Cello

CD Review, Cello, File Under?, Orchestral, Twentieth Century Composer

Perle Orchestral Music on Bridge (CD Review)

George Perle Orchestral Music 1965-1987 Jay Campbell, cello Seattle Symphony, Ludovic Morlot, conductor George Perle Vol. 4, Bridge Records 9499   A recording of five previously unrecorded pieces, Orchestral Music 1965-1987 supplies excellent renditions of an underserved segment of composer George Perle’s output. Best known for his chamber music – he received a Pulitzer for his Wind Quintet No. 4 – Perle (1915-2009) also had significant orchestra commissions, including a residency with San Francisco Symphony and a 150th anniversary commission from the New York Philharmonic. Those who know his work as a music theorist will also be aware of his

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Cello, Concert review, Contemporary Classical, Experimental Music, Los Angeles

David Mason, Daniel McNamara in Concert

Searching for Serotonin, the west coast tour by cellist David Mason and sound projectionist Daniel McNamara, landed at the Ventura College Performing Arts Center on Wednesday, November 15, 2017. Four works of experimental new music were presented including pieces by Kaija Saariaho and György Ligeti. A midweek crowd of the knowledgeable and the curious gathered to hear a combination of acoustic cello and electronics as presented by Mason and McNamara. The concert began with Sonata for Solo Cello, by György Ligeti. This was written between 1948 and 1953 at the height of Stalin’s power in Soviet Russia, and consists of

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CDs, Cello, File Under?, Recordings

Mariel Roberts on New Focus (CD Review)

Mariel Roberts Cartography New Focus Recordings CD/DL Mariel Roberts Cartography New Focus Recordings CD/DL Cellist Mariel Roberts’ second solo album, Cartography, provides a stylistically diverse set of pieces that are all played compellingly and with earnest commitment. Eric Wubbels’ ‘gretchen am spinnrade’ has little to do with Schubert apart from taking the spinning wheel as its motivation. Indeed, spinning gestures abound, but they are hyperkinetic in terms of speed and demeanor (Wubbels plays the piano with almost daemonic fury). Roberts is required to retune her cello, employ microtones, and scratch strings with her fingernails. The propulsive sections are on the

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Cello, Concert review, Contemporary Classical, File Under?, New York, Orchestras

Esa-Pekka Salonen’s Concerto for Yo-Yo Ma

Yo-Yo Ma Premieres Salonen Concerto in New York March 15, 2017 Sequenza 21 By Christian Carey   NEW YORK – One of the most eagerly anticipated New York premieres of 2017 was Esa-Pekka Salonen’s Cello Concerto, written for Yo-Yo Ma. It had been presented shortly before by the Chicago Symphony, and buzz had grown around the piece based on positive reports from the these concerts. At David Geffen Hall, the New York Philharmonic showed that the Chicagoans hadn’t cornered the market: they had much to offer in this engrossing work. Outgoing Music Director Alan Gilbert made a strong impression with

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Cello, Chamber Music, Classical Music, Concert review, Contemporary Classical, File Under?, New York, Piano

Couturier and Lechner at Greenwich Music House (Concert Review)

Francois Couturier and Anja Lechner Greenwich Music House New York February 18, 2017 By Christian Carey Five Things to Like About Francois Couturier and Anja Lechner in duo performance Versatility — These are two musicians who are able to play in a plethora of styles: classical, jazz, world music, et cetera. I first interviewed cellist Anja Lechner for a Signal to Noise feature about the bandoneonist Dino Saluzzi. I was impressed with her versatility then and remain so today. Pianist Francois Couturier is an eminently qualified performing partner for Lechner. Ensemble — Even though most of their set consisted of

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Cello, Concert review, Contemporary Classical, Los Angeles

Zoë Keating at the Shannon Center

On Saturday, February 11, 2017 Zoë Keating made a Southern California appearance as part of the ongoing Real New Music concert series at Whittier College. A large crowd filed into the Ruth B. Shannon Center for the Performing Arts for an evening of improvisation combined with electronic looping and exceptional cello playing. The performance followed an hour-long demonstration session by Ms. Keating, held earlier that afternoon in the concert hall. Tetris Head was the first piece on the program, and this illustrated something of the methods and form of Ms. Keating’s music. The cello was fitted with a small microphone

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Cello, Chamber Music, Concerts, Contemporary Classical, File Under?

Danish Piano Trio debuts at Weill Hall

Photo: THOMAS GRØNDAHL This Thursday, the Danish Piano Trio will make their US recital debut at Weill Recital Hall at Carnegie Hall. The group – Katrine Gislinge, piano, Toke Møldrup, cello, and Lars Bjørnkjær, violin – will present piano trios by Niels Gade and Felix Mendelssohn (one of my personal favorite chamber works, the swoon-worthy Piano Trio in D minor). The group will also present the premiere of Bent Søresen’s Abgesänge. Pianist Steven Beck guests, joining Møldrup in the world premiere of Geoffrey Gordon’s Fathoms (Cello Sonata). The group’s DaCapo recording Danish Romantic Piano Trios is out now. CONCERT DETAILS

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Austin, Cello, Chamber Music, Classical Music, Concerts, Contemporary Classical, Houston, Strings

Grandchildren of Minimalism: The Miró Quartet’s Joshua Gindele On Playing Philip Glass’s String Quartet No. 5

(The Miró Quartet) (Houston, TX) As a way of acknowledging the impact composers such as Terry Riley, Meredith Monk, Steve Reich, and Philip Glass made on him in his formative years, composer John Zorn has described himself as a “child of minimalism” and said that the influence of the minimalist school “is somewhere in almost everything I do.” Cellist Joshua Gindele, a founding member of the Austin-based Miró Quartet, probably wouldn’t describe himself as a child or even a grandchild of minimalism, since Glass’s repertoire, as well as the repertoire of several of the composers we’ve come to associate with

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Cello, Chamber Music, Classical Music, Composers, Concerts, Contemporary Classical, Houston, Piano, Strings, Violin

The Gryphon Trio Bridge Musical And Artistic Genres

(Houston, TX) Next week here in Houston, contemporary music rears its terrifying head in the form of Canada’s Gryphon Trio on two very different concerts presented by the Houston Friends of Chamber Music. On Sunday, February 10, the Trio and special guest soprano Patricia O’Callaghan present and evening of contemporary cabaret music in support of their recent CD collaboration Broken Hearts and Madmen, which includes stunning arrangements of songs by Laurie Anderson, Leonard Cohen, Nick Drake, Astor Piazzolla, and Elvis Costello. On Tuesday, February 12, the Trio performs a program of piano trio music at Rice University, including contemporary works

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Cello, Chamber Music, Concerts, Contemporary Classical, Downtown, Electro-Acoustic, Festivals, File Under?, New York

Maya Beiser: “Just Ancient Loops” (Video)

We’re pleased to introduce cellist Maya Beiser’s performing the Michael Harrison composition “Just Ancient Loops,” with film by Bill Morrison, which will receive its premiere at the Bang on a Can 25th Anniversary Marathon this coming Sunday in NYC. [vimeo]http://vimeo.com/43002580[/vimeo] This is just one of many performances that will occur over the marathon’s 12 hours of free live music-making: check out the complete schedule online here. Congrats to the can bangers – may you have many more seasons of marathoning!

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