Contemporary Classical

CD Review, Contemporary Classical, File Under?, Percussion, Performers

Steven Schick – A Hard Rain (CD Review)

Steven Schick A Hard Rain Islandia Music Records   Steven Schick is an extraordinary musician, best known as a percussionist but also a formidable conductor. After decades of performing all of the important solo works of the percussion repertoire, Schick is creating a series of recordings, titled Weather Systems, documenting interpretations built on lifelong study. The first, A Hard Rain, includes works by the experimental and serial wings of American music, European modernists, and a tour-de-force rendition of Kurt Schwitters’ Ursonata (1932).    The double disc recording begins with 27’10.554” for a percussionist (1956), a nearly half hour long piece

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CD Review, Contemporary Classical

Wilfrido Terrazas – The Torres Cycle

New Focus Recordings has released The Torres Cycle, a new CD by Wilfrido Terrazas containing seven tracks of original music composed between 2014 and 2021. Subtitled ‘A Musical Ritual for the Seven Cardinal Directions’, this album explores the significance of direction, place and culture as expressed by the proximity of Southern California to Mexico. As stated in the liner notes: “A deepened relation to cardinal orientation loosens social order and transforms common wisdom oppositions into liminal spaces: the cycle’s sonic presences are improvisational, but its figurations monumental; its scope at once historical, mythological and speculative…” Wilfrido Terrazas is a prolific

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CD Review, Contemporary Classical, Dance, Experimental Music, Los Angeles

Alex Wand – Music for Dance 2017-2020

Music for Dance 2017-2020, by Alex Wand, is a new album of selected electronic instrumental music created as accompaniment for choreographed dance. Wand’s experience with the local dance community is extensive and includes residencies with the LA Dance Project, Los Angeles Performance Practice, REDCAT, and Metro Art LA. According to the liner notes, Wand has worked with choreographer Jay Carlon “ …as a collaborator on his site-specific dance theater productions and dance films…” This collection consists of eight tracks of electronic music, primarily realized using modular synths. Although Wand’s supple voice is absent from this album, the inventive sounds he

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Contemporary Classical, File Under?, Opera

Rhiannon Giddens sings “Julie’s Aria “from her new opera (Video)

Rhiannon Giddens, along with guitarist Bill Frisell and percussionist Francesco Turrisi, perform “Julie’s Aria” from Giddens’ first opera, Omar. Premiering at Spoleto, the opera is receiving productions at a number of prominent houses. Here is an audio stream via YouTube. Giddens is busy with myriad projects, but her singing is so compelling here: dare Spoleto offices hope for a cameo?  

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Chamber Music, Classical Music, Composers, Concert review, Concerts, Contemporary Classical, New York, Orchestral, Review, Twentieth Century Composer

The Parker Quartet premieres Jeremy Gill’s “Motherwhere”

April the First proved a propitious date for the New York Classical Players’ much anticipated program featuring a new collaboration – and premiere – with the Parker Quartet. In the mere twelve years since their inception, NYCP has consistently brought spirit and devotion to so much of what they do, and this early Spring concert at W83 Auditorium was no exception. In many respects, the highlight of the evening was Jeremy Gill’s joyous new work, “Motherwhere,” a concerto grosso for the Parker Quartet and NYCP. But well-worn, oft’-loved music by Tchaikovsky was also on offer, delivered with great heart. And

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CD Review, Contemporary Classical, Microtonalism

Peter Thoegersen – Alien Music

Magic&Unique Records has released Alien Music, a collection of the early works of Peter Thoegersen that combine alternate tuning with polytempic meters. With pieces dating from 2002, this album offers a baseline view of Thoegersen’s long-time exploration of the interrelationships between pitch and rhythm. As he writes in the liner notes: “Alien Music is essentially my first Polytempic Polymicrotonal piece composed from a four part drumset composition in four simultaneous meters/tempos: 3, 4, 5, 7, all played in one sitting. There are additional microtonal instruments added in different tunings: 12tet, 19tet, 7 tone slendro, and 5 tone pelog, tuned to

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CD Review, Contemporary Classical, File Under?

Molly Tuttle – Crooked Tree on Nonesuch (CD Review)

Molly Tuttle and Golden Highway Crooked Tree Nonesuch   Songwriter, vocalist, and guitarist Molly Tuttle makes her Nonesuch debut with Crooked Tree. Co-produced with dobro virtuoso Jerry Douglas, the release includes a number of prominent traditional musicians as collaborators and focuses on Tuttle’s connections to bluegrass and roots music. Previous releases have seen Tuttle sit astride pop and bluegrass, and while Crooked Tree emphasizes the latter, the memorability and single-worthy character of many of its songs reminds us that she is a versatile and formidable talent.    Tuttle plays guitar in a flat-picking style and at turns plays nimble lead

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CD Review, Contemporary Classical, Music Instruments

MicroFest Records – Harry Partch, 1942

Harry Partch, 1942 is a combination CD and printed hardcover book from MicroFest Records that documents the events leading up to Partch’s pivotal recital in Kilbourn Hall at the Eastman School of Music on November 3, 1942. This proved to be the turning point in Partch’s career, after many years of frustration and hardship pursuing his innovative tuning theory. The CD contains the original recording of the recital and lecture at Kilbourn Hall and includes The Lord is My Shepherd, selections from Seventeen Lyrics by Li Po and the iconic Barstow. The book brings together notes, letters, newspaper accounts and

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