Tag: ECM Records

CD Review, File Under?, jazz, Piano

Benjamin Lackner – The Last Decade (CD Review)

Benjamin Lackner Last Decade Benjamin Lackner, piano; Mathias Eick, trumpet; Jérôme Regard, bass; Manu Katche, drums ECM Records   Pianist Benjamin Lackner makes his ECM debut with Last Decade. Joined by a stalwart group of collaborators, many of them ECM alumni who have appeared on many of the label’s releases, Lackner is in an ideal situation to present his compositions, as well as one by bassist Jérôme Regard. A few of the constraints the pianist placed on himself, no electronics, a staple of his previous recordings, and the addition of trumpeter Mathias Eick to his usual piano trio format, have

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CD Review, Contemporary Classical, File Under?

Favorites of 2022: Heiner Goebbels and Ensemble Modern – A House of Call

A House of Call. My Imaginary Notebook. Heiner Goebbels Ensemble Modern, Vimbayi Kaziboni, conductor ECM Records Heiner Goebbels’ A House of Call is an evening length collaboration with Ensemble Modern, an group with which he has collaborated on a number of projects over a thirty-five year period; this is their fourth CD for ECM. Subtitled “My Imaginary Notebook,” a reference to John Cage’s roaratorio via Finnegans Wake by James Joyce, the piece brings together several stylistically distinct sections, notably troping pieces associated with the ensemble. Sound recordings that Goebbels has collected over the years, many of folk music-making, are a

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CD Review, File Under?, Improv

Favorites 2022: Barre Phillips and ​​György Kurtág Jr. (Review)

            Barre Phillips and ​​György Kurtág Jr. Face á Face  ECM Records   Luminary avant-jazz bassist Barre Phillips and György Kurtág Jr., son of the well-known Hungarian composer and an electronic musician, join together on Face á Face. Kurtág uses a variety of synths, providing both pitched material and percussion to complement Phillips’ bass-playing. It might not be a pairing one would have readily thought of, even with Phillips’ long pedigree of collaborations, but Face á Face is a compelling recording.    The album opener, “Beyond,” finds the two in a cat-and-mouse game, Kurtág beginning

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CD Review, File Under?, jazz

Julia Hülsmann Quartet on ECM (CD Review)

Julia Hülsmann Quartet The Next Door Julia Hülsmann, piano; Uli Kemperdorff, tenor saxophone; Marc Muellbauer, double bass; Heinrich Köbberling, drums  ECM Records   Since their 2019 debut recording, Not Far From Here, the Julia Hülsmann Quartet has spent a lot of time touring and gigging, refining their sound and improvisational aesthetic. The group’s latest recording, The Next Door, is primarily comprised of originals by quartet members, alongside a scintillating rock cover. The addition of tenor saxophonist Uli Kemperdorff to Hülsmann’s long standing trio with bassist Marc Muellbauer and drummer Heinrich Köbberling has been a winning choice. Kemperdorff’s florid runs contain

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CD Review, File Under?, jazz

Mark Turner – Return from the Stars (CD Review)

Mark Turner Return from the Stars Mark Turner, saxophone; Jason Palmer, trumpet; Joe Martin, double-bass, Jonathan Pinson, drums ECM Records   In recent years, saxophonist Mark Turner has appeared as a collaborator on a number of ECM recordings, including CDs with Billy Hart and Ethan Iverson. His latest, Return from the Stars, is the first quartet outing he has recorded for the label as a leader since 2014’s Lathe of Heaven. The players who join Turner are trumpeter Jason Palmer, bassist Joe Martin, and drummer Jonathan Pinson. All of the tunes are originals by Turner, and he demonstrates versatility and

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CD Review, File Under?, jazz

Vermillion: Kit Downes on ECM (CD Review)

Kit Downes Vermillion Kit Downes, piano; Petter Eldh, double bass; James Maddren, drums ECM Records   After listening to Obsidian, Kit Downes’s debut as a leader for ECM, one might justifiably think from his considerable prowess as an organist that it was his sole specialty. Not so, as is eminently demonstrated on Vermillion, a piano trio album in a modern jazz idiom for ECM. On a set of originals by Downes and bassist Petter Eldh, along with a rendition of  “Castles of Sand” by Jimi Hendrix, these two musicians along with drummer James Maddren demonstrate a simpatico collaboration, filled with

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Best of, CD Review, Classical Music, Contemporary Classical, File Under?, jazz

Best of 2021: ECM Recordings

Parker Quartet; Kim Kashkashian, viola György Kurtág: Six moments musicaux; Officium breve Antonin Dvořák: String Quintet op. 97 ECM Records   The Czech composer Antonin Dvořák (1844-1901) and Hungarian composer György Kurtág (1926-) are seldom mentioned in the same breath. One is more often likely to hear Dvořák being discussed in relation to his older colleague Johannes Brahms, and a similar pairing might be made between Kurtág and György Ligeti. However, they are paired by the Parker Quartet and violist Kim Kashkashian on a 2021 ECM CD.    While their musical languages are worlds apart, connections between Dvořák and Kurtág,

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Best of, CD Review, File Under?, Improv, jazz

Best of 2021 – Craig Taborn on ECM (CD Review)

Sequenza 21 Best of 2021   Craig Taborn Shadowplay ECM Records   I first became aware of pianist Craig Taborn in the early aughts, writing about him for (dearly departed) Copper Press and Signal to Noise and contributing reviews of his various outings as leader and sideperson since. In his recent playing, Taborn has displayed increasing expansiveness and interest in diversely complex formal designs. Shadowplay is a 2020 live recording of the pianist at Konzerthaus, Wien. The full hour and a quarter of it is improvised material, some pieces providing a fresh perspective on Taborns creativity.   The opener, Bird

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Best of, CD Review, File Under?, jazz

Best of 2021: Andrew Cyrille Quartet (CD Review)

Best of 2021 Andrew Cyrille Quartet The News  ECM Records David Virelles, piano; Bill Frisell, guitar; Ben Street, bass; Andrew Cyrille, drums and percussion   Andrew Cyrille is now an octogenarian, an age at which many musicians have already retired or are slowing down. Cyrille retains a superlative technique and while his latest quartet outing for ECM, The News, emphasizes interplay and texture over power, it is clear that there is much of that yet remaining in the drummer’s arsenal as well.    Cyrille is credited with three of the compositions on The News. The title track was originally a

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CD Review, File Under?, Guitar

Ferenc Snétberger and Keller Quartett on ECM (CD Review)

Hallgató Ferenc Snétberger, guitar; Keller Quartett: András Keller, Zsófia Környei, violins; Gábor Homoki, viola; László Fenyő, violoncello; Gyula Lázár, double bass ECM Records   Recorded live in the Grand Hall of Budapest’s Liszt Academy, Hallgató chronicles an ongoing collaboration between guitarist Ferenc Snétberger and the Keller Quartett. The concert’s program is one of memory and mourning, referencing the Holocaust and repression in Russia and Eastern Europe under Stalin. For the guitarist, whose mother was Roma and father Sinti, a sense of collective mourning, alongside a spirit of resistance, are closely intertwined aspects of his biography and musical resources. The Keller

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