Concerto per Violino XI, “Per Anna Maria” Fabio Biondi, violin; Europa Galante Naive Records Anna Maria (1696-1782) was one of Antonio Vivaldi’s principal muses. She was a pupil of his at Ospedale delle Pietà, where he taught for forty years. A child prodigy, Anna Maria was a violinist of enormous talent. Vivaldi recognized this and composed at least twenty-four concertos dedicated to her. Judging by the concertos performed by soloist Fabio Biondi, the composer entrusted Anna Maria with works requiring enormous facility and musicality. The D Major concerto that opens the recording begins with a brief snatch of
Read moreBrian Eno – solo tour, FOREVERANDNEVERMORE and FOREVERVOICELESS This past Saturday, Brian Eno played the first show of his 2023 tour at the Venice Biennale Musica. The Guardian posted a review of the concert, indicating that it spotlighted Baltic Sea Philharmonia Orchestra, an opportunity presented to Eno as part of his winning Venice’s Golden Lion Award. The centerpiece of the concert was The Ship, a compelling piece that was recorded for Warp in 2016. Eno’s song catalog was also explored, mostly recent material, but reaching back to 1977’s “By This River,” from his fantastic album Before and After Science. Eno’s
Read moreJustin Dello Joio – Oceans Apart (Bridge Records) Composer Justin Dello Joio enjoys a top flight slate of performers on Oceans Apart, his latest recording for Bridge. The title work is a piano concerto, performed live here by the Boston Symphony, conducted by Alan Gilbert, with Garrick Ohlsson as soloist. A short bit of applause is left on the tail end of the recording, otherwise one would never be the wiser. The quality of the rendition and recording are excellent. Dello Joio conceived of Oceans Apart when watching surfers being challenged by massive waves. The concerto translates this
Read moreOn Sunday, October 1, 2023 the Pasadena Conservatory of Music presented Shred, the first of two Wicked GOAT programs scheduled for the 2023/24 season in their Contemporary Music for Young People concert series. Barrett Hall was filled with a capacity crowd that included a gratifying number of well-behaved youngsters. A variety of contemporary compositions, dating from from 1959 to 2020 were presented, including pieces by John Adams, John Corigliano, Jennifer Higdon and Andrew Norman. Top Los Angeles area musicians were on hand to perform the seven pieces that were accessible, lively, abstract and engaging. All were thoughtfully programmed and constituted
Read moreCold Blue Music has announced the release of Darkness and Scattered Light, a new CD of solo works for double bass by John Luther Adams. The album contains three pieces that capture the impressive grandeur of nature from the unconventional perspective of the double bass. Darkness and Scattered Light is extraordinary music, masterfully performed on this CD by the late Robert Black, a long-time collaborator of the composer. John Luther Adams is a Pulitzer Prize-winning composer whose work has long embraced the natural world and chronicled its unsettled relationship to humanity. Three High Places is the first work of the
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Classical Music, Concerts, Contemporary Classical, Lincoln Center, Music Events, New York, Orchestral
When you see New York Philharmonic’s glossy brochures and online ads, you might be hard pressed to spot the new music offerings that are in nearly every program. For instance, “Trifonov Plays Schumann” hides the fact that there is a work for strings by the Lithuanian composer Raminta Šerkšnytė, a composition which Gidon Kremer referred to as “the calling card of Baltic music.” I mentioned this in passing to a staffer at the Philharmonic, and referred to it as a slam on marketing. I immediately regretted uttering that phrase, because it’s not really about that. Marketing managers do what they
Read moreRuss Lossing and King Vulture Alternate Side Parking Music Aqua Piazza Records Russ Lossing, piano, keyboards; Adam Kolker, soprano and tenor saxophone, bass clarinet; Matt Pavolka, bass; Dayeon Seok, drums Photo: Marie Bissétt Pianist Russ Lossing has been a fixture on the New York jazz scene for over thirty-five years. His latest recording, Alternate Side Parking Music on Aqua Piazza, employs a new quartet, called King Vulture, in a set of vibrant compositions. Lossing has worked with saxophonist Adam Kolker and bassist Matt Pavolka for years. It is the addition of the abundantly talented drummer Dayeon Seok that brings
Read more“I remember first reading Robert Fanning’s poetry in 2014; it was as if he was able to give voice to feelings and experiences in a way that made them feel like my own. His words reveal a world of profound beauty that transcends the page.” – David Biedenbender Shell and Wing – YouTube David Biedenbender All We Are Given We Cannot Hold Blue Griffin CD Lindsay Kesselman, soprano; Pittsburgh New Music Ensemble, Kevin Noe, Artistic Director; Garth Newel Piano Quartet with Mingzhe Wang, clarinet; Haven Trio. If a composer is able to find a poet who
Read moreMozart Recital Su Yeon Kim Steinway & Sons CD During her studies, pianist Su Yeon Kim has kept Mozart close. She studied for a decade at Mozarteum University, won first prize at the Concours international de Montréal in 2021 and second place in the International Mozart Competition in Salzburg. Kim has lived for some time in Salzburg. In 2023, she will also reconnect with her hometown Seoul as Artist-in-Residence of Kumho Art Hall. For her Steinway & Sons Mozart Recital, Kim plays two sonatas and a number of smaller pieces, some obscure and seldom performed. Even in these
Read moreLaura Strickling 40@40 Laura Strickling, soprano, Daniel Schlosberg, piano Bright Shiny Things Soprano Laura Strickling was nominated for a Grammy in 2022 for her last CD, Confessions, and has followed this up with forty art song commissions to celebrate her fortieth birthday: the 40@40 project. The eponymous recording features the first twenty of the commissions, with a second volume to follow. 40@40 is already gaining considerable, well-deserved notice. Upon its release, it landed on the top of the Traditional Classical category on the Billboard Charts. Art song doesn’t often garner such a distinction, and Strickling’s advocacy for
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