Composers Forum is a daily web log that allows invited contemporary composers to share their thoughts and ideas on any topic that interests them--from the ethereal, like how new music gets created, music history, theory, performance, other composers, alive or dead, to the mundane, like getting works played and recorded and the joys of teaching. If you're a professional composer and would like to participate, send us an e-mail.


Regular Contributors


Adrienne Albert
Beth Anderson
Larry Bell
Galen H. Brown
Cary Boyce
Roger Bourland
Corey Dargel
Lawrence Dillon
Daniel Gilliam
Peter Gordon
Rodney Lister
Ian Moss
Tom Myron
Frank J. Oteri
Carlos R. Rivera
David Salvage
Stefano Savi Scarponi
Alex Shapiro
Naomi Stephan
David Toub
Judith Lang Zaimont

Composer Blogs@ Sequenza21.com

Lawrence Dillon
Elodie Lauten
Anthony Cornicello
Everette Minchew
Tom Myron

Alan Theisen
Corey Dargel



Latest Posts


Laboratory Theater
Corey Dargel

Blogging editorial rules and etiquette?
Lou Bunk

Hooks
Cary Boyce

Speak, Mnemosyne
Lawrence Dillon

Post-Tonal Pickup Lines
David Salvage

Cessation of Movement
Lawrence Dillon

another new music festival, and why shop at record...
David Toub

Electronic Music History Book?
Lou Bunk

I am in the Union even if you think I suck
Lou Bunk

Why Theory
David Salvage


Beepsnort Lisa Hirsch


Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019


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Friday, July 29, 2005
Am I a Snob? Are You a Snob?

Intellectually, we all know that one kind of music cannot be considered superior to another: people need music for different reasons, and different musics have emerged to meet those needs. Someone doesn’t care for one kind of music not because that music is "bad," but because one is simply not needy for what that music has to give.

Intuitively, however, I sometimes find it hard to keep all this in mind. I had such a moment a week ago while listening to Clifford Curzon’s recording of Beethoven’s Fifth Piano Concerto with Hans Knappertsbusch and the Vienna Philharmonic. So rich and colorful was the music, so flawless the performance, that I said aloud to the friend I was with that, damn it, there was some fine pop music out there, but nothing – nothing – like this. How pale even the Beatles were next to such magnificence!

Do you have moments like this, too? Or am I just a hopelessly elitist Germanophilic snob who’s out of touch with . . . everything?

 



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