Recomposed, Volumes 1-3 Bernd Alois Zimmermann WDR Sinfonieorchester, Heinz Holliger: conductor Sarah Wegener: soprano; Marcus Weiss: saxophone; Ueli Wiget: piano Wergo 3xCD boxed set Bernd Alois Zimmermann (1918-1970) lived in Cologne and was an important member of the postwar avant-garde. However, he retained an independent voice, and did not operate in the circles of the Cologne School. His 1960 opera Soldaten, an ambitious work in terms of theatrical devices, vocal requirements, and musical demands, is both a zenith in terms of post-tonal writing and, with its use of collage, a precursor to postmodernism. Everyone needs to make a
Read moreLaufey A Night at the Symphony Laufey, vocals; Iceland Symphony Orchestra, conducted by Hugh Brunt AWAL A Night at the Symphony sees release this week. Jazz artist Laufey performs a varied program in a concert performance with the Iceland Symphony Orchestra, conducted by Hugh Brunt. It consists of previously released songs off her debut album Everything I Know About Love and 2021 EP Typical of Me, standards, and Icelandic jazz artist Elly Vilhjálms’ “Ég Veit Þú Kemur. Hearing a jazz ballad sung in Icelandic is a new experience for me. Vilhjálms’ style and the arrangement are indebted to Kurt
Read moreSpaces James Romig Tony Oliver, vibraphone Sawyer Editions James Romig’s music has become more expansive. Spaces (2021) is his third recent piece to run over an hour in duration. Still (2016), a piece for pianist Ashlee Mack, was a finalist for the Pulitzer Prize. Last year brought The Complexity of Distance, a piece for metal guitarist Mike Scheidt that was both rigorously constructed and ripped uproariously. Like all of Romig’s music, Spaces has a highly detailed plan. Each of the four sections of the piece has an “a” and a “b” subgroup. They begin with a collection of
Read moreAnthony Cheung Music for Film, Sculpture, and Captions Ueli Wiget, piano, Ensemble Modern, Franck Ollu, conductor; Ensemble dal Niente, Michael Lewanski, conductor; Ensemble Musikfabrik, Elena Schwarz, conductor Kairos Music Anthony Cheung is a prolific composer whose music is situated astride spectralism and second modernity. This is his fifth portrait CD, his first for Kairos, and first of music that accompanies extra musical media. While these sources of inspiration are pivotal components for the music’s genesis, it stands on its own as an audio recording. The works are performed by three top flight groups, Ensemble Modern, conducted by Franck Ollu
Read moreLast week, Pensacola Christian College cancelled the King’s Singers on short notice due to concerns about some of the members’ sexuality. The ensemble has provided an eloquent rejoinder (see above) and in the spirit of joy conquering hate, shared the first single off of their latest album, When You Wish Upon a Star: One Hundred Years of Disney Songs.
Read moreBeethoven, Schumann, Franck Renaud Capuçon, violin; Martha Argerich, piano Deutsche Grammophon Three violin sonatas by great nineteenth century composers, all in A, grace this recording by violinist Renaud Capuçon and pianist Martha Argerich. Longtime collaborators, the duo sound seamless in these performances. They create detailed renditions, faithful to the scores but keen to put their own stamp on the pieces. The first movement of the Schumann exemplifies this approach, with the performers digging into the main theme and unspinning legato lines in its development, the tempo treated flexibly. In the second movement, an Allegretto of considerable delicacy, Capuçon
Read moreVicente Lusitano Motets The Marian Consort Rory McCleery, director Linn Records Congratulations to Sequenza 21 contributor Garrett Schumann for his first article in the New York Times, about sixteenth century composer Vicente Lusitano. Along with colleagues, Schumann has researched the background of Lusitano, who was active in Portugal until sometime after 1561. A document, albeit one with some chronological distance from his death, labels Lusitano as a “pardo,” a person of African descent. This alone might seem circumstantial, but Schumann cites other, more contemporaneous, evidence about liturgical and cultural practices that support this theory. Our conception of Renaissance composers
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CD Review, File Under?, jazz, Piano, Pop
Your Mother Should Know: Brad Mehldau Plays the Beatles Brad Mehldau Nonesuch Records Pianist Brad Mehldau is a chameleon-like figure, able to play music in many styles and a creative composer. He excels at finding new standards, recent pop songs that benefit from jazz treatment. The Beatles’s songbook is among the most durable in the pop canon, having endured numerous revisionings, some inspired and, sadly, some insipid. Your Mother Should Know: Brad Mehldau Plays the Beatles is strongly inspired. A live recording that consists of ten Beatles songs and a David Bowie encore (“Life on Mars”), the
Read moreSteve Reich: The String Quartets Mivos Quartet Deutsche Grammophon Steve Reich wrote his three string quartets for the Kronos Quartet, who have premiered, recorded (for Nonesuch), and continued to champion them. With Kronos still active, why does another quartet record these pieces? Mivos Quartet makes a strong case that there is room for other interpretations of Reich’s string quartets. I remember well being at the Carnegie Hall premiere of Steve Reich’s piece for string quartet and multimedia WTC 9/11, performed by Kronos Quartet. Its incorporation of sound recordings, a dead phone line, air traffic controllers, and those trying
Read moreThe Clarinet Trio Transformations and Further Passages Jürgen Kupke, clarinet; Michael Thieke, alto clarinet, clarinet; Gebhard Ullmann, bass clarinet Leo Records LR 921 Gebhard Ullmann is celebrating his sixty-fifth birthday with the release of three albums, Transformations and Further Passages on Leo among them. The Clarinet Trio are a superb group of improvisers, Jürgen Kupke and Michael Thieke are eloquent foils for Ullmann. Unlike some other Ullmann outings, where he clearly leads the proceedings, this is a context in which everyone collaborates and gets to take solo turns. In fact, three of the tracks are solos, one for each
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