Classical Music

Classical Music, Concerts, Experimental Music, Music Events, New York

Bach, Levit, and Abramović at the Armory

At 7 PM on Monday, December 7, the Armory will debut a newly commissioned performance series that combines the talents of pianist Igor Levit and artist Marina Abramović. In Goldberg, which runs from December 7-19, Levit and Abramović collaborate to transform J.S. Bach’s legendary Goldberg Variations in a presentation that challenges traditional notions of audience engagement, intimacy, and transcendence. As the Armory’s publicist describes, “Igor Levit will perform all 30 of the variations on a platform as it slowly moves into the center of the audience and rotates throughout the piece’s progression. Employing elements of the Abramović Method, the work

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Chamber Music, Classical Music, Composers, Concerts, Contemporary Classical, Music Events, New York

RighteousGIRLS CD release party

RighteousGIRLS will be celebrating their new disc gathering blue with a release party at Joe’s Pub at 7 P.M. this Friday, August 7th. Flutist Gina Izzo and pianist Erika Dohi will, of course, be there to throw down with their exciting and inventive program and they will be joined by Kendrick Scott & Andy Akiho as well! RighteousGIRLS collected an exceptional collection of genre-blending works using flute, piano, electronics, guest performers, improvisation, and all the things that make today’s contemporary music engaging and exciting. A video of Pascal Le Boeuf’s piece GIRLS as well as audio of Andy Akiho’s KARakurENAI can

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Brooklyn, CDs, Chamber Music, Classical Music, Composers, Conductors, Contemporary Classical, Interviews, jazz, Minimalism, New Amsterdam, New York, Orchestral

The Changing Same: Numinous New Music from Joseph C. Phillips, Jr.

If you’re a fan of new music, be it “indie-classical” or whatever it’s being labeled this week, then you must check out the music of composer and conductor Joseph C. Phillips, Jr. Phillips’ music, composed and arranged for his ensemble Numinous, a large chamber group (or small orchestra?) of woodwinds, brass, strings, tuned percussion, electric instruments and vocalists, is a complex, finely detailed amalgam of classical, minimalist, South American, Asian, and African American influences, with a distinctive “sound” that is instantly identifiable, yet full of surprises. (You know those descriptive terms “Brahmsian” or “the Mingus effect”? It’s like that.) Phillips’

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Chamber Music, Classical Music, Composers, Concerts, Contemporary Classical, Flute, Houston, Improv, Interviews, jazz, Performers

The Imani Winds Bring Improvisation to Classical Chamber Music Performance

Imani Winds: Jeff Scott, Toyin Spellman-Diaz, Valerie Coleman, Monica Ellis, and Mariam Adam. (Photo by Matthew Murphy) (Houston, TX) Since the group’s inception in 1997, the Imani Winds have continued to expand the relatively small-sized repertoire for wind quintet by commissioning several works by such forward-thinking composers as Alvin Singleton, Roberto Sierra, Stefon Harris, Daniel Perez, Mohammed Fairouz, and Houston’s own Jason Moran. Moran’s four-movement work Cane, Moran’s first composition for wind quintet, appears on the Imani Winds’ 2010 album Terra Incognita, along with pieces by two other jazz masters, Paquito D’Rivera and Wayne Shorter. (The Imani Winds appear on

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Austin, Cello, Chamber Music, Classical Music, Concerts, Contemporary Classical, Houston, Strings

Grandchildren of Minimalism: The Miró Quartet’s Joshua Gindele On Playing Philip Glass’s String Quartet No. 5

(The Miró Quartet) (Houston, TX) As a way of acknowledging the impact composers such as Terry Riley, Meredith Monk, Steve Reich, and Philip Glass made on him in his formative years, composer John Zorn has described himself as a “child of minimalism” and said that the influence of the minimalist school “is somewhere in almost everything I do.” Cellist Joshua Gindele, a founding member of the Austin-based Miró Quartet, probably wouldn’t describe himself as a child or even a grandchild of minimalism, since Glass’s repertoire, as well as the repertoire of several of the composers we’ve come to associate with

