshops that presented excerpts of the work in progress, this weekend David T. Little’s Dog Days will be given its premiere as a full length opera. It is being presented at Montclair State University in Montclair, New Jersey on September 29th through October 7th. Despite all the myriad details to which he’s had to attend in the rehearsals leading up to the performances, David was kind enough to consent to an interview about the bringing this long term project to fruition and some of his other current activities. Sequenza21: When did you first

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by Christian Carey