CD Review, Contemporary Classical, Experimental Music, File Under?

Barbara Monk Feldman on Another Timbre (CD Review)

  Barbara Monk Feldman Verses GBSR Duo with Mira Benjamin Another Timbre CD   Given her association with Morton Feldman, both personal and professional – he was both her spouse and her instructor at Buffalo University – it is tempting to look for comparisons between their compositions. Tempting but unrewarding. Yes, Monk Feldman creates slow, quiet pieces, but so do many composers since Morton Feldman who have greatly departed from his legacy. A fundamental distinction one hears on Verses, Another Timbre’s Monk Feldman recital disc, is that the composer has a cogent sense of form; the longest piece is thirty-one

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CD Review, Contemporary Classical, Experimental Music, File Under?, Piano

Feldman Late Piano Pieces (CD Review)

Morton Feldman Late Works for Piano For Bunita Marcus, Palais de Mari, Triadic Memories Alfonso Gómez Kairos 3xCD   Morton Feldman’s late piano works are totemic structures, influential on a generation of composers from the Wandelweiser collective to American experimentalists. Slow-moving, prevailingly soft, and quite long, apart from the Palais de Mari, which still clocks in at nearly a half hour in duration. This Kairos recording presents compelling renditions of Feldman in clear, focused sound that captures the pedaling and decay of notes with admirable detail. Alfonso Gómez’s recent recording of Messiaen’s Vingt Regards, also on Kairos, was an impressive

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CD Review, Contemporary Classical, Experimental Music, File Under?

Catherine Lamb String Quartets (CD Review)

Catherine Lamb: String Quartets JACK Quartet Kairos 2xCD   Catherine Lamb’s studies with James Tenney at Cal Arts, as well as  substantial research of figures such as Erv Wilson, have led her to crafting compositions with subtle tuning systems based on just intonation. On a double-CD from Kairos, JACK Quartet performs an early piece, Two Blooms (2009), and a recent, gargantuan opus, divisio spiralis (2019). Where extended just-intonation composer Ben Johnston created quartets like his Fourth, based on “Amazing Grace,” where the  focus is melodic cells, Lamb is interested in the confluence of different intervals, creating beats from difference and

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Concert review, Contemporary Classical, Los Angeles, Piano

New Universes: George Crumb’s Makrokosmos at 50

On March 15, 2022 Brightwork Newmusic and Tuesdays at Monk Space presented New Universes: George Crumb’s Makrokosmos at 50. The concert, featuring pianist Nic Gerpe, consisted of the first volume of zodiac music by George Crumb as well as twelve new pieces inspired by Makrokosmos . These made up the movements of The Makrokosmos 50 Project, the second work on the concert program and a Los Angeles premiere. George Crumb was born in 1929 and, after a long and creative life, passed away suddenly on February 6. This concert, planned earlier in the year, unexpectedly became a commemoration for George

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CD Review, Contemporary Classical

Molly Pease – Inner Astronomy

Inner Astronomy is an album of new vocal music from 4Tay Records and composer Molly Pease. Inspired by the poetry of the late Randall Pease, Inner Astronomy is structured as a cantata with exquisite singing and a superbly understated accompaniment from a small string ensemble. The music on the album reflects “ ..the poet’s search for strength and meaning through spare and metaphorical language…” and incorporates a number of experimental techniques. The result a testament to the emotional power of vocal music when guided by a spiritual theme. The poetry of Randall Pease reflects the struggle of the poet with

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CD Review, Contemporary Classical

Tasha Smith Godinez – Metamorphoses

Centaur Records has recently released Metamorphoses, a new CD of harp music by Tasha Smith Godinez. The album features six new works by five different contemporary composers who are friends and colleagues of Ms. Godinez. The result is an engaging variety of new music carefully crafted and brilliantly performed. The opening piece on the album is Hidden, by Sidney Marquez Boquiren. This is intended as a social commentary on the current US immigration situation and was also inspired musically by another work for harp, Pièce Symphonique, by Henriette Reniè. Hidden opens with a strong chord by the harp rising from

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CD Review, Contemporary Classical, File Under?

A Pandemic Recording from Sasha Cooke (CD Review)

how do I find you? Sasha Cooke, mezzo-soprano, Kirill Kuzmin, piano Pentatone CD   Mezzo-soprano Sasha Cooke and collaborative pianist Kirill Kuzmin supply an entry in the “pandemic recording” subgenre, how do I find you?, named after the title piece by Caroline Shaw. Cooke performs a great deal of contemporary repertoire, creating roles in operas and premiering art songs by composers including William Bolcom, Nico Muhly (Marnie at the English National Opera), and Joby Talbot. Apart from a selection by Muhly, all of the songs on the release are with new collaborators, composers in the under-fifty age bracket. Written in

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CD Review, Experimental Music, File Under?

“Wind Bells Falls,” Robbie Lee and Lea Bertucci (CD Review)

Wind Bells Falls Robbie Lee and Lea Bertucci Telegraph Harp   “Glitter and Gleam,” the leadoff single for Robbie Lee and Lea Bertucci’s collaboration Wind Bells Falls immediately brings you into the altered domain of their engaging approach to sound art. An essay for warped celeste, it provides a sense of musique concrète while also exploring a playful sensibility. Bell-like timbres ricochet throughout the soundfield, supplying exactly what the title suggests.    Throughout the nine pieces on the recording, the duo deploys winds, keyboards, and tape machines. Their specialties include using acoustic instruments in unconventional ways and distressing tape to

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Birthdays, CD Review, File Under?, jazz

Ethan Iverson’s Blue Note Debut (CD Review)

Ethan Iverson Every Note is True Ethan Iverson, piano; Larry Grenadier, bass; Jack DeJohnette, drums Blue Note   Pianist Ethan Iverson received an excellent birthday present today: the release of Every Note is True, his debut recording on Blue Note Records. Since departing the Bad Plus, Iverson has worked on a number of projects as a composer, taught at New England Conservatory, written insightful criticism and pedagogical articles on his blog Do the Math and for other publications, and collaborated with musicians such as saxophonist Mark Turner, drummer Bill Hart, and trumpeter Tom Harrell. Followers of these activities will note

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Birthdays, Composers, Contemporary Classical, Electro-Acoustic, File Under?

Moog Celebrates Herb Deutsch with First Episode of GIANTS Series

On Wednesday, February 9th, Herb Deutsch turned ninety years old. Deutsch has been an icon of sound synthesis both as a composer and hardware designer. One of the inventors of the first Moog synthesizers, he designed the keyboard interface that served as the basis for countless synths that followed. Moog Music is using this auspicious occasion to kick off GIANTS, a series of films about synth pioneers. In the video below, Deutsch describes his life, musical inspirations, and the early days of creating versatile hardware to perform and record electronic sound.    After the film about Deutsch, you will soon

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