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Classical Music, Composers, Resources, Websites

Online Score Distribution Options

The common plight of the self-publisher is the issue of distribution. Sure, we all have access to professional-grade notation software and binding equipment but these tools do not help us get our work into the hands of performers nor do these tools help us find potential interested groups and expand our music into the larger world. The internet has been a boon for distributing other self-developed media, be it Bandcamp, Tunecore, CD Baby, Soundcloud, Vimeo, or YouTube. In recent years similar sites have been popping up to assist with the distribution of printed materials. Lulu.com is marketed towards self-published authors

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Chamber Music, Classical Music, Recordings, Strings

Fellowship of the Strings

Since no one listens to contemporary classical music, and it doesn’t get put on concert programs, to have a new work not only recorded but recorded again, by different musicians, is an impossible dream. But that’s what happens when you’re John Adams, America’s leading composer. And deservedly so, because he’s a deeply skilled and intelligent composer with serious things to say and the aesthetic to say them clearly, expressively and winningly without pandering to or patronizing his audience. But he is a busy man, and some of his recent work, like Absolute Jest and The Gospel According to the Other

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Choral Music, Classical Music, Commissions, Composers, Concerts, Conductors, Contemporary Classical, New York, Premieres, Women composers

New York Virtuoso Singers Presents 25th Anniversary Season Concert on March 3 at Kaufman Center’s Merkin Concert Hall, Featuring World Premieres of 13 Works by Major American Composers

The New York Virtuoso Singers, Harold Rosenbaum, Conductor and Artistic Director, will present the third concert of their 25th Anniversary season on Sunday, March 3, 2013 at 3:00 PM at Kaufman Center’s Merkin Concert Hall, 129 West 67th St. (btw Broadway and Amsterdam) in Manhattan. This event, co-sponsored by Merkin Concert Hall, marks NYVS’s return to the venue where they presented their first concert in 1988. To celebrate their 25th Anniversary, Harold Rosenbaum and the NYVS asked 25 of this country’s most important composers to create new works. The March 3 concert will feature World Premieres of 13 of these

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Cello, Chamber Music, Classical Music, Composers, Concerts, Contemporary Classical, Houston, Piano, Strings, Violin

The Gryphon Trio Bridge Musical And Artistic Genres

(Houston, TX) Next week here in Houston, contemporary music rears its terrifying head in the form of Canada’s Gryphon Trio on two very different concerts presented by the Houston Friends of Chamber Music. On Sunday, February 10, the Trio and special guest soprano Patricia O’Callaghan present and evening of contemporary cabaret music in support of their recent CD collaboration Broken Hearts and Madmen, which includes stunning arrangements of songs by Laurie Anderson, Leonard Cohen, Nick Drake, Astor Piazzolla, and Elvis Costello. On Tuesday, February 12, the Trio performs a program of piano trio music at Rice University, including contemporary works

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Chamber Music, Classical Music, Composers, Concerts, Contemporary Classical, Downtown, Music Events, New York, Performers, Premieres

Le Train Bleu in Concert on February 6 at DROM in New York City – World Premiere of Seven Stories by Lawrence Dillon and Works by Thomas Ades, Matt Marks and Eric Nathan Also Presented

Le Train Bleu, conducted by Ransom Wilson, will present Toy Stories, a concert on Wednesday, February 6 – 7:00 PM at DROM, 85 Avenue A (between 5th and 6th) in New York, N.Y. The evening will feature the World Premiere of Lawrence Dillon’s Seven Stories for soprano and eight instruments. The piece was composed to an original text. The composer writes, “A stuffed animal falls from an apartment window. As it falls, it peers into each passing window, trying to create stories from what it sees.” Read his recent blog post about it at https://www.sequenza21.com/dillon/?p=1962. The new work will be

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