In the doldrums of summer, it seems like 80 percent of the population in New York City is away, presumably biding their time in cooler and/or more restful locales. That goes for both musicians and their audiences. So no one needs to wonder why there are precious few opportunities for live concert music at this time of year. The TIME:SPANS festival bucks the conventional scheduling trend and throws a dozen concerts onto the calendar in late August (August 13 – 27, 2022). What’s more, the performances are all held in the air-conditioned comfort of the DiMenna Center (450 West 37th
Read moreTwo years ago, I was editing a 2020 interview with the composer David Lang about the new multi-day festival that Bang on a Can planned for that spring, Long Play, when I realized the significance of the festival title. The year 2020 would be Bang on a Can’s 33rd anniversary. Long Play = LP = 33 rpm. Very clever! Although the festival was delayed for two years, it retains its name. The inaugural Long Play festival takes place on April 29, April 30 and May 1, 2022 at a half-dozen venues in Brooklyn, including BAM, Roulette, Littlefield, the Center for Fiction, Mark Morris
Read moreIt’s a brave new world. Large gatherings are prohibited in many cities to help prevent the spread of COVID-19, and so nearly all concerts have been postponed or cancelled. Still, performers and presenters prevail, providing live-streamed concerts, even without a physical audience in attendance. Several resources have popped up to help music-starved ears find concerts online. Here is a list of classical concerts offered live on the internet, worldwide. The list is updated regularly. Performers, presenters and others may submit events via a Google form. (Full disclosure: I created this database). Live Music Project, a concert resource based in Seattle
Read moreNow in their forty-sixth year of singing, the Tallis Scholars, directed by Peter Phillips, have long made an annual December concert at Church of St. Mary the Virgin in midtown Manhattan a stop on their winter tour. Part of Miller Theatre’s Early Music Series, these concerts have focused on Renaissance polyphony, but there have also been some noteworthy new works on the programs. They frequently program the music of Arvo Pärt. Last year’s concert featured the premiere of a piece for the Tallis Scholars written by Nico Muhly. However, this year an imaginative program, titled “Reflections” is on offer that
Read moreOn Sun of Goldfinger, his latest recording for ECM Records, saxophonist Tim Berne partners with guitarist David Torn and percussionist Ches Smith. The outing incorporates the avant-jazz palette usually adopted by Berne and Smith along with amplified sonics and effects incorporated by Torn. There are three long-form pieces on Sun of Goldfinger. “Eye Meddle” builds from a fragmentary welter of ostinatos, each at first seeming to go their own direction, into a tightly interwoven and densely populated texture with wailing upper register saxophone accompanied by an insistent guitar melody and double time rhythms from Smith. Torn’s guitar then soars to
Read moreOn Saturday June 1st at Miller Theatre at 7:30 PM, Louis Karchin and David Fulmer will lead the Orchestra of the League of Composers in a program of contemporary works, including two premieres. Karchin’s premiered work is Four Songs on Poems by Seamus Heaney, performed by soprano Heather Buck. Since I heard her in the title role of Charles Wuorinen’s opera Haroun and the Sea of Stories, I have been a great admirer of Buck’s singing . Heaney’s poetry is another touchstone, making this work one I am particularly keen to hear. Friedrich Heinrich Kern will perform his commissioned piece for glass harmonica and orchestra with the ensemble.
Read moreBarre Phillips Zürcher Gallery By Christian Carey Sequenza 21 May 20, 2019 NEW YORK – ECM Records has released a number of great solo bass recordings. The label’s producer, Manfred Eicher, was himself a bassist, and he has invited a number of fellow low string players to record for ECM. Barre Phillips is a pathfinder in the genre, releasing one of the first solo bass recordings, Journal Violone, on Opus One in 1968. Eicher and he have been keen collaborators for many years, beginning in 1971 with a duo recording of Phillips with Dave Holland, Music from Two Basses, the first of its
Read moreOn Wednesday May 8th, Urban Playground Chamber Orchestra presents the New York premiere of Florence Price’s Violin Concerto No. 2, music by Harry T. Burleigh, and a rarely heard oratorio, And They Lynched Him on a Tree, by William Grant Still. The program, titled From Song Came Symphony. fits the ensemble’s mandate to prioritize the performance of composers who are women and people of color. It focuses on the legacy of Burleigh. I recently caught up with UPCO’s conductor Thomas Cunningham, who told me more about the concert. Cunningham says, ”I found programmatic inspiration in Jay-Z lyrics: Rosa Parks
Read moreTuesday: JACK/SO Tonight at Zankel Performances at Zankel Hall on March 6 at 7 PM (note the early start time) will feature two of contemporary classical music’s estimable chamber ensembles. JACK Quartet and SO Percussion team up in a program that includes a string quartet premiere by Philip Glass, a pitched percussion work by Donnacha Dennehy, and a piece for the combined forces and prepared disklaviers by Dan Trueman. (Tickets here). ****** Open Source Music Festival 2017 Recently Open Source Music Festival was kind enough to send us some videos of JACK and pianist Joel Fan performing as part of
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