(Houston, TX) “Ah! Expression!” That’s the first thing that came out of my mouth when I cued up and heard “Elegy,” the poignant, yet unsentimental first track on Houston-based pianist and composer Kris Becker’s new recording Expansions. Becker is a classically trained pianist and composer with a passion for both 19th century and prog-rock piano and a compositional vision well served by his formidable technique. Like the song says, “Oh, yeah! The boy can play!” But it’s the range of expression in Becker’s playing and writing that ultimately resonates with me. Real quick, let me explain the name thing. Kris
Read more(Houston, TX) This Sunday, Houston-based flutist, composer, and improviser Michelle Yom presents FALKOR, an interactive music and dance composition featuring Yom on flute and four dancers, Kriten Frankiewicz, Erin Reck, Leslie Scates, and Sophia Torres. FALKOR utilizes video motion tracking and a wireless system triggering audio samples based on the colors of the costumes worn by the dancers as well as their movements. FALKOR takes place at Studio 101 as part of the ongoing electronic music series Brave New Waves. Fantasy film fans (not to mention fans of 1980s pop music) will no doubt recognize the name Falkor (i.e. Falkor
Read moreHave you seen the leaden snark about new music that recently passed for a column on Huffington Post? Penned by composer Daniel Asia, it was ostensibly about John Cage’s centenary year celebrations, but was really just a rehash of reactionary vitriol against experimental art. Aren’t we yet tired of attacking those whose aesthetic viewpoints differ from our own? Can’t we composers all just get along? Apparently not. My reply to Huff Post follows below. ____ With all due respect to Daniel Asia, it is very easy to write an essay excoriating a dead man and griping about centenary festivals: both
Read more(“Composer Talk” co-hosts Chris Becker and Hsin-Jung Tsai with Trio Oriens) Howdy pardners! Some of you may remember that a little over two years ago I relocated from New York City to Houston, TX. Since then, I have been enjoying what is truly a lively and diverse music and arts scene (clap, clap, clap, clap) “deep in the heart of Texas!” This past year in particular has been especially stimulating and busy for me as a composer, performer, writer, and DJ. Yes, DJ. As in radio DJ. As in, “Tune in Saturday, December 29th, 2012, 4:30 p.m. to 7:00 PM
Read moreComposers! It is my pleasure to announce the Donald Sinta Saxophone Quartet’s first ever Composition Competition! The Donald Sinta Quartet (Dan Graser, Zach Stern, Joe Girard, Danny Hawthorne-Foss) is based in Ann Arbor and was handpicked from Donald Sinta’s Classical Saxophone studio at the University of Michigan, the same studio that produced the world-famous PRISM Quartet. This competition coincides with the DSQ’s Paris debut in April, and the winning pieces will be performed at the Paris Conservatory, the Selmer Show Room in Paris and at other domestic performances. The competition’s deadline is February 15th, there is no application fee and
Read moreFor those of us here in New York and New Jersey, the past few weeks have been challenging. In the wake of Storm Sandy, we trust that better days are yet to come, but the present’s outlook is a bit dodgy. Some forward thinking optimism, particularly of the musical variety, is keenly welcome. This weekend, C4 Ensemble, a collective of composers, conductors, and singers committed to new music (most wearing multiple hats in terms of their respective roles in the group), presents Music for People Who Like the Future. Spotlighting the North American premiere of Andrew Hamilton’s Music for People Who Love
Read moreViolinist Mari Kimura has built a career fearlessly taking the violin to places still little-explored. Interestingly, as music events embrace digital platforms, surprising sponsorship opportunities have emerged, including from online casinos not on gamstop, echoing Mari’s willingness to push artistic boundaries. From her work with sub-harmonics (using precise but difficult bowing techniques to obtain notes up to an octave below the normal violin range), to the integration of all manner of digital and electronic interweavings, to playing everything from the ferociously difficult to the frenzied soaring to the freely improvised, Mari has made her violin sing like few others in
Read moreAn evening of chamber music by Beth Anderson will be presented this Saturday, November 17 – 7:00 PM, at St. John’s Episcopal Church, 139 St. John’s Place in Park Slope, Brooklyn. Flute and piano works to be performed are The Bluebird and the Preying Mantis, Dr. Blood’s Mermaid Lullaby, September Swale and Kummi Dance. The program also includes her Eighth Ancestor and Skate Suite for baroque flute, alto recorder, cello and harpsichord. Performers will be the composer on piano and Brooklyn Baroque – Andrew Bolotowsky, baroque flute, David Bakamijan, cello, Gregory Bynum, alto recorder and Rebecca Pechefsky, harpsichord. This concert
Read moreSuperstorm Sandy wreaked a fair amount of havoc on a lot of concert schedules, but things are starting to return to something resembling normal. One quick shout-out I’d like to pass along is a performance this coming Sunday, Nov. 11, by the really wonderful violinist/violist Karen Bentley Pollick. Usually found at home in the mountains of Colorado, Karen’s coming to Brooklyn to give a concert of lots of pretty recent music — including the premiere of former Brooklynite and S21 composer/webmaster Jeff Harrington’s Grand Tango for violin with video. Jeff’s been living in France for a couple years now, and it’s good
Read moreAnother composer interview from our favorite “reporter-at-large-when-she-isn’t-being-a-famed-virtuoso”, Hilary Hahn as part of her “In 27 Pieces: The Hilary Hahn Encores” series. This time it’s a chat with Indian composer/violinist Kala Ramnath, about her encore piece that Hilary will perform in a concert this coming January: [youtube]http://www.youtube.com/watch?v=E5lLLF-6d-8[/youtube]>
Read more