Wayne Peterson Transformations Boston Modern Orchestra Project, Gil Rose, conductor; PRISM Quartet BMOP/sound 1053 Composer Wayne Peterson (b. 1927) served as one of his generation’s fixtures on the West Coast music scene where, in addition to several other academic appointments, he elevated the composition program at San Francisco State to prominence. Despite fine recordings of his chamber music, this is his first portrait disc of orchestral music. 2017 has been a year where Boston Modern Orchestra Project, under the inspired direction of Gil Rose, has released a number of fine recordings, including CDs of works by Paul Moravec, David
Read moreThe San Francisco Bay Area has long been a friendly and nurturing environment for musicians “without a home” – operating between and outside of genres. For those shut out of the concert halls and jazz clubs, it’s been a haven where non-traditional musicians build non-traditional alliances, and run non-traditional music venues and concert series where they can take risks and create uncompromising work. Over decades of community-building and creative ferment, this lack of formal boundaries has defined the sound and feel of the scene, interweaving free improvisation with elements of noise, minimalism, rock, jazz, drone, chamber music, electronica, and
Read moreComposers under 30, listen up – the world famous Kronos Quartet wants you.
Read moreChristina Stanley a violinist and vocalist who received her MFA in Music Performance and Literature from Mills College, and her Bachelor of Music degree from San Francisco State University where she received a full performance scholarship and studied violin with Daniel Kobialka, Jassen Toderov and the Alexander String Quartet. She is an active performing violinist, working as as a soloist as well as an ensemble. The composer along with the other members of the Skadi Quartet will perform two new graphic scores to open The Composer’s Muse, the second night of the11th Annual Outsound New Music Summit. Both scores are 40 x 40 oil
Read moreJohn Shiurba is a composer and guitarist based in Oakland, California whose artistry embraces improvisation, art-rock, composition and noise. In his composer capacity, he’s headlining the second night of the 11th Annual Outsound New Music Summit, an evening entitled The Composer’s Muse. The concert will take place on Thursday, July 19th at 8:00 p.m. at the San Francisco Community Music Center, 544 Capp Street, San Francisco. Tickets are available at the door, or online through Brown Paper Tickets. Shiurba’s world premiere work for large ensemble, 9:9, is a suite of nine pieces written to be interpreted by nine players with a conductor.
Read moreThe San Francisco Bay Area’s underground music scene will come together this coming July in an annual celebration of its tremendous range of styles, its love of improvisation, and its collective obsession with new and unusual timbres and techniques. It’s the 11th Annual Outsound New Music Summit! All events will take place at the San Francisco Community Music Center at 544 Capp Street near 20th Street in the Mission District, and tickets can be ordered online from Brown Paper Tickets or purchased at the door. The ever-popular Touch the Gear Expo kicks off the Summit on Sunday July 15, 7-10
Read more“The composer’s job is to create a context for music-making to reflect the emerging consciousness.” Hafez Modirzadeh ETHEL performs music of Hafez Modirzadeh By Cornelius Dufallo Also published on Urban Modes Hafez Modirzadeh, a visionary saxophonist, theorist and composer, has been developing his own style of inter-cultural improvisation for three decades. His mentors and collaborators have included Ornette Coleman, some of the founding members of the Association for the Advancement of Creative Musicians, and the great Iranian violinist, Mahmoud Zoufonoun. ETHEL first encountered Modirzadeh in 2007, and the two parties felt an immediate artistic sympathy. Since that time, Modirzadeh has
Read more[youtube]http://www.youtube.com/watch?v=kUO0_8D1yg0[/youtube] San Francisco Community Music Center, July 20 – 23, 2011 The first sound of the festival’s Wednesday night show was, perhaps appropriately, nothing. Theresa Wong started offstage, down front, with just a microphone. She circled it in front of her face, no sound coming out of her pursed lips. Fluid looping gestures, but no vocal to be heard for perhaps two minutes. Then, a “Woo.” Silence, the mic passing back and forth. “Hoo,” silence, then another and another. Hoots and cuckoos, then a low-flutter “Wo – wo – wo – wo” for thirty seconds, then putting the mic to
Read moreSan Francisco Bay Area composer/performer Kanoko Nishi wraps up our series of interviews with composers who are premiering new works at the 10th Annual Outsound New Music Summit in San Francisco on Friday, July 22nd. The Friday night concert, entitled The Art of Composition, starts at 8 pm at the Community Music Center, 544 Capp Street, San Francisco. Tickets are available online from Brown Paper Tickets, and you can also buy them at the door. Listeners who don’t want to wait that long can get up close and personal with the composers, and learn about their creative process, at a free Monday night panel discussion at 7 pm on July 18th. Kanoko
Read moreKrys Bobrowski is up next in our series of interviews with composers who are premiering new works at the 10th Annual Outsound New Music Summit in San Francisco on Friday, July 22nd. The Friday night concert, entitled The Art of Composition, starts at 8 pm at the Community Music Center, 544 Capp Street, San Francisco. Tickets are available online from Brown Paper Tickets, and you can also buy them at the door. Listeners who don’t want to wait that long can get up close and personal with the composers, and learn about their creative process, at a free Monday night panel discussion at 7 pm on
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